O Maria super foeminas
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1 O Maria super femas à 5 In mni tempre ad Mariam Virg. Transcribed and edited by Leis Jnes Orazi Vecchi Cantus Altus Qutus Tenr b C B b b C be - ne - Bb C Bb C Bassus b b b C 5 di su - per fe - mi-nas be - ne - di be - ne - di - cta, O Ma - ri - Su - per fe - mi-nas be - ne - di -
2 2 10 cta, be ne - di - be - ne - di - cta, be - b cta, su - per fe - # a be ne - di - cta, su - b cta, su - per fe - 15 # <n> # <n> - cta O fe - lix - be - - di - en - # - ne - di cta O fe - lix - be - di - cen - ti - # - mi-nas be - ne - di - - cta O fe - b per fe - mi-nas be - ne - di - cta b - mi-nas be - ne - di - - cta O fe - lix - ben - di - # a, O fe lix - be - di - en # <n> b # lix - be - di - en - O fe - lix - be - di - en O fe - b - be - di - en O fe - lix - be - di - en - ti - a b #
3 25 en ti - a n # - be - di - en - - ti - a O - si - gnis gra be - di - en - ti - a O - si - gnis lix - be - di - en - ti - a 31 # gra # ti - a 37 n Ce - li - - fi-cem Ce - dum fi - de de - dit hu - mi - - li - ter b b b dum fi - dem de - - dit hu - mi - li - ter Ce - li - - fi - # b b dum fi - dem de - dit hu - mi - - li - ter
4 4 42 # se cr - p - ra - - vit, ce - li - - fi-cem li - - fi - cem se cr - p - ra - vit, ce - li - Ce - li - - fi-cem se cem se cr - p - ra - - vit, Ce n - li - - fi - cem se cr - p - ra # # # se cr - - p - ra vit, ce - li - - fi- cem, ce - li - - fi- cem, ce - li cr n - p - ra - - vit, ce - li - - fi - cem se, ce - li - - fi - cem se cr - p - ra vit, ce - li - - fi fi - cem se cr b b - fi - cem, ce - li fi - ce - li - - fi - cem n # vit, ce - li - b cem, ce - li fi - cem
5 55 -p - ra vit. # # # cem se cr - p - ra vit. 5 se cr - p - ra - - vit. # - fi - cem se cr - p - ra vit. se cr - - p - ra vit. Surce: [PART NAME IN LATIN]/SACRARUM CANTIONUM/HORATII VECCHII/In Cathedrali Ecclesia Mutae Musicae Magistri./Quque, Sex, Septem, Oct Vcibus./LIBER SECUNDUS./Nunc primum lucem editus./ [COAT OF ARMS]/Venetiis Apud Angelum Gardanum./[RULE]/M. D. LXXXXVII. Sme archaic features f the surce rthgraphy have been mdernised. The surce cmprises eight partbks. The present mtet is n. 3 the publicat. Editrial methd: Origal partbk names, time signatures and nte durat have been retaed. Clefs have been mdernised, ith rigals appearg prefatry staves. The verall range f each part is shn black stemless ntes befre the itial time signature, t hich the music has been barred. The music has been transpsed alla quarta bassa deference t the chiavi alti. Editrial accidentals appear ve the stave, hereas curtesy accidentals appear parentheses. Ligatures are shn by square brackets ve the stave, clrat by terrupted square brackets. Text and translat: All punctuat save fr the fal full stp is editrial. Ditt marks the surce underlay have been expanded usg italic text. O Maria super femas benedicta O felix bedientia O signis gratia dum fide dedit humiliter Celi ficem se crpravit. O Mary, blessed ve all men, O happy bedience, O distguished grace Which yieldeth humble faith, and embdied her him h madest the heavens. Critical cmments: Cmprisg surce readgs nt retaed the Edit, given the rder bar, part, bject, cmment. 54,A,5, b Leis Jnes, 2016
Orazio Vecchi ( ) Vulnerasti cor meum. à 6. Transcribed and edited by Lewis Jones
Orazio Vecchi (1550-1605) nerasti cor um à 6 Transcried and edited y Leis Jones Source: [PART NAME IN LATIN]/SACRARUM CANTIONUM/HORATII VECCHII/In Cathedrali Ecclesia Mutinae Musicae Magistri./Quinque,
Giovanni Gabrieli (c ) Ego dixi, Domine. à 7. Transcribed and edited by Lewis Jones
Giovanni Gabrieli (c. 1555-1612) go dixi, Domine à 7 Transcribed and edited by Leis Jones Source: certi, 159 The source comprises telve partbooks, the title pages of hich re: [PART NAM IN ITALIAN]/CONCRTI/DI
Claudio Merulo ( ) Ave gratia plena. Transcribed and edited by Lewis Jones
Claudio Merulo (1533-1604) Ave gratia plena à8 Transcried and edited y Leis Jones Source: Sacrorum Concentuum (1594) Venice: Gardano. No. 1 The title-page of each partook reads: [PART NAME IN LATIN]/SACRORVM/CONCENTVVM/Octonis,Den:
Ecce dies venit desideratus
Bartolomeo Spontone (1530 - c. 1592) Ecce dies venit desideratus à 7 Transcribed and edited by Leis Jones Source: The source comprises telve partbooks, the title pages of hich read: [PART NAME IN LATIN]/RELIQUIAE/SACRORUM/CONCENTUUM/GIOVAN
Vidi civitatem sanctam
Ozio Vehi (1550-1605) di ivitatem santam à6 Tnsribed and edited by Leis Jones Soure: [PART NAME IN LATIN]/MOTECTA HORATII/VECHII MUTINENSIS/CANONICVS CORIGIENSIS/ Quaternis, Quinis, Senis, /Otonis Voibus./Nun
Domenico Brunetti (c ) Ave verum corpus. Transcribed and edited by Lewis Jones
Domenico Bretti (c.1580-1646) Ave verum corpus à7 Transcribed and edited by Leis Jon The source: The title page to each "vocal" partbook of the source reads: [PART NAME]/Promptuarii musici,/sacras HAR-/MNIAS
Salve victima salutaris
Girolamo Giacoi (1567-1629) Salve victima salutaris à7 Transcried and edited y Leis Jones Source: Schadeus, and Vincenti, (eds.), (1612) Promptuarii musici, pars altera, Strassurg: Kieffer and Ledertz.
Saule, Saule, quid me persequeris?
Ludovico Bali (c.1545-1604) le, le, quid me persequeris à7 Transcried and edited y Leis Jones Source: Schadeus, and Vincenti, (eds.) (161) Promptuarii musici pars tertia, Strassurg. Kieffer and Ledertz.
Qui vult venire post me
Cstnz Prt (c.1528-1601) Qui vult venire pst me à7 Trnscried nd edited y Leis Jnes Surce: Scheeus, nd Vincenti, (eds.) (1613) Prmpturii musici, prs terti. Strssurg: Kieffer nd Ledertz. N. 8 Criticl cmmentry:
Alma Nemes. Transcribed from several period publications. - ma Ne - mes. w œ w. Ne - mes. w w w w. - mes, quae di - ce - re Cy - pris
SOPRANO ALTO TENOR BASS 4 2 4 2 4 2 4 2 - - ma Ne - s - ma Ne - s so - la ma Nes Transcribed from sever period publications # - - ma Ne - - s # Orlando di Lasso (c. 1532-1594) # - ma Ne - s so - la œ #
Verbum caro factum est
Edited by ason Smart erbum caro factum est ohn Sheppard (d.1558) 3 rulers of the choir er - bum Treble Mean Countertenor 1 er - Countertenor 2 Tenor [Missing] er - bum ca - ass ca - ro. er - bum ca - ro
Summi triumphum. & bc. w w w Ó w w & b 2. Qui. w w w Ó. w w. w w. Ó œ. Let us recount with praise the triumph of the highest King, 1.
Sequence hymn for Ascension ( y Nottker Balulus) Graduale Patavienese 1511 1. Sum Summi triumphum Let us recount ith praise the triumph of the highest King, Henricus Isaac Choralis Constantinus 1555 3
Thomas Tallis Mass for 4 voices
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Alma redemptoris mater
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Commissioned by Paul and Joyce Riedesel in honor of their 45th wedding anniversary. Lux. œ œ œ - œ - œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ.
LK0-0 Lux/ a caella $2.00 Commissioned by aul and Joyce Riedesel in honor of their 5th edding anniversary. Offertorium and Communio from the Requiem Mass f declamatory - solo - - - - U Ex - au - di o -
ANCIENT GROOVE MUSIC ( ) Motets for Holy Week. Edited by BEN BYRAM WIGFIELD
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DEUS CARITAS EST SATB Choir, Soloist, Organ. œ œ. œœœœœ. œ œœœ œ œ œ
INTRODUCTION 4? 4? 4 4? q = c 72? 7? SAMPLE From the repertoire of the International Federation of Little Sgers (Foederatio Internationalis Pueri Cantores, FIPC) Bibliorum Sacrorum nova vulga editio Eng
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C O R M E U M E S T T E M P L U M S A C R U M (MY HEART IS A HOLY PLACE) text and music by P A T R I C I A V A N N E S S text transated into Latin by E D W A R D J. V O D O K L Y S, S. J. Cor meum est
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TI,DIOS ( re God) INTRO South erican Dance (q = ca 80) # %? Bilingual Spanish nglish? RFRIN: 1st time: ; reafter: Soprano/Melody F lto Tenor m claim ce - claim you; mos; you; Dios, Dios, God, J J Text:
A TI,DIOS (You Are God) œ œ. œ œ œ œ. œ. œ. œ. Dios, Dios, God, we ac -
Keyboard ITRO South erican Dance (q = ca. 80) TI,DIOS ( re God)....... the Se - the.. m Bilingual Spanish nglish.. % % Text: Spanish: Rosa María Icaza, VI, 1999, Mexican erican ultural enter. rights reserved.
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Halina, Hesus. (Advent) œ N œ œ œ. œ œ œ œ œ. œ. œ œ œ œ. œ œ. C F G7sus4. œ. # œ œ J œ œ œ J. œ œ. J œ. # œ. # œ œ œ
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dulces exuuiae dum fata deusque sinebat seet castoff garments, hile fate and god alloed, accipite hanc animam meque his ex soluite take this spirit and me from these cares curis. Relieve. Uixi et quem
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