Jonathan Arnold Web & Graphic Design

Transcription

1 Jonathan Arnold Web & Graphic Design

2 3 Beverages A rendering based on the idea of placing three products in a studio-like setting. Made with 3D Studio Max 2014, with the three labels made on Photoshop

3 Furniture Renderings Various pieces of furniture rendered in 3D Studio Max. Part of an ongoing project of rendering an entire room.

4 Studies in Rendering Various objects rendered in 3D Studio Max based upon the diifferent features and modifiers found in the software.

5 The Subway Inspired by the concept of the Mayan Apocalypse. Made with 3D Studio Max 2014, with two composite renders edited together on Photoshop.

6 Artist vs. Poet Promotional Materials One design is carried across an album cover, a CD, a t-shirt, and a venue poster for the band Artist vs. Poet. Though the design is simple, it is meant to bring out the artistic qualities of the band. The color combination of dark reds and blues make it serene while not dominating over the band logo.

7 The Highlights of South Island, New Zealand By Joe Arthur The South Island is the largest of the two main islands of New Zealand, and as its name indicates, is the southern-most of the two islands. It has an area of 151,215 square kilometres (58,093 square miles), making it the 12th largest island in the world. Wanaka The South Island town of Wanaka appeals to both adventure lovers and relaxation-minded travelers. Situated on the crystal-clear waters of New Zealand s fourth-largest lake, just a short drive from Mount Aspiring National Park, Wanaka is an ideal spot to go fishing, hiking, skiing, wine-tasting or golfing. The city also hosts Warbirds Over Wanaka, the largest threeday air show in the Southern Hemisphere. Wanaka is located on the southern shores of Lake Wanaka, in west Otago. Embraced by the Southern Alps, Wanaka is Otago s second resort town after Queenstown. The crystal-clear waters of Lake Wanaka, New Zealand s fourth largest lake, reflect the snowcapped peaks for the of Mount beauty of Aspiring its setting, National its architecture Park. Here and Renowned its you artworks, can absorb this the old city unstoppable was a major beauty maritime of pristine power during the Middle Ages and Renaissance, and a staging area wilderness, and know that it will be easy to find a great for the Crusades and the Battle of Lepanto, as well as a very restaurant for dinner. important center of commerce. This city had many names, but one name strikes the wanderlust of many a people who wish to explore one of the centers of Italian culture. Kaikoura Situated about halfway between Christchurch and Picton on the east coast of the South Island, offers a unique combination of ocean and mountains. The stunning coastal alpine scenery includes a host of eco-tourism activities including whale watching, dolphin swimming and seal snorkelling. Walk the Kaikoura Peninsula Walkway and discover seal and bird colonies along the coast. With a population of only 31,000 people, the West Coast retains the feeling of a pioneer frontier. It s a wild place known for mountain peaks, massive glaciers, bizarre limestone landscapes, mysterious lakes and raging rivers, lush rainforest, magnificent, wild coastline and geological treasures. Legends and stories from the past cling to every feature of the landscape. Fiordland Fiordland is one of the most dramatic and beautiful parts of New Zealand, Fiordland has achieved World Heritage status and is often called the Sightseeing and Walking Capital of the world. The Fiordland National Park covers 1.2 million hectares and showcases dramatic wilderness on a grand scale. Waterfalls tumble hundreds of metres into pristine, forested valleys, sheer-sided fiords slide gracefully into the sea, rare native birds and sea creatures go about their lives in a near-perfect world.mount Aspiring National Park. Here you can absorb the unstoppable beauty of pristine wilderness, and know that it will be easy to find a great restaurant for dinner. The Secret Islands of Greece By Eleni N. Gage hen I was seven, my family moved from Greece to the United States. I ve been liv- in limbo ever since, shuttling back and Wing forth, accruing frequent-flier miles and a growing sense of disorientation. What starts as an idyllic summer vacation often morphs into a mild identity crisis. If I m both Greek and American, where am I really at home? The risk of revisiting somewhere you ve loved is that it will betray you by having grown older and more jaded, as you have. But the islands I rediscovered made me forget the past and embrace the present. So in planning my annual trip to Greece last summer, I chose destinations that wouldn t make me feel like a visitor. After three decades of traveling in the country, I d already done countless sunsets on Santorini, moonlit concerts under the Acropolis, and midnight dinners on Mykonos. I wanted to go where locals spend their vacations, the Greek equivalent of Stonington, Maine, not Miami Beach. On this trip, I aimed to re-create the simple, sunlit joy of summers past, when home was wherever you spread your beach towel. I finally narrowed it down to three islands I d visited years ago on trips that left me with fond memories and clear, sharply lit snapshots. Then I canvassed Greek friends who confirmed that the places have remained virtually unknown to most Americans but beloved by Greeks. The risk of revisiting somewhere you ve loved is that it will betray you by having grown older and more jaded, as you have. But the islands I rediscovered made me forget the past and embrace the present meeting friends on Spetses, walking into a time warp on Monemvasía, and exploring caves and coves on Kíthira. These islands couldn t be more different from each other, but each is quintessentially Greek, full of unpretentious food and locals offering the kind of welcome you only find when you ve really gotten away. Spetses I first visited Spetses, a small island with 18 miles of coast and a hilly interior of pine forests, as a teenager, while staying in my aunt s cottage in Portoheli, on the mainland. From my aunt s house, I d hike down a dirt path to the port, then take a water taxi across the Gulf of Argolis over to Spetses town, a waterfront stretch of well-kept ship captains mansions with pebble mosaics in their inner courtyards and massive anchors out front. Spetses seemed gloriously cosmopolitan to me then: British, Italian, and French visitors mixed with the wealthy Athenians who moored their yachts in the harbor. It s not so different today. Less than two hours by hydrofoil from Athens, Spetses is still a favorite getaway for city dwellers seeking an escape from their manic megalopolis. There are no cars on the island in summer, except a few belonging to local businesses, said the woman who welcomed me to the Nissia hotel, a complex of pastel cottages built on the grounds of an old textile factory, as she led me around a pool populated by nannies giving swimming lessons. You can flag down a horse-drawn carriage on the harbor, walk, rent a bike or motorcycle, or have us call a cab. But be prepared to wait, she warned. There are only four cabs in total. The four cabs serve a population of 4,100 year-round inhabitants, all living in or around Spetses town. In 1821, when the Greek War of Independence began, Spetses had 13,000 inhabitants. Now, there are only enough locals to support one high school, but in summer and on holidays, the island s population swells to nearly its 19th-century level. During the time I spent on Spetses, I grew accustomed to the island s rhythm, swaying between the traditional life and the swanky summer scene. One night I ate a simple meal of tomato fritters and calamari at Roussos Taverna while a gypsy lady circulated, hawking embroidered tablecloths. When she stopped to take a bathroom break, my mustached waiter watched over her bundle of fabric, leaning against a wall under a string of octopi with his captain s hat pushed low on his forehead. The next evening, I joined friends who had piloted a speedboat over from the mainland to eat at their favorite restaurant, La Scala. We sat at a candlelit table on a rooftop overlooking the sea, and soon the blond owner, Fenella Catsoris, recognized my friends as regulars. She hurried over and exclaimed, in an accent and scene out of Absolutely Fabulous, We ve got fresh truffles! I went to Athens today on the catamaran and picked them up. Originally from England, Catsoris married a Greek and had been living on Spetses for 22 years. Now she is enriching the island s gourmet offerings, one truffle at a time. I spent my mornings in town, browsing art stores and dodging yachties photographing each other with their cell phones, and my afternoons playing Gilligan s Island, sailing a rented motorboat from one secluded, crescent-shaped cove to the next. One afternoon, I swam in solitude until a yacht sailed up and I decided to grant its topless inhabitants some privacy. So I motored on to the sandy beach of Agia (Saint) Paraskeví, eight miles southwest of the harbor, where pine trees scented the air and Less than two hours by hydrofoil from Athens, Spetses is still a favorite getaway for city dwellers seeking an escape from their manic megalopolis. Eleni N. Gage is the author of North of Ithaka: A Journey Home Through a Family s Extraordinary Past (St. Martin s Press). Zakinthos Ionian Islands, Greece 2 Vagabond July 2012 Vagabond July Vagabond Magazine A travel magazine designed around the concept of travel based on the reader s preferred tastes, whether they want to go somewhere secluded, somewhere exotic, or simply places they ve never been to., but a lot of others have. It reads like any other magazine, but with a sense of adventure.

8 Vagabond Website A website for Vagabond Magazine, in which they go more into depth of what their magazine covers. It maintains the elements of the multiple styles of travel found in the magazine, such as the font it used and a wide variety of images. The ease of navigation and an attractive format in general is utilized in this website.

9 The Artisan Attic A website for selling jewelry done for a client.

10 Ecologic Brand A logo and brand design for a company dedicated to providing sustainable, green, and effective IT solutions through customized computers and workarounds for every customer. A single leaf in front of a circle will remind people of the commonly seen Power button found on most computers. Includes package design, branding guidelines, and the logo itself.

11 20 th Annual NEW YORK FILM FESTIVAL CALL FOR ENTRIES GENERAL INFORMATION FILM TITLE: ENTRY CATEGORY SUBMITTED BY (THIS PERSON MUST BE RESPONSIBLE FOR ALL DETAILS CONCERN- DOCUMENTARY FEATURE COMPETITION $40 INTERNATIONAL FEATURE COMPETITION $40 ING FFF, INCLUDING SHIPPING) NARRATIVE FEATURE COMPETITION $40 INTERNATIONAL SHORT FILM COMPETITION NAME: COMPANY: (less than 41 min) $25 ADDRESS: SHORT FILM COMPETITION LATE FEE ADD $20.00 (less than 41 min.) $25 (Shorts postmarked after October 23 and CITY: STATE: ZIP: COUNTRY: Features after November 6) PHONE: HOME WORK CELL FAX: SUBMISSION CHECKLIST SYNOPSIS CASH AMOUNT: $ COMPLETE PRINCIPAL CAST/CREDITS LIST CHECK AMOUNT: $ FILM INFORMATION MONTH/YEAR OF COMPLETION: STILLS AND/OR ONLINE ACCESS TO CREDIT CARD AMOUNT: $ GENRE: NARRATIVE DOCUMENTARY ANIMATION OTHER (EXPLAIN): HIGH QUALITY IMAGES FOR FESTIVAL PROGRAM AND PRESS CARD TYPE: PREVIOUS AND UPCOMING SCREENINGS/FESTIVALS: VHS OR DVD PREVIEW SCREENER NUMBER: PRIZES AND AWARDS: COMPLETED AND SIGNED ENTRY FORM EXPIRATION: DIRECTOR: PRODUCER: (INCLUDING ALL TECHNICAL INFORMATION) NAME ON CARD: FILM S COUNTRY/STATE OF ORIGIN: ENTRY FEE SIGNATURE: FLORIDA/ORLANDO CONNECTIONS: LATE ENTRY FEE (SHORTS AFTER OCTOBER 23 AND FEATURES AFTER NOVEMBER 6) CONTACT (TO BE LISTED IN FESTIVAL CATALOG AS THE PRINT SOURCE) NAME: COMPANY: ADDRESS: CERTIFICATION OF ENTRANT CITY: STATE: ZIP: COUNTRY: I, THE UNDERSIGNED, ACKNOWLEDGE AND AGREE AS FOLLOWS: I have read, understood, and complied with the rules and regulations; BUSINESS PHONE: BUSINESS FAX: To the best of my knowledge, all statements in this document are true; This film is not subject to any litigation nor is any litigation threatened; WEBSITE: I am duly authorized to submit this film to the Florida Film Festival; FOR FILMS SUBMITTED FOR COMPETITION: TECHNICAL INFORMATION Should this film win a Jury Award or Audience Award, I am authorized and/or empowered by all parties legally representing this film to designate the following individuals to receive all awards: RUNNING TIME: # OF REELS (IF 35 MM): COLOR BLACK & In the event no one is designated, I understand that all awards will be split equally between the director WHITE and production company of this film as listed in the credits of the film. IF ACCEPTED, THIS FILM WILL BE AVAILABLE FOR PUBLIC SCREENING IN THE SIGNED: FOLLOWING FORMATS (CHECK ALL THAT APPLY): *PLEASE NOTE, NOT PROVID- ING THE FORMATS YOU CHECK BELOW CAN RESULT IN REMOVAL FROM THE PRINT/TYPE: DATE: FESTIVAL PROGRAM.* 35MM ASPECT RATIO: 1:1.33 1:1.66 1:1.85 1:2.35 (SCOPE) SOUNDTRACK: MONO STEREO DOLBY A DOLBY SR DIGITAL VIDEO BETA SP DIGIBETA MINIDV DVCAM HDCAM ASPECT RATIO: 4X3 16X9 SUBMISSION GUIDELINES ELIGIBILITY REQUIREMENTS FOR AMERICAN INDE- PENDENT FEATURE AND SHORT FILM COMPETITION Entries must have at least 51% U.S. funding. Running time for all Feature Films must be 41 minutes or more. Running time for all Short Films must be less than 41 minutes. Selected films must be made available in a 35mm composite print; DV Cam (preferred video format); MiniDV; DigiBeta (NTSC only); or BetaSP (NTSC only). Films produced, financed or initiated by major motion picture studios are not eligible for the competition. However, any film conforming to the above guidelines and purchased by a studio after completion is eligible. In each of the three categories (Documentary Feature, Narrative Feature, and Short Film), there will be a Grand Jury Award, an Audience Award, and other special awards at the Jury s discretion. ELIGIBILITY REQUIREMENTS FOR INTERNATIONAL FEATURE COMPETITION AND INTERNATIONAL SHORT FILM COMPETITION International features and shorts are eligible for an Audience Award for Best International Feature or Best International Short. Film submissions in a foreign language must be subtitled in English. Selected films must be made available in a 35mm composite print; DV- Cam (preferred video format); MiniDV; DigiBeta (NTSC only); or BetaSP (NTSC only). CALL FOR ENTRIES 20TH ANNUAL SUBMISSIONS Films must be submitted for preview on VHS video cassette (NTSC preferred) or DVD (Region 1 Standard). Preview screeners will not be returned unless accompanied by a self-addressed, stamped shipping envelope. Entries MUST include a film synopsis, a complete cast/credits list, and film stills. The synopsis should be a well-written, concise description of the basic plot and premise of your film. Maximum synopsis length is 150 words for features, 50 for shorts. HI-RES STILLS (300 DPI, AT LEAST 3 X 5 ) ARE REQUIRED UPON SUBMISSION AND CAN BE SENT ON DISCS OR ED TO IM- AGES@NEWYORKFILMFESTIVAL.COM, OR YOU CAN PROVIDE A LINK FOR ONLINE ACCESS TO IMAGES. The synopsis and stills may be used in the program guide and will be available to distributors, members of the press, and filmmakers. If submitting more than one film, a separate completed entry form is required for each title. Receipt of entry for all films NOT submitted through WithoutABox will be confirmed via . ENTRY FEES, DEADLINE, NOTIFICATION, AND SCHED- ULING Entry fee for Feature Length Films (41 min. or longer): $40.00; entry fee for Short Films (less than 41 min.): $ WithoutABox members can receive a $5 discount. The postmark deadline for Short Film entries is October 23, Late entry deadline for Shorts is November 20 (additional fee required). The deadline for Feature Film entries is November 6, Late entry deadline for Features is December 11 (additional fee required). Early entry is strongly encouraged! There is a $20.00 late fee for films submitted after October 23 (shorts) and November 6 (features). Submissions postmarked before December 11 will be notified of acceptance by Friday, February 5, All other notifications will be completed by February 26, Films are scheduled at the discretion of the New York Film Festival. New York Film Festival retains the right to make changes to the published schedule at any time and for any reason. Films may be screened more than once. PRINT SHIPPING INFORMATION The New York Film Festival will pay for one-way, regular shipping within the U.S. for the exhibition copy of accepted films. The New York Film Festival will not accept C.O.D. shipments. If selected, all video masters must be received no later than Friday, February 26, 2013 and all film prints must be received by Friday, March 19, Films that arrive early stand a stronger chance of receiving a press screening. Shipments should be addressed to: New York Film Festival c/o IFC Center 323 Sixth Avenue New York, NY (212) x325 Fax (212) filmfest@enzian.org NewYorkFilmFestival.com Submissions should be shipped to the festival at: New York Film Festival c/o IFC Center 323 Sixth Avenue New York, NY APRIL 8-17, 2013 New York, New York New York Film Festival c/o IFC Center 323 Sixth Avenue New York, NY APRIL 8-17, 2013 SHORTS Early Deadline - October 23, 2013 Late Deadline - November 20, 2013 FEATURES Early Deadline - November 6, 2013 Late Deadline - December 11, 2013 William Regis 127 Anywhere St. Anytown, NY The New York Film Festival is accredited as a qualifying festival for the OscarsTM in the category of live action short films. The winner of the Grand Jury Prize Award for Best Narrative Short will automatically qualify to enter the Live Action Short Film category of the Academy Awards. New York Film Festival A set of promotional materials designed for the New York Film Festival. An image of the New York City skyline was used to convey a simple building block style. The design style represents the depth and complexity of building a film. APRIL 8-17, 2013 SHORTS Early Deadline - October 23, 2013 Late Deadline - November 20, 2013 FEATURES Early Deadline - November 6, 2013 Late Deadline - December 11, 2013 The New York Film Festival is accredited as a qualifying festival for the OscarsTM in the category of live action short films. The winner of the Grand Jury Prize Award for Best Narrative Short will automatically qualify to enter the Live Action Short Film category of the Academy Awards.