ean-baptiste Boëss (1614 85) Mots for high voies Volume 1 Edited y Paul Gameson in assoiation ith
ean-baptiste Boëss (1614 85) Mots for mixed voies, Volume 1 Edited y Paul Gameson Introdution Performane information Editorial Proedure Editorial ommentary Translations ii ii iv iv v 1 Ave vere sanguis (SSATB-) 1 2 Domine salvum fa regem (SSATB-) 4 2 In manus tuas Domine (SATTB-) 7 3 Regina oeli (SSATB-) 9 4 Salve Regina (SATB-) 13 5 Veni sponsa mea (SATTB-) 18 6 Videntes te, hriste SATB 25 York Early Musi Press In assoiation ith Department of Musi, niversity of York, Heslington Foundation and York Early Musi Foundation at Department of Musi, niversity of York York YO10 5DD K Email: info@yorkearlymusipressom YorkEarlyMusiPressom Phone: +44 (0)1904 434692 Otoer 2002
ii Introdution ean-baptiste Boëss (1614 85) served Anne of Austria (King Louis XIV s mother and regent during Louis minority) from 1643 to 1662, and Marie-Thérèse (Louis queen) from 1660 to 1679 1 He ontriuted to several alls de our during the 1640s 60s, hih inluded ollaorations ith Lully, ut remained on the periphery of musial reorganization of the hapelle Royale during the 1660s ust eight sared orks are attriuted to Boëss, and all are found in a large manusript anthology of sared musi held in the Biliothèque Nationale, Paris, shelfmark Rés MS Vma 571 These inlude three masses 2, a faux-ourdon psalm sting, and four mots It is likely that Boëss s mots for mixed voies ere intended for the private orship of Anne of Austria and Marie-Thérèse Both queens oasted modest-sized musial households of aout tenty singers, hih ere omined ith the hapelle Royale for speial oasions The manusript soure, part of Séastien de Brossard s ollion donated to the Biliothèque du Roi in 1726, as opied toards the end of the seventeenth entury and refls progressive musi in Frane in the early part of that entury, inluding the hurh musiian Guillaume Bouzigna ( 1587-1660), hose onertatostyle orks ere never pulished ut nevertheless ell-knon in Paris, and mots from puliations featuring the earliest use of independent ontinuo line, Du Mont s antia sara (1652) and Moulinié s Meslanges (1658) On grounds of musial style it is proale that many of the anonymous orks in the manusript are also y Boëss Only one piee in this ollion, Salve Regina, is attriuted to Boëss, though Domine salvum fa regem is an arrangement of a four-part mot for unroken voies y the omposer 3 The voal style of orks in the manusript and printed ollions exudes melodi simpliity over virtuoso display and might almost e seen as a reation against the flamoyane of Italian musi, rought to Frane y the large numer of itinerant Italian musiians from the 1640s Performane Liturgial ontext The Marian antiphons Salve Regina and Regina oeli and the ompline respond In manus tuas Domine are the only mots sting Proper texts In ommon ith pratie in the rest the of Europe, there as a trend to sustitute Propers ith para-liturigial texts Veni sponsa mea, ith a text from the Song of Songs, might e used for Marian or other virgin feasts (the opening text is used for the Antiphon for the Feast of the ommon of virgins) Alloanes ere made elsehere in the liturgy for the inlusion of other musi The short mots Ave vere sanguis and Videntes te, hriste ere proaly intended for use in Mass during the Elevation of the Host, een the Beneditus and Agnus Dei It is likely that if an Elevation mot as sung, it replaed the Beneditus, and Boëss omits this movement in his three mass stings The text Domine salvum fa regem (Psalm 19, v10, Save, Lord: l the king hear us hen e all ) as introdued during the reign of Louis XIII to onlude mass, and it upholds the santity of kingship 1 For further reading, see Norert Dufourq, ean-baptiste de Boëss: un musiien, offiier du roi gentilhomme ampagnard (1614-85) (Paris, 1962); Yolande de Brossard, La ollion Séastien de Brossard 1655 1730: atalogue (Paris, 1994); Denise Launay, La musique religieuse en Frane du onile de Trente à 1804 (Paris, 1993); and Paul Gameson, The Development of the Frenh Fe-voied ontinuo Mot (PhD dissertation, niversity of York, 2002) 2 See ean-baptiste Boëss: Messe du trosième mode transposé; Messe du quatrième mode; Messe du Tiers; ed Paul Gameson (York, York Early Musi Press, 2002) 3 See ean-baptiste Boëss: Mots for high voies, Vol 1; ed Paul Gameson (York, York Early Musi Press, 2002)
Transpostion and soring iii In ontemporary Italian and German musi, the use of high lef ominations inluding G2 and F3 knon as hiavte implied that the piee as to e transposed don, usually y a fourth, though there is little evidene that suh pratie ourred in Frane When onsidering Parisian pith perhaps as lo as a =396 Hz (suh as Mersenne s Ton de hapelle ), a typial transposition ould plae the musi don a fifth for modern performers at a = 440 Hz 4 The poliy of this edition has een to hoose pithes here the voies ranges remain omfortale for modern performers: all ut one of the mots have een left at the original pith; Salve Regina, using the higher lefs G2-2-3-F3, has een transposed don a minor third There are no indiations in the manusript of solo or full indiations, ut printed soures often inluded dirions to exploit the soring ontrasts if fores availale permitted (antiipating the formal struture of grand and pit hoeur in the Versailles grand mot) This ontrast might e used to good eff, for instane, in the refrain (horus) and verses (solo) of Veni sponsa mea Mre and tempo ust to mres, oth duple, are used in these mots The duple mres are defined y the predominant unit of melodi movement and rate of harmoni hange rather than the relationship een the note values, so a minim pulse in oth signatures is the same, possily 60 This is evident in Regina oeli, hih appears elsehere in the manusript arranged for four voies: the first time hange ours in ar 8 of the five-part version, and ar 9 of the four-part version Ornamentation Several typial ornamental figures of the air de our are ritten out in the musi, the most ommon eing the avant son (antiipation, either in a single voie or at a harmoni level), port de voix (a rising one-note grae note, ith anapaesti underlay, somimes ith delayed resolution), and the aent (a grae-note involving a hange of dirion from main note to neighour) The asene of other notated ornaments does not prelude their inlusion, though this ould e impratial for more than one singer to a part A tremlement, or trill, an e used on the thirds of hords at adenes and should egin on the main note (upper or loer) The simple melodi lines of the solo passages ould e emellished ith the ornaments mentioned aove, and more Italian ornaments (mentioned in Frenh voal manuals) The tempo should refl the fat that notated figures are ornamental not melodi, and e sung as if they ere improvised, lightly and free; for instane, the avant son and port de voix ould e over-dotted The usually unritten onvention of inégale is the most harateristi Frenh rhythmi emellishment; it features the slight alteration to the length of ertain note pairs, usually the fastest notes in the tempo (quavers in ) and moving in stepise motion 4 Mihael Lindley, Temperament in Stanley Sadie, ed, The Ne Grove Ditionary of Musi and Musiians, 2nd edition (London, 2001): 25, 248 268 Mersenne (Harmonie niverselle (Paris, 1636)) ontrasts the Ton de la hapelle ith the Ton de la hamre (at a = 464Hz) omplaints that there is no uniform pith are made y to riters: Mersenne and André Maugars (Response faite à un urieux, sur le sentiment de la musique d Italie (Paris, 1639))
iv Editorial proedure Prefatory staves sho original lefs, keys and time signatures, folloed y editorial nomenlature The loer voal line and ontinuo share the same stave In the soure, vertial lines learly indiate hen the voie should e silent Original time signatures are generally used, though here modern signatures and hange of note value are preferred, the original is inluded aove the stave Barring has een regularized Original doule ars have een rained In final ars, if there is a fermata in one part, it is inluded in the other parts and noted in the ommentary In the soure, typially quavers are eamed togher for melismas and separately for single syllales: in the sore they have een eamed aording to modern use Preautionary aidentals in the soure are inluded in the sore Extra aidentals in the soure that are redundant in modern musial onvention are not aknoledged Aidentals aove the note are editorial indiating unnotated aidentals required y the rules of musia fita Areviated ords, puntuation and spelling have een realised taitly nlear underlay and ords omitted in the soure appear in italis Throughout the soure a vertial tik is used to indiate hen the ass sings or hen the text is repeated; neither are inluded in the sore It is also used in the manner of a modern omma to suggest that voies finish the note early, usually hen the solo voie has a shorter note; these are indiated in the sore Soure Paris, Biliothèque Nationale, Rés MS Vma 571 Editorial ommentary Numers refer to ar and supersript numers to the eat ithin the ar Areviations: r reve s semireve m minim r roth q quaver 1 Ave vere sanguis f 163v ar lengths halved 2 Domine salvum fa regem 175r-175v 29 3 repeat ar: m - m r (see D in 12) 3 In manus tuas, Domine 162v-163r 4 Regina oeli 149v-150v 5 Salve Regina 54v-55r ars 48-60 are sriled out, ith another ending at f 56v y a different hand, ho heads the sion Suitte [au] faute du Salve preedand de Mr Boess ; hoever, oth versions are idential 76-7 underlay pia 8 T G sharp (no aidental)
v 6 Veni sponsa mea 131r-132v Repeats are not ritten out ut learly indiated in the manusript No repeat is suggested at 111, though one might e added if the refrain is treated as a horus 7 Videntes te, hriste 164r-164v Texts and Translations 1 Ave vere sanguis Ave vere sanguis priosi orporis Domini nostri esu hriste, qui pro nois in lingo rues effusus fuisti redemptio mundi Hail most preious lood of the ody of our Lord esus hrist hih for us poured forth from the ood of the ross as a redemption for the orld 2 Domine salvum fa regem Domine salvum fa regem; exaudi nos in die qua invoaverimus te Save, Lord: l the king hear us hen e all (Psalm 19/20, v10) 3 In manus tuas, Domine In manus tuas Domine, ommendo spiritum meum Redemisti nos Domine, Deus veritatis Into your hands o Lord, I ommend my spirit Save us, O Lord, true God (Psalm 30/1, v 6; Respond, ompline) 4 Regina oeli Regina oeli laare, alleluia: Quia quem merusiti portare, alleluia: Resurrexit, siut dixit, alleluia: Ora pro nois Deum, alleluia Queen of heaven, reoie, alleluia: for he hom thou ast orthy to ear, alleluia: has risen as he said, alleluia: Pray for us to God, allelu (Marian antiphon) 5 Salve Regina Salve Regina, mater miseriordiae: vita duledo, spes nostra, salve Ad te lamamus, exsules, filii Eavae Ad te suspiramus, gementes flentes in ha larimarum valle Eia ergo, Advoata nostra, illos tuos miseriordes oulos ad nos onverte Et esum, eneditum frutum ventris tui, nois post ho exsilium ostende O lemens: O pia: O dulis Virgo Mar All hail o queen, mother of mery Life, seness, and our hope, all hail We, exiled sons of Eve, do ry unto thee To thee e sigh, groaning and eeping in this vale of tears Therefore o thou our Advoate, turn those thy meriful eyes unto us And she unto us after this exile lessed esus, the fruit of thy om O lement, o pitiful, o se virgin Mary (Marian antiphon)
vi 6 Veni sponsa mea Veni sponsa mea, veni de Liano, Veni, oronaeris Tota pulhra es, amia mea, maula non est in te Veni sponsa mea Ouli tui olumarum, siut vita oinea laia tua, Et eloquium tuum dule, aput tuum ut armelus, asque ea quod intrinseus lat Veni sponsa mea Anima mea liquefata est ut dilus loutus est, fulite me florius, stipate me malis, quia amore langueo ome my ride, ome ith me from Leanon, ome ith me and you shall e roned Thou art fair, my love, and there is no spot ith thee ome my ride Your eyes are like a dove's, your lips are like a sarl thread, and your mouth is se, and your head is like armel ehind your veil ome my ride My soul failed me hen my eloved spake, stay me up ith floers, omfort me ith apples, for I languish ith love (Song of Songs, 4: 8, 3; 2: 5) 7 Videntes te, hriste Videntes te, hriste, in patiulo rues vulneratum, uxta ruem, lahrimantes lamamus O hriste, audi nos Seeing you, O hrist, ounded on the gi of the ross,e all to you, full of tears: O hrist, hear us
1 Allelu O filii filiae Allelu O sons and daughters, the King of heaven, the King of glory, this day did rise from the dead Alleluia! Alleluia! On that first Easter morning, the faithful omen ent to the tom earing esus' ody Alleluia! Alleluia! See, Thomas, see my side, fe and hands: do not e faithless" Alleluia! Alleluia! 3 Soprano I # 3 n Soprano II B B 3 3 Soprano III Alto Bass # Al - # 3 Basso ontinuo # # 7 n Al - al - le - lu - n Al - le - lu - # Al - Al - Al - al - # # # al - le - al - le - # al - le - # lu - lu - lu - opyright 2002 y York Early Musi Press Allelu O filii filiae - 1
2 15 n O fi - li - i fi - li - ae, Rex oe - les - tis, Rex glo - ri - O O fi - li - fi - li - i i fi - li - # fi - li - ae, ae, Rex Rex oe - les - oe - les - tis, tis, Rex Rex glo - ri - # glo - ri - O fi - li - i fi - li - ae, Rex oe - les - tis, Rex glo - ri - 23 n # ae, Mor - n te sur - re - xit ho - di - e, al - Al - n ae, Mor - te sur - re - xit ho - di - e, al - Al - ae, ae, Al - Al - Al - 31 n Al - n al-le-lu - # # # # # # # # Allelu O filii filiae - 2
3 40 Al - n al - le - lu - n Al - le - lu - # Al - Al - Al - al - # # # al - le - al - le - # al - le - # lu - lu - lu - 49 Et ma - ne pri - ma sa - a - ti, Et Et ma - ne n ma - ne pri - ma pri - ma sa - a - sa - a - ti, Ad # ti, os - ti - um mo - nu - men - Et ma - ne pri - ma sa - a - ti, 57 # # A - n es - se - runt dis - i - pu - li, al - ti A - A - es - se - es - se - runt dis - runt dis - i - pu - i - pu - li, al - li, al - n Al - A - es - se - runt dis - i - pu - li, al - Allelu O filii filiae - 3
4 64 Al - n # Al - Al - Al - Al - 72 al - le - lu - n Vi - de Tho - ma, vi - le - lu - # Vi - de Tho - ma, vi - al - # # # al - le - al - le - # al - le - # lu - lu - lu - Vi - Vi - de Tho - de Tho - ma, vi - ma, vi - 80 n n de la - tus, Vi - de pe - des, vi - de ma - nus, de la - # de la - tus, Vi - tus, Vi - de pe - de pe - des, des, vi - vi - de de ma - ma - # nus, nus, No - li es - se in - re - du - de la - tus, Vi - de pe - des, vi - de ma - nus, Allelu O filii filiae - 4
5 89 # lus, al - Al - n Al - Al - Al - Al - al - # # # # # 96 n Al - n Al - n # Al - # # Al - Al - 104 al - le - lu - n Al - al - # # # Allelu O filii filiae - 5 le - al - le - al - le - # al - le - # lu - # lu - lu - lu - u
6 2 Anna mater matris redemptoris Anna, mother of the mother of our redeemer, Anna, most nole mother, you ho no reigning ith angels is roned ith glory, e mindful of us O most holy Anna, pour out your prayers so that e are ale to oin ith this your ompany Soprano I Soprano II # An - na ma-ter ma - tris re - demp - to - ris nos - tri, An - # Soprano III An - na ma - ter B Alto Bass Basso ontinuo # 6 na ma - ter ma - tris re - ma - N demp - to - ris tris re-demp - to - ris nos - tri, re - nos - tri, re-demp - demp - to - to - ris nos - ris nos - An - # # An - na ma - ter # ma- tris re-demp-to - ris An - na # ma - ter ma - tris re - demp - # to - ris nos - Anna mater matris redemptoris - 1
7 11 - - tri, An - na ma-tro - na no-i-lis - si - ma, quae iam reg - nas um an - ge- tri, # An - na ma-tro - na no - i - lis - si - ma, - na ma-tro - na # nos - tri, An - tri, An - no - i - lis - si - ma, na ma - tro - na ma - tro - no - i - lis - si - na no-i-lis - si - na no-i-lis - si - ma, ma, ma, 16 lis, o - ro - # n na - ta, o - ro - # na - ta in # glo - ri - a, quae iam reg - nas um an - ge - lis, o-ro - quae iam reg - nas um an - ge - lis, # o-ro-na - ta in glo - ri - a, o - ro - quae iam reg - nas um an - ge - lis, o - ro - quae iam reg - nas um an - ge - lis, # # N o-ro - 21 na - na - ta in na - ta in na - ta in glo - ri - a, o - ro - na - glo - ri - glo - ri - N a, o - ro - na - ta a, o - ro - na - ta in glo - ri - a, o - ro - na - ta in glo - ri - # ta in glo - ri - Anna mater matris redemptoris - 2 # in glo - ri - ta in glo - ri - a, u - a, # a, a, i nos -
8 27 N # u - i nos - # # tri me - mor, tri me - mor es - to, u - i nos - # tri me - mor es - to, me - mor es - to, u - u-i nos - u - i nos - i nos - tri me - mor es - tri me - mor es - tri me - mor es - to, to, to, 33 me- mor es - to O An - # na san - tis - si - ma, u - i nos - tri me - mor es - to O u-i nos - tri me - mor es - # to O An - na san - tis - u-i u-i nos - tri nos - tri me-mor, me - mor es - me - mor es - to to O An - O An - 39 # O An - na san - tis - si - ma, san-tis - si - ma, An - na san-tis - si - N ma, O An - na san - tis - si - - - si - ma, O An - na san-tis - si - ma, O An - na san - tis - si - na san-tis - si - na san - tis - si - ma, ma, O O An - na san - tis - si - An - na san - tis - si - Anna mater matris redemptoris - 3
9 44 fun - de pre - N es pro no - is, pro no - is, ma, ma, fun - de pre - fun - de pre - es pro no - es pro no - is is ut pos - si - mus il - li tu - ma, fun - de pre - es pro no - is ma, fun - de pre - es pro no - is 50 ut # # ut pos - si-mus il - pos - si - mus il - li tu - li tu - o so - i - N # o so - i - o so - i - a - ri ol - le - gi - o, so - i - a - ri ol- ut ut pos - si - mus il - pos - si-mus il - li tu - li tu - o o so - i - a - 56 a - ri ol - a - ri ol-le - gi - # le - gi - o, ol - le - gi - # o, ol - le - gi - # o, ol - le - gi - Fine o o N O An - le - gi - o, so - i - a - # ri ol - # so - i - a - ri ol - le - gi - # le - gi - # ri ol - le - gi - # o, ol - le - gi - o, ol - le - gi - o # o o Anna mater matris redemptoris - 4
10 3 Ave Maria Hail Mary, full of grae: our Lord is ith thee: lessed art thou among omen, and lessed is the fruit of thy om, esus Holy Mary, mother of God, pray for us sinners, no, and in the hour of our death Amen Soprano I Soprano II A - ve Ma - ri - a, gra - ti - a, gra - ti - a, gra - ti - B Alto Bass Basso ontinuo A - ve Ma - # # ri - a, gra - ti - a 5 a ple - na, Do - mi-nus te - um, e - ne - di - ta tu in ple - na, Do - mi - nus, Do - mi - nus te - um, e - ne - di - ta tu in Do - mi - nus, Do - mi - nus te - um, e - ne - di - ta tu in Do - mi - nus, Do - mi - nus te - um, e - ne - di - ta tu in 10 mu - li - e - ri - us, e - ne - di - tus fru - tus ven - tris tu - i, mu - li - e - ri - # us, e - ne - mu - li - e - ri - us, mu - li - e - ri - us, # Ave Maria - 1
11 14 e - ne - di - tus fru- tus ven - tris tu - i, di - tus fru - tus ven - e - ne-di - tus fru - tus tris tu - i, # ven - tris tu - fru - tus ven - i, fru - tus - tris tu - i, e - ne - # ven - tris, e - ne - di - tus fru - tus ven - tris tu - i, 18 e - ne - di - tus # di - tus fru - tus fru - tus ven - tris tu - # ven - tris tu - i, i, e - ne - # e- ne - di - tus fru - # e - ne - di - tus fru - tus di - tus fru - tus tus ven - e - ne - di - tus fru - tus, e - ne - di - tus fru - # tus, fru - tus 22 ven - tris tu - i, e - sus San - ta Ma - ri - a, Ma - ri - ven - tris tu - i, e - sus San - ta Ma - tris, ven - tris tu - i, e - sus San - ta Ma - ven - tris tu - i, e - sus San - ta Ma - Ave Maria - 2
12 27 # - a, Ma - ter De - i, o - ra pro # no - is pe - a - # to - ri- us, o - ri - a, Ma - ter De - i, o - ra pro no - is pe - a - to - ri- us, o - ri - a, Ma - ter De - # i, o - ri - a, Ma - ter De - # i, o - 32 ra pro no - is, pro no - is # pe - a - to - ri - us, nun ra pro no - ra pro no - is, pro is, pro no - is pe - no - is pe - a - # a - to - ri - # to - ri - us, us, ra pro no - is, pro no - is # pe - a - to - ri - us, 36 # in ho - ra mor - tis, mor - tis nos - # trae, nun in ho - ra mor - tis nos - trae, nun nun nun Ave Maria - 3
13 40 nun in ho - ra mor - tis, mor - # in ho - ra mor - in ho - ra mor - tis nos - trae, nun tis nos - trae, in ho - in ho - ra mor - ra mor - tis, in ho - ra mor - tis nos - trae, nun in ho - ra mor - tis, 44 - tis nos - trae A - - - - tis nos - trae mor - tis nos - trae # mor - tis nos - trae u A - - - - - # men, A - 49 men, A - - - - - - A - - - - - - - # # A - - - W men W men W men W - - - - men, A - - - - men W u Ave Maria - 4
14 4 Domine salvum fa regem Save, Lord: l the king hear us hen e all Soprano I # Soprano II Do - mi - ne sal-vum fa re - gem, Do - mi - ne sal - vum fa # B Alto Bass Do - mi - ne sal - vum fa re - sal - sal - Basso ontinuo 4 re - gem, Do - mi - ne, Do - mi - ne sal-vum, sal - gem, fa re - gem, vum fa re - gem, Do- mi - ne, Do - mi - ne sal-vum, sal-vum, sal - vum fa re - gem, 8 vum fa re - gem, Do - mi - Do - mi - # vum fa re - gem, Do - mi - Do - mi - ne, n ne sal - ne sal - vum, Do - mi - ne sal - vum, Do - mi - ne sal - vum fa vum fa re - # ne sal - vum fa re - sal - vum fa re - re - gem, fa re - Domine salvum fa regem - 1
15 11 gem: ex - au - di gem: ex - # au - di nos in di - e, in di - gem: gem: ex - au - di nos in di - 14 nos in di - - e, e, in ex - au - di di - nos in di - e, in di - e, in di - e, ex - au - di nos ex - au - di in di - e, n nos in di - n in di - e, in di - 18 e qua in - vo - a - ve - ri - mus, in - vo - a - ve - ri - mus e, qua in - vo - a - e, e, Domine salvum fa regem - 2
16 21 te, qua in - vo - a - ve - ri - ve - ri-mus, in - vo - a - mus, in - vo - a - ve - ve - ri - # mus ri-mus qua in - vo - a - te, qua in - vo - a - te, qua ve - ri - mus, in - vo - 25 Fine ve - ri - in - vo - a - ve - ri - a - ve - ri - qua in - vo - a - mus, in - vo - a - ve - mus, in - vo - a - mus, in - ve - ri - mus, in - vo - a - ve - ri - mus ri - mus ve - ri - mus # vo - a - ve - ri - mus te te, ex - te te Domine salvum fa regem - 3
17 5 Magnifiat My soul doth magnify the Lord: and my spirit hath reoied in God my Saviour For he hath regarded: the loliness of his handmaiden For ehold from heneforth: all generations shall all me lessed For he that is mighty hath magnified me: and holy is his Name And his mery is on them that fear him: throughout all generations He hath sheed strength ith his arm: he hath sattered the proud in the imagination of their hearts He hath put don the mighty from their seat: and hath exalted the humle and meek He hath filled the hungry ith good things: and the rih he hath sent empty aay He rememering his mery hath holpen his servant Israel: as he promised to our forefathers, Araham and his seed, for ever Glory e to the Father, and to the Son: and to the Holy Ghost As it as in the eginning, is no, and ever shall e: orld ithout end Amen Soprano I # n B Soprano II Alto Bass Basso ontinuo # Mag- ni - fi - at a - ni - Mag - ni - fi - Mag - ni - fi - Mag - ni - fi - ma, a - ni-ma me - a at # at at Do - mi-num, a-ni- a-ni- a-ni- 5 # a-ni-ma, a - ma me - a, ma me - a, ni-ma me - a - ni - ma a - ni-ma a Do - mi - me - a Do - mi - # me - a Do - mi - num num # num Et ma me - a, a - ni-ma me - a Do - mi - num # Magnifiat - 1
18 10 # ex - ul - ta - vit spi - ri - tus # Et ex - ul - me - us, spi - ta - vit spi - ri - ri - tus me - tus me - us us in De - in De - in De - 15 # N in De - # o sa - lu - ta - ri me - # o o, in De - # o, in De - o o sa - lu - ta - ri me - o, sa - lu - sa - lu - ta - ri me - ta - ri me - o # o o, in De - o sa - lu - ta - ri me - o 20 # - - Qui - a re - spex - it hu - mi - li - # ta - tem an - N il - lae su - Qui - a re - spex - it hu-mi - li - ta - tem an - il - # # Magnifiat - 2
19 25 # # - lae su - ae: e - e ae: e - e e - nim ex e - nim ex ho e - a - ho e - a - tam me di - tam me di - e - e e - nim ex ho e - a - tam me di - # e - e e - nim ex ho e - a - tam me di - # 30 # ent # om - nes ge - ne - ra - ti - o - nes Qui - a fe - ent om - nes ent om - nes ge - ne - ra - - - # ge - ne - ra - - - ti - o - ti - o - nes # nes ent om - nes ge - ne - ra - - - ti - o - nes 35 # it mi - hi mag - na qui po - tens # est: san - tum san - tum, san - tum san - tum, san - tum san - tum, san - tum Magnifiat - 3
20 40 no - men e - ius Et mi - se - ri-or - di - a e - ius a pro-ge - ni - no - men e - no - men e - ius ius no - men e - ius 46 N e in pro-ge - ni - es ti - men - ti - # ti - men - ti - ti - men - ti - us, ti - men - ti - us, ti - us e - # us e - men - ti-us e - um um # um ti - men - ti - us, ti - men - ti - us e - um 51 N # Fe - it po - Fe - it po - ten - ti - am in ten - ti - am in in ra - hi - o ra - hi - o ra - hi - su - su - # o su - o: dis - # o: dis - o: dis - dis - Magnifiat - 4
21 56 per - sit su - per - sit su - per - os per - os men - te or - dis men - te or - dis su - i, su - i, men - te or - dis men - te or - dis per - sit su - per - os men - te or - dis # su - i, men - te or - dis # per - sit su - per - os men - te or - dis su - i, men - te or - dis # # 61 # su - i, su - i, # su - i, men - te or - dis # men - te or - dis men - te or - dis # su - # su - su - i i # i De - po - su - su - i, men - te or - dis # su - i # 67 # it po - ten - tes de se - de, ex - al - ta - ex - al - ex - al - Magnifiat - 5 vit hu - mi - ex - al - ta - vit, ta - vit, les, ex - al - ta - ta - - ex - al - ta - ex - al - ta -
22 72 # # # - vit hu - mi - les E - su - ri - en - tes im - ple - vit - vit hu - mi - les - vit hu - mi - les vit hu - mi - les 77 o - nis: di - vi - tes, di - vi - tes, di - vi - tes, di - vi - tes, di - vi - tes di - di - vi - tes di - vi - tes di - vi - tes di - mi - sit in - di - mi - sit in - di - mi - sit in - mi - sit in - a - nes, # a - nes, a - nes, a - nes, 82 # di - vi - tes, di - vi - tes, di - vi - di - vi- tes di - vi - tes di - vi- tes di - tes di - mi - sit di - mi - sit in - di - mi - sit in - mi - sit in - in - a - # a - a - a - nes nes # nes nes Magnifiat - 6
23 88 # re - Sus - e - pit Is - ra - el pu - e - rum su - um, re - re - or - da - # or - da - re - or - 93 N or - da - tus mi - se - ri - tus mi - da - tus mi - se - ri - or - di - se - ri - or - di - tus mi - se - ri - # or - di - ae su - - - # ae, mi - se - ri - ae, mi - se - ri - or - # or - di - # # or - di - ae su - di - ae su - ae su - ae ae # ae ae 98 # Si - ut lo - u - tus est ad pa - tres nos - tros, ad pa - tres nos - tros, A - ra-ham A - ra-ham A - ra-ham # A - ra-ham Magnifiat - 7
24 104 se - mi - ni e - se - mi - ni e - se - mi - ni e - se - mi - ni e - # ius in sae - u - la, in sae - u - la, in sae - u - ius in sae - u - ius in sae - u - la, la, # ius in sae - u - la, in sae - u - la, in sae - u - la # in sae - u - in sae - u - la # la la 109 # # Glo - ri - a Pa - tri, Fi - li - o, Spi - ri - tu - i # # # 115 # San - to Si - ut e - rat # in prin - i - pi - o, nun, sem - Si - ut e - rat in prin - i - pi - o, nun, sem - # Si - ut e - rat in prin - i - pi - o, nun, sem - Si - ut e - rat in prin - i - pi - o, nun, sem - Magnifiat - 8
25 121 # per, in sae - u - per, in sae - u - per, per, la sae - u - # la sae - u - lo - rum A - lo - rum, A - men, in sae - u - men, in sae - u - in sae - u - in sae - u - 125 la sae - u - la sae - la sae - u - la sae - u - lo - rum A - u - lo - rum, lo - rum lo - rum A - # men, sae- u - A - men, sae- u - A - men, sae-u - men, sae- u - lo - rum A - # lo - rum A - lo - rum A - # lo - rum A - # W men W men #W men W men W Magnifiat - 9
26 6 O rux ave, spes unia Hail, O ross, our only hope this passiontide; inrease the devotion of the godly, and forgive the transgression of the guilty Soprano I B Soprano II Alto Bass O O O rux rux rux a - a - a - ve, ve, ve, spes Basso ontinuo O rux a - ve, 6 n O rux a - ve, spes u - ni - a, u - ni - spes a, spes u - # ni - u - a, # ni - a, spes, a - ve, spes u - ni - a, Ho 13 Ho Pas - si - Pas - si - Ho o - o - Pas - si - Ho o - nis O rux ave, spes unia - 1 Pas - si - nis tem - o - nis tem - nis tem - tem - po - # po - po - po -
27 20 n re: Au - re: ge Au - pi - ge is, au - pi - is ge pi - is us - ti - us - re: Au - ge re: Au - ge pi - is 27 - - ti - am, Re - is - que do - na, ti - pi - us - is us - ti - - ti - ti - ti - ti - am, am, Re - am, Re - is - que is - que do - do - na, Re - na 34 n # N re - is - que do - na ve - ni - am - is - ve - ni - que am, re - # do - is - que do - na ve - na ve - # ni - ni - am am re - is - que # do - na, do - na ve - ni - am u O rux ave, spes unia - 2
28 7 Popule meus O my people, hat have I done unto thee, or herein have I earied thee Testify against me Beause I rought thee forth from the land of Egypt: thou hast prepared a ross for thy saviour Beause I did sourge Egypt for thy sake: and thou hast sourged me and delivered me up Soprano I Soprano II Po - pu - le me - us, quid B Alto Bass Po - Po - pu - pu - le # le, po - pu - me - le me - us, us, quid Basso ontinuo Po - pu - le me - us, quid 6 fe - i ti - i aut in quo on - tri - quid fe - i fe - i ti - ti - i i aut in quo on - tri - aut fe - i ti - i aut in quo on - tri - 11 # sta - vi te re - spon - de mi - # hi sta - in quo on - tri - vi sta - vi te re - te re - spon - spon - de, re - de mi - spon - de mi - hi hi sta - vi te re - spon - de mi - hi Popule meus - 1
29 18 Qui - a e - du - xi te de ter - ra, de Qui - a e - du - Qui - Qui - a e - 25 ter - ra, de ter - ra Ae - gip - ti, Ae - a e - - xi du - xi tė te de de ter - ter - ra, ra, de # de # ter - ter - ra, Ae - ra Ae - du - xi te de ter - ra, de # ter - ra Ae - 32 gip - ti: pa - ra - sti ru - em, ru - gip - gip - ti: ti: pa - ra - sti ru - em sal - va - gip - ti: pa - ra - sti Popule meus - 2
30 38 em sal - sal - - to - ru - va - va - em to - ri, sal - to - ri, sal - sal - va - to - ri ri va - to - ri va - to - ri tu - tu - tu - tu - W o W o W o W # o 44 Po - pu - le me - us, N quid fe - i Po - pu - le # me - us, quid Po - pu - Po - pu - le, po - pu - le le me - me - us, us, quid quid fe - i fe - i 50 ti - i aut in quo on - tri - sta - fe - i ti - i aut in quo on - tri - sta - ti - i aut in quo on - tri - ti - i aut in quo on - tri - sta - Popule meus - 3
31 55 # - vi te re - spon - de mi - # hi - vi sta - vi - vi te re - te re - te spon - spon - de, re - re - de mi - spon - de spon - de mi - mi - hi hi hi 61 # # # Prop - ter te fla - gel - la - vi, Prop - # ter te N fla - gel - la - Prop - ter te vi # # Prop - ter te # 66 # # fla - gel - la - vi Ae - gip - tum: fla - gel - la - vi Ae - gip - tum: Ae - gip - # tum, Ae - gip - tum: N # fla - gel - la - # vi Ae - gip - tum: Popule meus - 4
32 72 tu me fla - gel - la - tum, fla - gel - la - # tu me fla - gel - la - 77 tu me fla - gel - la - tum tum tra - di - dis - tu ti, me tu fla - gel - me la - fla - gel - tum tra - di - dis - ti, tu me fla - gel - 82 N - - la - la - # tum tra - tum # tum tra - tra - di - tra - di - di - dis - Popule meus - 5 dis - # # di - dis - # dis - ti ti ti ti u
33 8 Tu es Prrus Thou art Per, and upon this rok I ill uild my hurh; and the gates of Hades shall not prevail against it Amen Soprano I Soprano II Soprano III # Tu es Pe - trus, su - per han pe - Tu es B Alto Bass Basso ontinuo # # Tu es # Tu es Tu es 5 tram ae-di - fi - a - o E-le - si - Pe - trus, su - per, su - per han pe - tram Pe - trus, su - per, su - per han pe - tram # Pe - Pe - trus, trus, su - per su - per han pe - han pe - tram tram Tu es Prus - 1
34 10 am me - am, ae - di - fi - ae - di - fi - ae - di - fi - ae - di - fi - a - o E - le - si - a - o E - le - si - a - o E - le - si - a - o E - le - si - am me - am, am me - am, # am me - am, am me - am, ae - di - fi - a - o, ae - di - fi - ae - di - fi - ae - di - fi - a - ae - di - fi - 14 a - o E - a - o, ae - di - fi - o E - a - o E - le - si - am a - o E - le - si - am le - si - am le - si - am ae - di - fi - a - me - am, me - am, me - am, me - am, o E - le - si - 18 am, E - le - si - am me - am, # ae - di - fi - a - ae - di - fi - a - o E - le - si - o E - le - si - am me - # am me - ae - di - fi - ae - di - fi - a - a - o E - o E - le - si - le - si - am me - am me - Tu es Prus - 2
35 22 am, por-tae in - fe - ri non prae- va - le - unt ad - ver- sus e - am, por - tae in - fe - ri, # am, # am, por - tae in - fe - ri, por - tae in - fe - ri, am, 27 ad - por - tae in - fe - ri non prae - va - le - unt ad - ver - sus e - por - tae in - fe - ri non prae - va - le - unt ad - ver - sus e - # in - fe - ri, non prae - va - le - unt ad - ver - sus e - por - tae in - fe - ri non prae - va - le - unt ad - ver - sus e - 31 # W ver - sus e - am A - - - men # # am # A - - - - W men am, ad - am, ad - am, ad - ver - sus ver - sus e - ver - sus e - # e - # am am am A - - - A - - - # A - # men W men W men W u Tu es Prus - 3
York Early Musi Press http://yorkearlymusipressom atalogue Editions availale no Editor A Garieli Missa Quando lia sperai (SATTB) Per Seymour from Primus lier missarum (1572) Vitoria Four psalms (doule hoir + org) Per Seymour Vitoria Three psalms (doule hoir + org) Per Seymour Vitoria Four Marian Antiphons (doule hoir + org) Per Seymour Seelink Anthology of (4) mots (SA/TTTB + ) Per Seymour Seelink Anthology of (4) hristmas mots (S/ATTTB + ) Per Seymour Seelink Anthology of (4) Passiontide mots (SATTB + ) Per Seymour Laes Psalms to omon Tunes (STTB-) Paul Gameson Boëss Mots for high voies, Vol 1 Paul Gameson Boëss Mots for mixed voies, Vol 1 Paul Gameson Boëss Mass du troisième mode (SSSA + ) Paul Gameson Boëss Mass du quatrième mode (SSA + ) Paul Gameson Gratiani Magnifiat (SATTB + ) Paul Gameson Helfer Missa Benediam Dominum (SATB) Paul Gameson Helfer Missa Laatus sum (SATB) Paul Gameson Editions availale Marh 2003 Leondaritis 3 masses Miranda aldi Missa Laatus sum (SATB; SATB) Missa Aller mi faut la verdure (SSATTB) Missa e prens en grez (SS/AATTB) Leondaritis (38) Mots (SATTB) Miranda aldi Du Mont 3 St eilian Mots (SSATBB + ) Paul Gameson Editions planned to e ompled later 2003 Boëss Mots Paul Gameson Bouzigna Mots Paul Gameson harpentier Anthology of Psalms Paul Gameson Purell Songs dialogues Per Seymour Blo Songs dialogues Per Seymour effreys Anthems, mots Per Aston Blo St eilia s Day Ode Per Seymour Purell, D St eilia s Day Ode Per Seymour Purell, D Oasional Odes Per Seymour Blo String trios Per Seymour Matteis, N String suites Simon ones