v is like Castilian b, a bilabial fricative. r is a lingual trill, h strongly aspirated.
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2 dulces exuuiae dum fata deusque sinebat seet castoff garments, hile fate and god alloed, accipite hanc animam meque his ex soluite take this spirit and me from these cares curis. Relieve. Uixi et quem dederat cursum fortuna peregi I lived, and the course given by Fortune I completed et nunc magna mei sub terras ibit imago. and no great beneath the the earth ill pass my shade. urbem praeclaram statui, mea moenia uidi, city famed I founded, my ramparts I beheld; ulta ulrum poenas inimico a fratre rece avenging a husband, the penalty from an evening and brother I exacted. felix heu! nimium felx, si litora tantum Happy, ah! too happy : if only our shores had P E R F O R M N C E N O E (Bh.X. 2007) Harmonic maor thirds are to be tuned pure (5:4) throughout. Classical pronunciation of the Latin. pelling alterations in the text are intended to reflect actual pronunciation. t, d, and n are true dentals; mute stops are unaspirated as in panish and Italian. v is like Castilian b, a bilabial fricative. "manga", bar 17, is pronounced maŋna, here ŋ is as ng in English "sing." imilarly, "numquan" in 43 is nuŋquan. r is a lingual trill, h strongly aspirated. Dipthongs: generally prolonged on the initial element: ae on a ith e offglide; similarly oe ("moenia", "poenas"). Likeise ith voel + semivoel, as e.g. nunc (16), virum (31-2), numquan. Note though that ea and oa elisions (34) prolong the second element, a. numquam Dardaniae tetigissent nostra carinae. never been touched by Dardanian keel! Publius ergilius Maro, eneid Cover: "Dido" by Marc' ntonio Raimondi (afetr Raphael) courtesy of Peter Parshall.
3 1 DULCE EXUIE (ergil) DOUGL LEEDY 1969 Revised 2007 oprano I/II lto I/II enor I/II dagio ( q ca 56-62) c c c Dul Dul - ces ex - u - vi- ae dum fa - ta de- b n b - ces ex - u - vi- ae dum fa - ta de- Bass I/II c 4 us - que sin - e - bat: ac - ci - pit' hanc a - ni - mam ΠΠus - que sin - e - bat: ac - ci - pit' hanc a - ni - mam b 7 mequ' his ex - sol - vi- te cu - ris. n mequ' his ex - sol - vi- te cu - ris. released into the public domain by the composer (pd) (cc) 2007
4 2 11 i Π# b - xi et quen de-de-rat cur - sum for - tu - # i Π# # # - xi et quen de-de-rat cur - sum for - tu - i Π- xi et quen de-de-rat cu - sum for - tu - b n 15 na pe- re - gi et nunc mang - na me - # na pe - re - gi et nunc mang - na me - ΠΠ# Πna pe - re - gi et nunc mang - na me - # 18. i # sub ter. - ras i - - bit i-ma - # # # # # i sub ter - ras i - - bit i-ma -. i sub ter - ras i - - bit i-ma -
5 3 22 b. n n Πb. go. # Πgo.. Πgo. I II I II B I B II f 25 Ur bem prae f. f b. f f b f f b Ur - bem prae - cla - ram sta-tu -i, me -a Ur - bem prae - cla - ram sta-tu - i, me -a moe - Ur - bem prae - cla - ram sta-tu - i, me -a moe - Ur - bem prae - cla - ram sta-tu -i, me - a Ur - bem prae - cla - ram sta-tu -i, cla ram sta tu b b b b b Πi, me -a moe - Πb b Πb b Ur - bem prae - cla - ram sta-tu - i, me - a
6 4 I II I II B I B II 28 b - - ni - a, moe moe ni - a vi di, vi b - - ni - a, moe ni - a vi di - b ni - a, moe ni - a vi di, vi -. moe b me - a moe - ni - a, moe - ni - a vi b ni a vi.. b b. b ni - a, moe - ni - a vi b b b Πdi,.. b b.. di, b Πmoe - ni - a, moe ni - a vi di,
7 5 I II I II B I B II 31 b. ul - ta vi - rum poe nas in - i - mi - co b di, ul - ta vi - rum poe nas in - i - mi - b - - ul - ta vi - rum poe nas in - i - mi - co Π- - di, - - poe - nas i - ni - mi - di, ΠΠb ul ul.. ul - ta vi - rum poe - nas in - i - mi - b.. ul ta vi rum ta vi - rum poe - nas b. - - ta vi - rum poe - nas in - i - mi - b.
8 6 I II I II B I B II 34 Πa fra - tre,a fra - tre re - ce co, in - i - mi - co a fra - tre re - ce - in - i - mi - co a fra tre re - ce co a fra in - i - mi co a fra - tre re - ce poco a poco decrescendo e rallentando - - co a fra tre re - ce tre re - ce co a fra tre re - ce -
9 a tempo (poco più lento) Œ Fe - lix heu! ni mi-um Œ b Œ Œ Fe - lix heu! ni mi um B Œ Ni-mi - um fe - lix, ni-mi-um fe - olo I. 41 oprano olo fe - lix: si li - to -ra tan - tun num - quan fe - lix: si li - to ra tan - tun num - quan n fe - lix: si li - to -ra tan - tun num - quan b. B - - lix, ni-mi - um fe Ni - mi- um fe lix, ni - mi - um lix,
10 8 olo. I 44. Dar - da - ni - ae te - ti - gis - sent no - stra ca Dar - da - ni - ae te - tig - gis - sent no - stra ca - Dar - da - ni - ae te - tig - gis - sent no - stra ca -. n B. fe ni - mi - um fe Πlix, ni - mi - um fe - lix. 47 Πri nae. nae. Πri nae. ΠB. Π- - lix. aratoga pring, Death alley/corvallis, Oregon
Summi triumphum. & bc. w w w Ó w w & b 2. Qui. w w w Ó. w w. w w. Ó œ. Let us recount with praise the triumph of the highest King, 1.
Sequence hymn for Ascension ( y Nottker Balulus) Graduale Patavienese 1511 1. Sum Summi triumphum Let us recount ith praise the triumph of the highest King, Henricus Isaac Choralis Constantinus 1555 3
Thomas Tallis Mass for 4 voices
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Alma Nemes. Transcribed from several period publications. - ma Ne - mes. w œ w. Ne - mes. w w w w. - mes, quae di - ce - re Cy - pris
SOPRANO ALTO TENOR BASS 4 2 4 2 4 2 4 2 - - ma Ne - s - ma Ne - s so - la ma Nes Transcribed from sever period publications # - - ma Ne - - s # Orlando di Lasso (c. 1532-1594) # - ma Ne - s so - la œ #
Commissioned by Paul and Joyce Riedesel in honor of their 45th wedding anniversary. Lux. œ œ œ - œ - œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ.
LK0-0 Lux/ a caella $2.00 Commissioned by aul and Joyce Riedesel in honor of their 5th edding anniversary. Offertorium and Communio from the Requiem Mass f declamatory - solo - - - - U Ex - au - di o -
Ecce dies venit desideratus
Bartolomeo Spontone (1530 - c. 1592) Ecce dies venit desideratus à 7 Transcribed and edited by Leis Jones Source: The source comprises telve partbooks, the title pages of hich read: [PART NAME IN LATIN]/RELIQUIAE/SACRORUM/CONCENTUUM/GIOVAN
C O R M E U M E S T T E M P L U M S A C R U M P A T R I C I A V A N N E S S
C O R M E U M E S T T E M P L U M S A C R U M (MY HEART IS A HOLY PLACE) text and music by P A T R I C I A V A N N E S S text transated into Latin by E D W A R D J. V O D O K L Y S, S. J. Cor meum est
A TI,DIOS (You Are God) INTRO South American Dance (q = ca. 80) Dm. œ œ. œ # œ œ œ œ. œ. œ. œ œ. j J œ. œ œ œ œ œ œ œ. ba - mos; you; All
TI,DIOS ( re God) INTRO South erican Dance (q = ca 80) # %? Bilingual Spanish nglish? RFRIN: 1st time: ; reafter: Soprano/Melody F lto Tenor m claim ce - claim you; mos; you; Dios, Dios, God, J J Text:
A TI,DIOS (You Are God) œ œ. œ œ œ œ. œ. œ. œ. Dios, Dios, God, we ac -
Keyboard ITRO South erican Dance (q = ca. 80) TI,DIOS ( re God)....... the Se - the.. m Bilingual Spanish nglish.. % % Text: Spanish: Rosa María Icaza, VI, 1999, Mexican erican ultural enter. rights reserved.
Giovanni Gabrieli (c ) Ego dixi, Domine. à 7. Transcribed and edited by Lewis Jones
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DEUS CARITAS EST SATB Choir, Soloist, Organ. œ œ. œœœœœ. œ œœœ œ œ œ
INTRODUCTION 4? 4? 4 4? q = c 72? 7? SAMPLE From the repertoire of the International Federation of Little Sgers (Foederatio Internationalis Pueri Cantores, FIPC) Bibliorum Sacrorum nova vulga editio Eng
Verbum caro factum est
Edited by ason Smart erbum caro factum est ohn Sheppard (d.1558) 3 rulers of the choir er - bum Treble Mean Countertenor 1 er - Countertenor 2 Tenor [Missing] er - bum ca - ass ca - ro. er - bum ca - ro
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Claudio Merulo (1533-1604) Ave gratia plena à8 Transcried and edited y Leis Jones Source: Sacrorum Concentuum (1594) Venice: Gardano. No. 1 The title-page of each partook reads: [PART NAME IN LATIN]/SACRORVM/CONCENTVVM/Octonis,Den:
- 3. Nihil Sum - b b. œ œ œ œ. œ œ. œ œ œ. œ œœ. œ œ. œ p œ. Œ œ. P œ n. œ œ œ œ œ. P œ œœ. Cantata Amoris. Sop. Alt. Ten. Bas.
o lt en as Cantata moris eriously 8 15 i i i i ca ri lo - quar et an - ge - lo - - - lo - quar et an - ge - lo - - - lo - quar et an - ge - lo quar et an - ge lo - - - lo rum rum ca - ri - ta - tem - tem
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Orazio Vecchi ( ) Vulnerasti cor meum. à 6. Transcribed and edited by Lewis Jones
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a suite of three songs about childhood, for SATB chorus and piano
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This work was created for a charity, and you may freely make printed copies from this PDF data for your performance until Dec 31, 2022.
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