IOWA ALL-STATE MUSIC FESTIVAL November 15, 16, 17, 2012 IOWA STATE CENTER - AMES, IOWA

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1 IOWA ALL-STATE MUSI FESTIAL November 15, 16, 17, 2012 IOWA STATE ENTER - AMES, IOWA Festival Director Alan S. Greiner Ioa High School Music Assoc. Boone, IA (515) All-Sta Band hair hris randell 5600 Westridge ourt West Des Moines, IA (515) All-Sta Orchestra hair Ann Osborne Gribbins Indianola High School Indianola, IA (515) x 2125 All-Sta horus hair Jackie Burk Belmond-Klemme High School Belmond, IA (641) x 232 August, 2012 The All Sta horus onductor ill be Dr. Jerry O. Blackstone, Director of horal Activities and Professor and hair of onducting at the University of Michigan, Ann Arbor, Michigan Program America the Beautiful arr. by armen Dragon 0993D Accompaniment: Band SATB/divisi eni Sanc Spiritus by W.A. Mozart Arista Music o. AE 581 Accompaniment: hamber Orchestra Soli/SATB Ave Maria, gratia plena by Tomas Luis de ictoria PDL Accompaniment: a cappella SATB Double hoir Edition: (a copy of this ork is included in this information packet you should duplica and distribu this copy to your students make sure you use THIS edition) Dominus obiscum by Sydney Guillaume Walton Music HL Accompaniment: a cappella SATB divisi/baritone Solo Sure On This Shining Night by Morn Lauridsen Peer Music Accompaniment: Piano SATB Skip To My Lou arr. Paul Busselberg Walton Music HL Accompaniment: Piano, 4 Hands SSAATTBB Battle Hymn of the Republic arr. Wilhousky arl Fischer #M4743 Accompaniment: Orchestra SATB/divisi Please read all the information in this packet. There are specific assignments for audition districts in Ave Maria. Directors Nos have been supplied by Jerry Blackstone. Please copy these for your students and mark all music accordingly. We have included one copy of Ave Maria, gratia plena by Tomas Luis de ictoria in this packet from the PDL. You ill need to duplica this copy for your students. America the Beautiful use the armen Dragon arrangement. It ill be accompanied by the band.

2 Ave Maria NW, N, NE Districts should prepare hoir 1 parts; SW,S,SE Districts should prepare hoir 2 parts. All Sta Pianists The 2012 Festival ill need 3 piano players. Students auditioning for All Sta Pianist must be an eligible member of the school s band, chorus, or orchestra. To pianists ill be selecd as accompanists for the All Sta horus and one ill be selecd for the Orchestra. The registration fee does NOT cover the cost of the music for the All Sta piano players. You can purchase the choral music, including the patriotic songs from Kephart s Music ( ). The piano music for the orchestra must be obtained by contacting the IHSMA office. Those ho audition ill need to learn BOTH the primo and secondo part for Skip to My Lou. They also need to kno the patriotic numbers. First round auditions are held Sat., Oct. 20 at the six district audition sis. Second round auditions ill be held 11 a.m. on Wed. Oct. 24 at the Ioa Sta University Music Building. PLEASE READ ALL THE AUDITION INSTRUTIONS IN THE IHSMA FALL BULLETIN. Please contact me ith any questions or concerns. Jackie Burk W (641) ext.232 H (641) (641)

3 2012 IOWA All-Sta Nos Jerry Blackstone, conductor Mozart: eni Sanc Spiritus, K. 47 We ill use standard Italiana Latin pronunciation (accende=ah-hen-deh, for example) Translation eni Sanc Spiritus reple tuorum corda fidelium. eni Sanc Spiritus et tui amoris in eis ignem accende qui per diversitam linguarum cunctarum gens in unita fidei congregasti. Allelua. ome, Holy Spirit fill the heart of the faithful. ome, Holy Spirit and your love in us igni (kindle): ho, through different languages, uni the faithful people gathered here. Nos: Tempo: quarr no=140 Ms. 9 EH-nee; make sure syllabic stress is very obvious; shape mini-phrases feel the hemiola: ONE to THREE one TWO three one 13 no accent on final syllables; SPEE-ree-toos 15 B: final no, eighth no, eighth rest 16 S: rest on beat one feel the hemiola: ONE to THREE one TWO three one 19 soli cresc 20 soli dim 21 soli cresc 22 soli dim 23 inflect at comma 28 NO accent on donbeat hemiola 37 on atch xt stress: TU-I; a-mo-ris; I-gnem 42 A: eighth rest on donbeat 46 cresc 47 dim ah-hen-deh; accent stressed syllables 50 on di-ver-si-ta-m lin-gua-rum cunc-ta-rum; no equal syllables; all eighd according to syllabic stress 54 GEN-s; u-ni-ta-; FI-de-i 60 con-gre-ga-sti; gre=greh, not gray 64 inflect at comma 67 inflect at comma 68 inflect at comma 74 inflect at comma 77 A: nos are tricky and must be accura, especially the B Natural 79 B: nos are tricky and must be accura, especially the B Natural

4 83 a-en-de 89 E-ni SA-nc SPI-ri-tus 96 in ONE to a bar; half=96; this is qui fast! 97 a-lle-lu-a; make sure it s leh, not lay 105 inflect at the comma 109 S: quarr, eighth no, eighth rest 111 S: same rhythm as A: same rhythm as Sop in , 119 inflect at the comma 131 inflect at comma 140, 142, etc inflect at commas 148 A: first no should be D-Sharp 186 rhythm should be quarr no, quarr rest ictoria: Ave Maria, gratia plena (8 part) cpdl: Translation: Ave Maria gratia plena Dominus cum; benedicta tu in mulieri et benedictus fructus ventris tui, Jesus. Sancta Maria, Regina coeli, dulcis et pia; O Mar Dei, ora pro nobis peccatori ut cum ele videamus. Hail Mary, full of grace, the Lord is ith you; blessed are you among omen and blessed the fruit of your omb, Jesus. Holy Mary, Queen of heaven, seet and pius; O mother of God, pray for us sinners, so ith the elect e shall see you. Nos: Half no=56 hoir I: NW, N, NE hoir II SW, S, SE Sing in Italiania Latin (GRAH-tsee-ah, for example) Each phrase should be shaped, starting sofr, groing, then ending softly Be careful to stress only accend syllables: A-ve ma-ri-a GRA-ti-a PLE-na DO-mi-nus TE-cum be-ne-di-ta tu in mu-li-e-ri-bus; et be-ne-di-tus FRU-ctus EN-tris TU-i, JE-sus. SAN-cta ma-ri-a, re-gi-na OE-li, DUL-cis et PI-a; O MA-r DE-I, O-ra pro NO-bis pe-cca-to-ri- ut cum e-le- vi-de-a-mus 1 begin p 15 B, hoir I: sing D up one octave (nearly an octave belo Middle ) 22 S, hoir II: breathe at comma

5 28 S, hoir II: breathe at comma 29 T, hoir I: breathe at comma 36 B, hoir II: breathe at comma 36 B, hoir I: breathe at comma 36 T, hoir I: change rhythm to dotd half no, quarr rest 39 AB, hoir I: no breath 39 T, hoir II: no breath 39 T, hoir I: breathe afr Jesus 40 B, hoir II: no breath 41 hoir II: rhythm in all parts should be half, eighth, eighth rest, quarr 49 S, hoir I: breathe at comma 52 S, hoir II: breathe at comma 58 only one beat in this bar 59 previous half no=ne dotd half; dotd half (a full bar)=56 72 pulse remains constant (half no=56) 72 STB, hoir I: breathe at comma 72 A, hoir II: breathe at comma 79 A, hoir I: rhythm should be quarr, quarr rest, half 79 S, hoir II: rhythm should be quarr, quarr rest, half 79 B, hoir II: breathe at comma 84 SB, hoir II: breathe at comma Tutti, no breath been these to bars 87 on gradual crescendo to end 90 AT, hoir I: breathe at comma 90 SB, hoir II: breathe at comma 91-end gradual ritardando 93 final dynamic level of mf-f Guillaume: Dominus vobiscum Pronunciation guide and part learning resources are at: IPA of xt is attached Nos: T: no breath 14 T: no breath 17 ritardando should be marked in all parts 21 S: no breath at end of bar 22 T: no breath 23 T: breath at end of bar 24 A: no breath 24 B: breathe in middle of bar 26 T: breathe at end of bar 27 SA: breathe at end of bar 28 T: no breath

6 29 T: breathe in middle of bar SA: no breath SA: no breath 35 T: no breath 36 T: breathe 36 A: breathe 51 SA: breathe at end of bar 54 S: breathe at end of bar 55 TB: breathe at end of bar 58 TB: breathe at end of bar 59 TB: no breath been oh and Limie tutti: no breath B: no breath 65 SA: breathe at end of bar SA: no breath 68 TB: breathe at end of bar 71 TB: breathe at end of bar 72 A: breathe at end of bar S: no breath 78-79: TB: no breath TB: no breath 86 T: no breath 87 B: breathe at end of bar 91 T: breathe before Oh 95 TB: breathe 97 SATB: breathe afr chan 98 SATB: no breath 100 ATB: breathe at end of bar 101 B: breathe at end of bar 102 B: breathe at end of bar 104 ATB: breathe afr first no 106 Tutti: breathe 108 SA breath afr bt 4; T breath afr bt 3; B1 breath afr bt 2; B2 breath afr bt TB: breathe 112 TB: breathe 114 TB: breathe 115 TB: no breath 117 T: breathe 118 T: breathe 119 T: breathe 136 Tutti: breathe 137 Tutti: breathe 138 Tutti: breathe 139 Tutti: no breath 140 T: breathe 141 SATB: breathe

7 142 SATB: breathe 143 no breath Lauridsen: Sure on this shining night Be careful to observe all poco ritardando, ritardando, meno mosso, molto ritardando, etc, markings arr. Busselberg: Skip to My Lou Nos: Divisi: follo sms; sms up (S1 S2, T1 T2); sms don (A1 A2, B1 B2) Be very observant of subito p s

8 Dominus obiscum IPA Transcription by Sydney Guillaume and Suzanne Hatcher reole, the native tongue of Haiti, derives its linguistic roots from French. As a result, many of the pronunciation rules for French can be applied to reole. Remember, IPA can only give general voel sounds and not the color; for example, the differences in the [ ] sound in French and German. So although reole is derived from French and shares several pronunciation rules, in general the voels are much brighr. Also, there are no scha/neutral sounds in reole. Dominus vobiscum [ ] Gran Mèt-la avèk nou [ ] Li la nan mitan nou [ ] Li la nan fon kè nou [ ] Amen, Aleluya [ ] Depi nan tan benmbo [ ] Nap mache, nap chèche, nap mande: [ ] Ki lè, ki tan, ki ou, [ ] Limiè-a va leve pou vin delivre nou [ ] Limiè lapè-a, Limiè la delivransla, [ ] Limiè la via, Limiè la veri-a, [ ] Limiè la a, Limiè lespa, [ ] Limiè lanmou-a, Limiè la via. [ ] Jodia an nou chan: [ ] Kou, Wi, Li la [ ]

9 ANTUS (Soprano) ALTUS (Alto) TENOR (Tenor) BASSUS (Bass) B b W B b W HOIR I B b W b W Ave Maria, gratia plena (8 part) 1 (In 2) A - A - A - A - SATB Double hoir ve ve ve Ma - - ve Ma -. Ma - Ma - ri ri - ri - - ri - # n a a Tomas Luis de ictoria (c ) a a ANTUS (Soprano) ALTUS (Alto) B b W B b W A - ve TENOR (Tenor) HOIR II B b W A - ve A - ve Ma - BASSUS (Bass) b W A - ve Ma - Organ. # n opyright 1999 by horal Public Domain Library ( Edition may be freely distribud, duplicad, performed, or recorded. ed. 8/20/99

10 2 7 # gra - ti - a ple n na Do - gra - ti - a ple gra - ti - a gra - ti - a na. J ple ple na na Do -. # Ma Ma - ri ri - ri a # n a a gra - gra - ti - a ti - a ple gra - ti - a ple na J - ri a gra - ti - a ple n #.

11 3 13 n - mi - nus n cum be -. J ne - dic ta tu Do - mi- nus cum. be - ne - dic - ta tu - - mi-nus n Do - mi- nus. n J cum cum be - ne-dic be - ne - dic ta ta tu tu - na Do - Do - Do - mi - mi-nus mi-nus nus cum cum # n # cum be - be - be - - na Do - mi-nus cum be - ne - n n. n J..

12 4 19. # in mu - li - e - ri- in in in mu-li - e mu - li - e - ri - ri- in mu - - li - e in in mu - li - ri - bus. J - ne -dic ta tu in mu - li - e - ri - in. mu - li - e -. # ri - bus - - ne - dic - ta tu. in mu - li - e - ri - bus - - ne - dic - ta tu in mu - li - e - - ri - bus - di c ta tu in mu -. #. #

13 5 25. # mu - li - e -. mu - li - e - ri - bus ri - bus et be - ne - dic - tus, et be - ne -. et be - ne - dic - tus, dic - tus. et - e ri - bus et be - ne - dic - tus, et be - ne - dic - tus et be - ne - dic - tus, et be - ne - dic - tus et et be - ne - dic - be - ne - dic - tus, et be - ne - tus dic - tus et et be - ne - be - ne - dic li - e et be - ne - ri - bus dic - tus et et be - ne - dic - be - ne - dic - tus, et tus, et be - ne - dic -. #. J..

14 6 31 n fruc - tus ven - tris tu - i, fruc - tus ven - be - ne - dic - fruc tus tus fruc - tus ven - tris tu - fruc - tus ven - tris i, ven-tris tu - # tu fruc - i, fruc - i, tus, fruc - - dic - tus fruc tus - tus be - ne - dic - tus - tus fruc - tus fruc - tus. n ven - tris tu - n # ven-tris tu fruc - i, i, tus ven-tris fruc - tus tu - i, ven-tris tu - fruc - tus n fruc - tus. n fruc - i, fruc - tus n # n #

15 tris tu tus ven fruc - tus ven - - tus ven tris tu tris tu - tris tu i, i, Je i, Je-sus, Je i, n Je Je sus. sus. sus. sus. ven - tris tu ven tus ven - n ven tris tu tris tu tris tu i, i, i, Je i, Je Je Je # sus. San - # sus. San - sus. San - sus. San - cta Ma - ri - n # cta Ma - ri - cta Ma - ri - cta Ma - ri -. J n

16 8 43 # # San - cta Ma - n # ri - a, # Re - gi - na coe San - cta Ma - ri - a, Re - gi - na coe San - cta Ma - San - cta Ma - ri - a, ri - a, Re - gi - na Re - gi - na coe n coe #. - a, # Re - gi - na coe li, - a, Re - gi - na coe li, - a, Re - gi - na coe n li, - a, Re - gi - na coe li, # n # # # n

17 li, Re - gi - na coe li, dul - cis et pi - - li, dul - cis et pi - a, - - li, dul - cis et pi - a, - - li, dul - cis et pi - #. Re - gi - na coe li, dul - cis et pi - a, Re - Re - gi - na coe gi - na coe li, li, dul - dul - cis et pi - cis et pi - dul - cis et pi - a,

18 10 55 # o # 2 1 # a, o Ma-r De - i, Ma - r De i: o-ra pro # o Ma-r De - i, o-ra pro - a, o Ma - r De - i: # # n o Ma-r # - a, De - i, o 2 1 Ma - r De i: o-ra pro - a, o Ma-r De - i, o Ma - r De i: 4 3 o-ra pro # # # 2 1 # 4 3 n #

19 11 62 n n - to - ri - # o-ra pro to - ri - o-ra pro o-ra pro - to - ri - o-ra pro to - ri - o-ra pro o-ra pro - to - ri - o-ra pro # o-ra pro # to - ri - # o-ra pro o-ra pro to - ri - o-ra pro - to - ri - o-ra pro n n # # #

20 12 70 n to - ri - to - ri - ut cum e - n b le ut cum e -. le n to - ri - to - ri - ut cum e - ut cum e - le J le n to - ri - #. ut cum e - le to - ri - ut cum e - le to - ri - ut cum e - le to - ri - ut cum e -. J le n n b. J. J

21 13 76 # n - cti s vi - de -. J vi - de - vi - de - a - mus, a - mus, a - mus, ut vi - de - a - ut cum e - le mus, ut ut cum e - cum. cum e - le le e - le # n # - cti s vi - de - a - mus, ut n cum e - le vi - de - - cti s - cti s a - mus,. J vi - de - a - vi - de - a - mus, ut cum e - n ut mus, ut cum e - le cum e - le n J le # n. J # n

22 14 82 n # - cti s vi - de - ut a - mus, ut cum e - le ut n cum e - le - n ut cum e - cum e - le vi - de -. n J le a - mus, n # # vi - de - a ut mus, ut cum n e - le n n vi - de -. J a cum e - mus, ut le cum e - le n vi - de - a mus, ut cum e - le # n n. n n

23 J U vi - de -. vi - de -. vi vi - de - a a de - a - a mus, mus, vi -. mus, vi mus, vi - de - a de - a de - a vi - de - a mus. mus. U U mus. U mus.. n n U vi - de - a # n mus, vi de - a mus. U vi - de - a mus. U vi - de -. vi - de -. a a # n mus. mus, vi J.. J n de - a mus. n U U n U SOURES: ictoria Opera Omnia, ed Philippo Pedrell (Breitkopf Härl, 1902). originally published in NOTES: No values halved, key signature had only one flat originally. Edition taken from 1572 edition ith the folloing exceptions. m. 16, Alto II: F natural in editions, F sharp in mm 91-93, Tenor/Bass I: final three mesures are from 1585 edition. Also there is a variant reading in mm. 41, 44, Soprano II: F naturals in 1576 edition. edid by Rafael Ornes

24 Pre All Sta Rehearsals entral District No Pre-All Sta Rehearsal Please atnd at a neighboring district East entral District Saturday, Sepmber Linn-Mar High School Hosts: Bob Anderson and June Schmidt District hair: Jennifer Wagner Guest onductor: Dr. Allen Hightoer North entral District Saturday, Sepmber Belmond-Klemme High School Host: Jackie Burk District hair: Sarah Bouska Guest onductor: Dr. Sean Burton Northeast District Saturday, Sepmber 8, 2012 Williams Performing Arts enr- Oelein HS Host: Darci Fuelling District hair: Janet Helgerson Guest onductor: Dr. Lee Nelson Northest District Saturday, Sepmber 8, 2012 Sioux enr High School Host: Abby Sheppard District hair: Linda Johnson South entral District Saturday, Sepmber 8,2012 Indianola High School Host: Julie Schneiders District hair: Julie Schneiders Southeast District Saturday Sepmber 8, 2012 Muscatine High School Host: Nick Osald and Darcy Hendriks District hair: Nick Osald Southest District Saturday, Sepmber 8, 2012 Treynor High School Host: Roger Jensen District hair: indy Nichols Guest onductor: District Directors

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