(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed)

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(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed) Current Revisions by (Current Writer, date) Name (of company, if applicable) Address Phone Number

INT. INSIDE THE TERMINAL - DAY MCDOWELL (36), MCDOWELL (10), and ANIE RODGERS (34) wait at the security checkpoint. Mike and Mel hold hands, and Jake looks at them with contempt. Can we get something to eat when we get through? Do you think we have time. Sure. We ll have plenty of time. What do you say, Jake. I think they have a MacDonald s. Sure, whatever. An awkward silence. I love MacDonald s. The french fries are great. (CONT'D) Oh god, I hate these lines. They take forever. I think if you have a kid under ten years old, you should get to go right on through. I know what you mean. If they did that, terrorists would just get kids my age to hijack planes. I guess you re right. There s no real solution to airport security. It s either fast and ineffective or slow and thorough. Would you please stop agreeing with everything I say? You re not going to win me over that easy. Jake!

2. WHAT!? Behave yourself. She s agreeing with what I say. And what s wrong with that? It s annoying. I m sorry. I m not doing it on purpose. Of course you aren t. Why would you? Jake. cut it out right now, or...or... Or what, Dad. Or we ll go home. Skip out on the trip. You wouldn t dare. Don t tempt me, Jake. You think I like dinosaurs? This trip is for you. I d rather be home watching football than at an excavation site. Then why is she coming? I m warning you, Jake. If I hear another word out of your mouth that I don t like, we ll go straight home.

3. How should I know what you ll like or not. Just cool it. Why should I? Extreme Close Up on Jake s mouth. (CONT'D) (Slow motion) She s not my mother. INT. THE MCDOWELL HOME ( S BEDROOM) - DAY Jake s suitcase leans against the wall. He plays with a toy Albertosaurus with a depressed look on his face. He becomes determined about something, and gets up. INT. THE MCDOWELL HOME (LIVING ROOM) (36) and (34) sit at the coffee table, each with a cup of coffee. Their suitcases are against the wall. I m sorry about that. I ll help you unpack if you want. It s not your fault at all. I just don t understand why he s acting like that. He was always so well behaved. This has to be hard on him. Well hopeful now he ll realize that there are consequences. If he s going to act like a jerk to you, I m not going to take him on any trips. (takes a sip of coffee) (MORE)

4. (CONT'D) You know, I think this is the first time I ve ever really punished the kid. I just hope he doesn t hate me too much. INT. THE MCDOWELL HOME ( S BEDROOM) - MEANWHILE (10) puts a pair of pants and a long sleeve shirt, a sleeping bag, and a pillow in a bag. He walks out the door of his room. INT. THE MCDOWELL HOME (HALLWAY OUTSIDE S BEDROOM) - CONTINUOUS Jake tip toes down the hallway and downstairs. INT. THE MCDOWELL HOME (FRONT HALLWAY) - CONTINUOUS Jake hears Mike and Mel chatting. Can you imagine how much fun it would have been to help with an excavation? Not really. I don t have much of a frame of reference except for Jurassic Park. Dinosaurs never interested you? No. That was always Jake s thing. Well, I think it would have been cool. Jake sneaks over to the front door. He quietly opens it, and carefully shuts it behind him, making sure not to make any noise. (CONT'D) I know for sure Jake would have loved it.

5. He had his chance. Maybe one day I ll bring him back there, but not until he learns some manners. (beat) Say, are you hungry? INT. THE MCDOWELL HOME (LIVING ROOM) - LATER Mike and Mel sit together on the couch, eating pizza. They watch some classic movie. I suppose we could go with Casablanca. Over the movie we hear foot steps frantically coming down the stairs. Mike s sister, MCDOWELL KEATING (41) appears and looks worried. She quickly walks around the rooms in the house and eventually makes it back to the living room. Um, Mike. Jake s gone. No, I made him go to his room. He s up there. No he s not. I checked. His door was open, and his sleeping bag is missing. EXT. THE MCDOWELL HOME - DAY The front door swings open. Mike sprints out, Followed by Lindsay, followed by Mel. Jake! Jake!! INT. MINNEAPOLIS PUBLIC BUS - DAY Jake, with his bag, get s onto the bus. He slides a dollar bill into the ticket station, and finds a seat near the front. CUT TO:

6. EXT. THE NEIGHBORHOOD AROUND THE MACDOWELL HOME - DAY Mike Lindsay and Mel separately knock on neighbor s doors asking if they ve seen Jake. After 6-8 such clips they converge in the middle of the street. At the end of the street Mike sees a public bus stop at a stop. He doesn t see Jake, but he realizes that Jake could be mobile. Let s go. Where to? The science museum. INT. MINNEAPOLIS PUBLIC BUS - DAY Jake sits on the bus. He is reading a pamphlet with the bus schedule and city map. EXT. MINNEAPOLIS SCIENCE MUSEUM - DAY A public bus drives by the entrance of the museum. We see a sign that says there is an exhibit on Dinosaurs. INT. MINNEAPOLIS SCIENCE MUSEUM - DAY Mike talks to a security guard. Lindsay and Mel come up behind them. Anything? No. He says they don t let children in without adult supervision. I gave him a picture. Same thing they said at the ticket booth. No one s seen him. (to the security guard) OK. If you guys see him please call me.

7. SECURITY GUARD (holding up a piece of paper with Mike s name and number.) Will do, Mr. Macdowell. I hope you find him. Thanks. Mike, Lindsay and Mel walk towards the exit. When do we call the cops? So I can get arrested for child neglect? We ll find him. We are only three people. He could be anywhere. Do you know how big this city is? Yes. I ve lived her my whole life, but I know my son better than anybody, so we are not calling the police yet. EXT. BUS STOP - DAY A public bus pulls up and the doors open. Jake gets off the bus, and takes a seat at the bus stop, waiting for a transfer. EXT. MINNEAPOLIS SCIENCE MUSEUM (PARKING LOT) - DAY Mike and Lindsay run towards his car, which is parked next to Mel s. Mike fumbles with the keys trying to unlock the door. He drops them. Damnit. Mike picks up the keys, and unlocks the door. Him and Lindsay get in the car. Where s his school?

8. Uh Lowry, between Johnson and Central. EXT. BUS STOP - DAY Jake s transfer arrives at the bus stop. He grabs his bag and gets on the bus. The doors close behind him and the bus drives off. EXT. S SCHOOL (PLAYGROUND) - END OF DAYLIGHT A public bus drives past the playground. The camera pans to Mike who is standing behind a bench scanning the surrounding area For Jake.! Lindsay comes jogging up behind him. No one s seen him. The lady in the office says no one s come by all day. Mike sits down on the bench, but it s more like he falls in despair, than consciously takes a seat. I have no idea where he is. Mel comes up behind them (CONT'D) The only thing I know about my son is he likes Dinosaurs and school work. So where to now? I have no idea. Call the cops. Thank you. Lindsay grabs her cellphone and dials 911.

9. (CONT'D) Hello. I d like to report a missing a child. EXT. BUS STOP - END OF DAYLIGHT A public bus pulls up to the stop. The doors open and Jake gets off. He walks down the street with his bag. EXT. S SCHOOL (PLAYGROUND) - NIGHT Lindsay is still on the phone with a dispatcher. Mel sits next to Mike Mike s got nothing. There has to be something. I have no idea where he d go. Come on. Where s the one place he d want to be right now? (CONT'D) What s does he loves more than dinosaurs? Mike looks up at Mel, He is starting to cry. At first he has no idea, but after the two look into each other s eyes for a moment, he sees something in her that fires a synapse. Lindsay. Lindsay! Lindsay looks up from her phone call. (CONT'D) I know where he is. (on teh phone) Hang on a second. (to Mike) Where is he then. He s with his mother.

10. Oh my god, he s dead! No. He s fine. Lindsay realizes what s going on. Well lets go. She s not that far. Mike gets up and runs towards the car. Mel and Lindsay follow him. Where are we going? EXT. OAKHILL CEMETARY - NIGHT A tombstone reads: Sara Lynn Macdowell June 18th, 1969 - Febuary 12th 2003 Loving wife and mother The camera pans and we see Jake is standing next to his mother s grave. He is crying. Mom? I miss you mom. I want you to be here again. Dad doesn t love me anymore. He won t let me see dinosaurs, and he s trying to replace you. He wants to forget you ever existed, but I won t let him. I ll make sure he doesn t forget about you. EXT. THE STREET OATSIDE OF OAKHILL CEMETARY - NIGHT Mike s car screeches to a stop. He gets out and starts running across the street. (in the car) You can t park here. Mike throws her the keys.

11. Park it. Lindsay gets out of the passenger seat and walks around the front of the car. (sarcastic) Park the car, Lindsay. Strain the spaghetti, Lindsay. Help raise my son, Lindsay. Lindsay gets starts it up and drives off. EXT. OAKHILL CEMETARY - NIGHT Jake reaches into his bag and pulls out the sleeping bag and pillow. He lays them on the ground next to his mom s grave. He puts on the long sleeve shirt (to his mother grave) It s cold. Jake hears Mike approaching. He gathers all of his stuff and hides them behind other gravestones. He then hides himself behind one of the biggest tombstones in the area. Mike walks up to the grave. He looks around quickly and then looks at his wife s grave. Hi, honey. It s been a while. I ve been kind of busy. I don t know if you heard, but I quit smoking. Jake is listening on from his hiding spot. (CONT'D) I had to, the doctor said I would die if I didn t. At first I didn t care, but then I thought about Jake, and how unfair that would be to him, and to Lindsay. (beat) She says hi, by the way. She was great with Jake while I was in the hospital. It was the first time I was back there since, well since you died. (beat) Lindsay and Mel show up but keep there distance. They can hear Mike.

12. Mike starts to cry. (CONT'D) God, I miss you. I wish I could be with you again. Every night I wish that you were still here, and it kills me inside. Do you remember what you told me before you died, how you wanted me to move on, and make sure Jake grows up into the great man we know he will be? Well, it took me a few years to get on top of that. I was in such a rut after you died. But recently I met someone. She s...well, I don t want to bore you with the details, but we are doing well. I think I love her. I never thought I d say that about someone after you, but it s true. So anyway I m starting to move on. As for Jake, I m sorry to say, I think I let you down on there. (CONT'D) You did such a great job with him while you were still here that I think he ll be fine, but I can t seem to make things right with him. He s trying to sabotage my relationship and I had to punish him for the first time this morning. We had this whole trip planned out, and I pulled the plug on it. He got me mad, and I said we weren t going. I didn t know what to do. And now, he ran away. I thought he d be here, but I guess I was wrong. I hardly know my own son. Jake can t take it anymore. He gets out from his hiding spot. I m right here, Dad. Mike rushes over to Jake. They embrace. They both start crying. Jake. Don t you ever do that again.

13. I m sorry, Dad. I was worried to death. I m sorry. I m so sorry. Lindsay comes next. She gets in on the hug. What were you thinking, Jake? I wanted to be with my mom. We spent all afternoon running around trying to find you. Your father nearly lost his mind running around town. He did? I mean, I m sorry. Mel is standing and watching. Jake looks at her. (CONT'D) Was she with you guys. All day. Everywhere we went. I m sorry, Mel. You ve apologized to me before. What makes this one different. This time I mean it. You deserve my dad. You two are good together. What about the three of us? Are we going to be good together? Are you kidding me? She knows what an Albertosaurus is.

14. Well I had to look it up. That s fine. It s the thought that counts. So you re going to try and be nice to her? Yeah. Mom would understand. Then we should go pack. Jake is confused. So is Mel (CONT'D) For the dig. It doesn t start until tomorrow. Mike Jake and Lindsay smile and start to walk to the cars. Wait a second! The three McDowell s turn to her. (CONT'D) Did you mean what you said, Mike? At first Mike is confused. (CONT'D) Do you love me? He looks back at Sara s grave. Oh, you heard that. Yes I did. Well, I was going to tell you. Than you did mean it? Mike looks at Jake, then back at Mel

15. Yeah. I love you. Because I was going to tell you the same thing. You were? Can I hear you say it? I love you. For a second Mike is at a loss. After a beat, Jake nudges him. Wait are you waiting for? Mike walks over to Mel and the share a passionate Kiss. THE END