21/01/2010. Source: 3. Greek Art (P & S), St. Lawrence, Winter 2010, Beaudoin
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1 Greeceand region Source: 3 1
2 Plan of Knossos Source: 6 Minoan Mycenaean Reconstruction of Knossos, and Ruins Source: 8 Minoan Mycenaean Hall of the Double Axes, Palace of Minos, Knossos, Crete, c BCE Source: 2 Minoan Mycenaean 2
3 Dolphins, Queen s quarters, Knossus, c BCE, Fresco, Ancient Art and Architecture Collection, Middlesex Source: 2 Minoan Mycenaean Bull Games, Knossos, c BCE, Fresco, 81,3 cm high, Archaeological Museum, Herakleion Source: 2 Minoan Mycenaean Octopus Vase, Palaikastro, c BCE, 25,4 cm h, Archaeological Musuem, Herakleion Source: 3 Minoan Mycenaean 3
4 Earth-Goddess with Snakes, Knossos, c BCE, Faïence (glazed clay), 29,2 cm h, Archaeological Museum, Herakleion Source: 2 Minoan Mycenaean Plan of Tiryns; Center of Mycenaen Palace, Megaron Source: 6 & 7 Minoan Mycenaean 4
5 Lion Gate, Mycenae, c BCE, Limestone, Relief, 289,6 cm high Source: 2 Minoan Mycenaean Treasury of Atreus, Mycenae, c. 1300, 14,48 m diameter, 13,26 m high Source: 6 Minoan Mycenaean Funerary Mask of Agamemnon, c BCE, Gold, 30 cm high, National Archaeological Museum, Athens Source: 7 Minoan Mycenaean 5
6 VaphioCups, Mycenae, c BCE, Gold with repoussé decoration, 8,9 cm high, National Museum, Athens Source: 5 Minoan Mycenaean Dagger blade with decoration of a lion hunt, Mycenae, c 1550 BCE, National Museum, Athens Source: 5 Minoan Mycenaean 6
7 Centaur, Lefkandi, c. 900 BCE, 36 cm high, Archaeological Museum, Chalcis Geometric ceramic -Funerary material (ex-votos) Source: 7 Geometric Archaic Classical Hellenistic Amphora, Athens, c. 750 BCE, 150 cm high, National Museum, Athens Geometric ceramic -Funerary material (ex-votos) -Imposing forms, better compositions, funerary rituals Source: 7 Geometric Archaic Classical Hellenistic Kidnapping scene, Geometric Bowl, Athens, c BCE, British Museum, London Geometric ceramic -Funerary material (ex-votos) -Imposing forms, better compositions, funerary rituals -Human form (mythology) Source: 7 Geometric Archaic Classical Hellenistic 7
8 Kouros, c , 580, 184 cm high, Metropolitain, New York Sculpture In the round Kouros -Interpretation of male body ; divinity or mortal -Canon: man standing, immobile, naked, arms close to the sides, fists against the thighs; frontal; perfect symmetry left/right, except leg that is slightly advanced Kore, Crete, c , 625, 75 cm high, Louvre, Paris Sculpture In the round Kore: -Young woman -Canon: standing; legs together, dressed, detailed clothing, headdress painted; position of the hands varies (against breast, presenting an offering, holding clothing) 8
9 Wedding procession, Corinthian Vase, c. 560 BCE, 42, 5 cm high, Vatican Museum, Rome Ceramic Corinth -Mythology -Genre (weddings) -Canon: pale clay, yellowish (sometimes orange) Exekias, Suicide of Ajax, Amphore, 54 cm high, c BCE, Musée du château, Boulogne-sur sur-mer Ceramic Corinth -Mythology -Genre (weddings) -Canon: pale clay, yellowish (sometimes orange) Athens -Black figure ceramic AndokidesPainter, Farming Scene, Bilingual Amphora, Detail Ceramic Corinth -Mythology -Genre (weddings) -Canon: pale clay, yellowish (sometimes orange) Athens -Black figure ceramic -Passage from black to red figure ceramic (bilingual vase) 9
10 Apollo, Temple of Zeus, West Pediment, Olympia, c. 460 BCE, 315 cm, Archaeological Museum, Olympia Architectural sculpture Severe style -Calm expression -Lacking in emotion -Severity in posture (even if there is movement) Source: 7 Geometric Archaic Classical Hellenistic Parthenon, East Pediment, Athens, c BCE, Olympia Architectural sculpture Greek classicism -Out of the severe style can show pain -Balanced presentation; drapery are flexible, wet to see the body; musculature is mastered -Color was added to highlight clothes, hair, beard and details -Figures: Olympian calm Source: 7 Geometric Archaic Classical Hellenistic 10
11 Warrior, Riace, c. 450 BCE, National Museum, Reggio di Calabria Sculpture in the round Bronze -Movement is mastered (hips one way, shoulders another), as is space -Loss of frontal style -Loss of symmetry Source: 7 Geometric Archaic Classical Hellenistic Nike ajustingsandal, sandal, Acropolis, c, BCE, 106 cm high, Acropolis Museum, Athens Sculpture Bronze -Movement is mastered (hips one way, shoulders other), as is space -Loss of frontal style Marble -Nudity and wet drapery -Less religious (public figures, ordinary life and humanized divinities) Source: 7 Geometric Archaic Classical Hellenistic Cyclops Painter, Odysseus and companions, Vase, c, , 410, 47 cm high, British Museum, London Ceramic -Better use of all available space -More motion -Representation in space Source: 7 Geometric Archaic Classical Hellenistic 11
12 MelosAphrodite, c , 120, 202 cm high, Louvre, Paris Sculpture Movement in classical style -Sinuosity in movement -Body and drapery are delicately rendered Chrysippus, Old Man, Louvre, Paris Sculpture More mortals -Canon: social realism and naturalism -Children -Genre style -Portraits -Baroque realism -Old age 12
13 Lysippus (copy), Farnese Hercules, Marble, 317 cm, Rome, National Archaeological Museum, Naples Sculpture More mortals -Canon: social realism and naturalism -Children -Genre style -Portraits -Baroque realism -Old age -Colossal Key notions -Black figure/redfigure -Contrapposto -Ex-voto -Foreshortening -Fresco -Megaron -Tholos -Gombrich, The Story of Art,, p Suggested readings -Cleaver, Art, an Introduction,, p Fiero, The Humanistic Tradition,, vol. 1. p Kleiner, Gardner s Art through the Ages,, p
14 Bibliography and Sources 1. Brommer, Discovering Art History 2. Fiero, The Humanistic Tradition,, vol Kleiner, Gardner s Art through the Ages 4. Gombrich, The Story of Art 5. Rogers, Art, a World History 6. Cleaver, Art, an Introduction 7. University Laval Course Notes
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