BP.Projects. IUAV's main gate - Tolentini Venice, Italy Carlo Scarpa education, university. Base for the 'Partigiana' by Augusto Murer.

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1 BP Projects 11 Created 12-Jun-16 By Vaida Linartaite, Vilnius, Lithuania IUAV's main gate - Tolentini education, university Olivetti showroom Querini Stampalia Bridge 3 Renewal of Querini Stampalia Foundation 4 Faculty of Economics Library of Ca' Foscari University 5 Former Slaughterhouse of San Giobbe Spazio Vedova 9 Kubus-Titan 10 FUNDAMENTALS: Form-ContraForm 11 Bekkering Adams en 6 Mercati Generali 12 Turin, Umberto Cuzzi market Romeo Ballardini and Vittorio Spigai archive, library, university 8 Bern, Switzerland :mlzd library, museum Mario Botta exposition space, museum, renovation Base for the 'Partigiana' by Augusto Murer Renzo Piano exposition space, gallery, museum bridge, museum sculpture shop, showroom 2 7 Romeo Ballardini and Vittorio Spigai auditorium, university 1

2 photo: Jiat-Hwee Chang photo: Dave Brown IUAV's main gate - Tolentini Santa Croce Venice The Tolentini premises are located near Piazzale Roma and was designed by Vincenzo Scamozzi in the sixteenth century and restored by Daniele Calabi in the early 1960 s The convent is recognised for its particular architectural components: cloister with columned porch, a first floor with cells on three sides, and a meeting hall at the margin of the cloister The second floor contains larger open spaces and a rare example of a 15th century walkway perhaps designed by Scamozzi The convent was closed by Napoleon in 1810 and has since been used for various purposes In 1958 the State Property Office made the building complex available to the IUAV and initiated certain works which were led by civil engineers The restoration work on the complex s interior took place between 1960 and 1965 under the direction of architects Daniele Calabi and Guido Bacci In 1985 the entrance way, acquired by gratuitous transfer in 1979, was transformed according to the project by photo: Jiat-Hwee Chang 1985 Structural engineer Project manager Carlo Maschietto Sergio Los MI_MOA 2

3 photo: Dave Brown photo: Dave Brown Olivetti showroom Piazza San Marco Venice The "first Italian typewriter factory" was founded by Camillo Olivetti on 29 October 1908 It had 20 employees and a 500 sqm production workshop with a weekly output of about 20 machines Over the years Olivetti has undergone a series of transformations It moved from mechanics to electronics, from office products to computers, IT systems and services and telecommunications and has always distinguished itself in its ability to combine dedication to technological innovation with a strong commitment to culture and art as well as product quality and design In addition to factories and office buildings, the company's architectural achievements also include a number of Olivetti shops: on New York's Fifth Avenue (1954), designed by Belgiojoso, Peressuti and Rogers;; in Paris (1960), on Faubourg St Honoré, designed by Franco Albini; in Buenos Aires (1968) designed by Gae Aulenti and here in Venice (1959) created by Venice born designer photo: Olivetti Historical Archives 1958 Olivetti Group MI_MOA 3

4 photo: Dave Brown photo: Dave Brown Querini Stampalia Bridge Castello Venice The museum Querini Stampalia is a historical sixteenth century building, formerly inhabited by a patriarch of Venice and embellished by stucco and frescoes The museum on the second floor, preserves one of the richest art collections of the lagoon city with over four hundred paintings from the nineteenth century In 1961 was commissioned to do the restoration of the ground-floor and and garden at the rear of the building that was in a state of extreme neglect and degradation He rearranged the garden for use as an gallery and exhibition space, as the ground floor was frequently unusable due to the overflow of seawater at high tide The bridge forms a new access to the museum The project was built over ten years, under the direction of Joseph Mazzariol, friend and supporter of the Venetian master The project incorporates the inevitable water overflow as a fundamental design element in a very ingenious way photo: Dave Brown 1963 Fondazione Querini Stampalia MI_MOA 4

5 photo: Mario Botta Architetto photo: Mario Botta Architetto Renewal of Querini Stampalia Foundation Castello Venice Situated in the redesigned public areas on the ground floor of Palazzo Querini Stampalia Mario Botta set up the bookshop of the Foundation and a cafeteria The bookshop offers first publications on collections and exhibitions of Querini Stampalia You may also find a careful selection of books on contemporary, design and photography Qcoffee, the cafeteria, opens onto a garden, designed by in the late fifties The cafeteria offers each day its catering services to those attending the Library, visit the Museum, participating in various activities of the Foundation or simply want to enjoy a break in an uncommon area One quick snack or a working lunch, a cocktail or dinner thus becomes the occasion for a special experience, a journey between architecture and contemporary tastes Mario Botta Fondazione Querini Stampalia MI_MOA photo: Jean-Pierre Dalbera Museum exhibitions: Tuesday to Saturday 10 / 20; Sunday and holidays 10 / 19; closed Monday Library and Emeroteca: Tuesday to Saturday 10 / 24; Sunday and holidays 10 / 19; closed Monday Bookshop: Tuesday to Saturday 10 / 2015; Sunday and holidays 10 / 1915; closed Monday Cafeteria and Restaurant: Tuesday to Saturday 10 / 2345; Sunday and holidays 10 / 19; closed Monday 5

6 photo: Archivio Spigai photo: Archivio Spigai Faculty of Economics Library of Ca' Foscari University Calle della Biscotela Venice photo: Archivio Spigai The Faculty of Economics Library of Ca' Foscari University in Venice is one of the new buildings in the project area and is located between Calle della Biscotela and Calle della Cereria Characteristic of the library is the contraposition between inside and outside surfaces: the building is featured by a linear volume and by a solid structure made of bricks and Istria stone or Euganea trachyte The inner space is designed as an independent structure made of steel works, glass and advanced technologies Floor area/size m² Romeo Ballardini and Vittorio Spigai Ca' Foscari University Venice elenaorzali Monday - Friday: 08:30-19:45 / Saturday: 09:00-13:00 Tours are on the following times: Monday, 1130 and 1415 Tuesday 14:15 Wednesday 14:15 Thursday, 1130 and 1415 Friday, 1130 and 1415 More info (price / reservations) can be found here: wwwuniveit/visita There are two boat stops near the library: Tre Archi (line 52) and Crea (line 42) 6

7 photo: Renato Dalla Venezia photo: Renato Dalla Venezia Former Slaughterhouse of San Giobbe Fondamenta di Cannaregio Venice This project entailed the complete preservation of the nineteenth-century slaughterhouse of San Giobbe, with a sequence of building interventions to reintegrate the whole area with its old buildings and its ancient streets, traces and layouts, all of which have important historic value The structure of the nineteenth-century warehouse was safeguarded and all the new parts inside the buildings were designed to have a light metallic structure, different from the compact walls of the ancient buildings Therefore they are distinct from the older ones and clearly legible as new modern internal structures photo: Renato Dalla Venezia 2008 Romeo Ballardini and Vittorio Spigai Ca' Foscari University Venice elenaorzali There are two boat stops near the slaughterhouse: Tre Archi (line 52) and Crea (line 42) 7

8 photo: Paulo Simoes photo: Paulo Simoes Base for the 'Partigiana' by Augusto Murer Viale dei Giardini Pubblici Venice In 1968, Scarpa designed the base for a sculpture by Augusto Murer, representing the 'partigiana' The sculpture represents a woman, lying with her hands tied, and was placed on a platform floating on the water The base is made from concrete with copper plates, and is surrounded by an irregular 'field' of concrete and stone prisms with varying heights photo: Paulo Simoes 1968 Comune di Venezia void 8

9 photo: Paulo Simoes Spazio Vedova Sestiere Dorsoduro Venice Renzo Piano designed the conversion of the former studio of Venetian painter Emilio Vedova ( ), located in the former 'Magazzini del Sale', into a space to exhibit his works The proposal is an insert entirely made from brushed larch slats, carefully placed inside the existing space, whose brick walls and roof trusses were left exposed The insert is composed by two walls that mark the entrance and house the service spaces, and an inclined floor raising from the entrance to the back of the warehouse, where a metallic structure stores Vedova's paintings At predetermined hours of the day, ten robotic arms hanging from a rail running along the ceiling make a kind of mechanical choreography, taking the works from the storage structure and placing them on display throughout the space photo: Paulo Simoes Floor area/size m² Renzo Piano Fondazione Emilio e Annabianca Vedova void Wednesday - Sunday: The three series of works by Emilio Vedova will alternate at 1140 / 1310 / 1440 / 1610 & 1740 Vaporetto: Line 1: Accademia or Salute stops Line 2: Accademia stop Lines 51 or 52: Zattere stop 9

10 photo: bjunker photo: bjunker Kubus-Titan Helvetiaplatz Bern Switzerland The Historic Museum was built by André Lambert in 1894 in a historistic style This extension to the Historic Museum in Bern comprises a large exhibition room with roof terrace, a floor allocated to storerooms and office space for the museum itself, as well as offices and a library with reading room for the City Archive, which is also included in the new extension photo: bjunker 2009 Supplier :mlzd Reynaers Aluminium Historisches Museum Bern bjunker Tuesday to Sunday Monday closed By public transport from Bern Railway Station Tram line 6 (direction Worb), Tram line 7 (direction Ostring) and Tram line 8 (direction Saali) as far as the stop "Helvetiaplatz" 10

11 photo: Jeroen Musch photo: Jeroen Musch FUNDAMENTALS: Form-ContraForm Strada Nuova Venice Form-ContraForm puts the definition and perception of space and infinity on center stage The installation provides an experience that is shaped by the physical boundaries of space, as well as it is extended beyond the tangible Within the exhibition space, a homogeneous volume of 24 * 24 m is defined by14000 balls hanging on wires, as coordinates in space The cube defines a mass within the room; within the cube a cavity is created in which visitors can enter Surrounded by a cloud of bullets they experience the boundary as well as the perception of the endlessness of space Through light projections and reflections in the floor the plains in the mass are highlighted so that an endless reflection and projection arises Bekkering Adams architects developed Form-ContraForm with BeersNielsen Light designers, Iguzzini Lighting systems and ABT Structural engineers It was made with support of the Creative Industries Fund NL Structural engineer Lighting designer Bekkering Adams en ABT Beersnielsen lighting designers GAA Foundation Bekkering_Adams photo: Jeroen Musch open daily 1000 until 1800 hrs, closed on Tuesday The exhibition runs from 5th of June until the 23th of November FREE ENTRY 11

12 photo: Adrian Ewig photo: Adrian Ewig Mercati Generali Via Giordano Bruno Turin The only real rationalist project than has been implemented in Turin The fruit and vegetables market has been transformed for the 2006 Winter Olympics photo: Adrian Ewig 1933 Umberto Cuzzi AdrianEwig 12