Good Night. John Newman (613)

Similar documents
All That You Loved. By Blake Goeres. (BlakeGoeres)

' The Brother ' by Roger Goldsmith. (A Short Film Script)

"THE KING AND I" written by. Joshua Lederman

GUM. Rik Mason

Forgiveness. Ken Jackson. Ken Jackson, 2008

PIZZA MAN. (Offstage the drawers continue to slam. Julie starts to get up and head into the bedroom to see what s happening.)

SO SORRY. Jimmy Smith

HOW TO MAKE ME DISAPPEAR. Written by REDACTED

PUT AWAY. Written by. Simon K. Parker

HELLO BROOKLYNN. Written by. Brandon E. Weber

The Camper. Kirsten James. Copyright 2018

Empty as can be. Seems to go on for miles to a double door at the end.

The Perfect Sacrifice. An original screenplay. Tiffany Littlejohn. 3rd Draft

What s in that bottle up there? He waved his hand towards a small bottle on the bedside table.

UNTITLED SHORT: A TRUE VOMIT DRAFT

HICKEY. Jimi Lamp. "Copyright (c) 2014 This screenplay may not be used or reproduced without the express written permission of the author.

A tall man with short hair and a medium build dressed in BDUs walks out of the base and looks up at the sky (DAN)

The characters in the story

work be done? It s a big job. I ll be gone a while, said Rafael. Antonio took the phone from Lilia. Dad! Wassup? asked Antonio. Hi, Antonio.

Light streams through holes in the ceiling. A wooden door opens. STEVE, 30, tall and thin backs into the shed.

VINNY - CHARACTER REPORT "MAGGIE"

GOLDILOCKS. Written by. Mitchel Taylor

YES, DEAR. A Short Script Written by. Ron Houghton

When the Time Comes. J.D. Cornett

THE DOGS ALLAN STRATTON

A FOREST WITH NO TREES. written by. Scott Nelson

Roadside. Derek Reid. Copyright 2012

TRAPPED. Written by. Steven Wood

CHARLES S BAND. Levi J. Gardner

STOCKHOLM DIARIES. Written by. Shelby Saumier & Milo Mendoza

Tips On How To Work With Your Child At Home Practical, physical things you can have: Time: Schedule Trust Example

The Remnant. Colton Harrell. Copyright (c) 2017

The Storm. (looking at a photo of a boat) Very nice, Dad! Bye! See you at the picnic. My friends are waiting for me. I m late.

EDEN A Short Film By Adam Widdowson

OBLIVION. James McClung. 2007, All Rights Reserved

ELIZABETH (V.O) What are you afraid of?

A wheelchair lies tipped over. Next to it a bloody hand. Suddenly, a CAMERA FLASH!

(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed)

A faded building off the beach surrounded by brown wasteland. CHRISTOPHER JOSEPHS, 30's, and MARIA JOSEPHS, 50's, approach the motel from the ocean.

Fool's Gold. Jeffrey Dean Langham

Parents explain GREFFE to their kids

CULTURE SHOCK The Death of Emmett Bobo Till

Every Day Superhero. by Kristopher Hoffman. Simplicity Studios 35 W. Nightingale, Apopka, FL

BREATHE. David Edmondson. This screenplay may not be used or reproduced without the express written permission of the author.

POSITIVE COMMENTS: CHOICES: PROMOTING EMOTIONAL VOCABULARY:

ONE MAN'S TRASH. by René Claveau. # Homer St. Vancouver, BC V6B 6A7 Canada Ph: (604)

We re looking at the Hollywood sign shimmering like a mirage at the end of a long street.

Chapter 1 From Fiji to Christchurch

RESTLESS RAJESH BHARDWAJ

ETERNITY. David Rodney Hulbert II Whitehouse Rd Dacula, GA

A woman in a small late model car drives past the sign. AMY, a very pregnant thirty-five year old business woman stops her car at the red light.

Henry Altman (78) picks up a small handful of dirt and looks down at the casket, sadly. He tosses the dirt on top.

ASSASSIN. Jonathan Peterson. screenplaymay not be used or reproduced without the express written permission of the author.

TRUE LOVE BEN PEARCE

Julie Mazur. Illustrations by Derrick Williams

An Unexpected Trip. An Unexpected Trip

HE DRIVES THEM - CRAZY. (c) This work may not be used for any purpose without the expressed written permission of the author

Maternal Bonds. Ryan Engverson

Glass Animals. Chris Coon. screenplay may not be used or reproduced without the express written permission of the author.

KILLER. Written by Matthew Nsubuga. Based on: Age of Superheroes. written permission of the author.

Parents are the first and most important teachers. Baby-proofing makes life easier for everyone. Months 13-14

DON'T EXIT YOUR CAR. Written by. Raza Rizvi

TOGETHER By Michael Yu.

Christmas Cards. screenplay by David M Troop

The vision. Edwin Eric Maboko. Kigali-Rwanda

Final Draft 8 Demo. Final Draft 8 Demo. Final Draft 8 Demo

The Undone. Evan Davis

Promises. an original screenplay by. Melody Brooke and Michael Henricks WGA #

Organ Donor. Harley Wolfe Jr.

TIPS TO MAXIMIZE LOVE, MANAGE STRESS

Copyright 2018 All rights reserved CURIOSITY KILLED THE CAT

HIGH RISE. Written by. David J. McCann

STUDENT NAME. Reading Grade 3. Read this selection. Then answer the questions that follow it. The Amusement Park

HOME. Written by. Gavin Logan

Geneva County. Chris Shamburger.

SCRIPT TITLE. Written by. Name of First Writer. Based on, If Any

Hitchhiker. written by. Huidong Lu

A BROTHER'S DUTY by Margaret Avnet

L.P. Adams. by Danny Santandrea

He called the mayor of Plains. And he took the job. Then he asked about housing. He decided to rent a farmhouse. Rafael went to talk to Ana.

New York City Office of Emergency Management. Sharks in the Crosswalk

THE COLLECTOR. Dirk Visser

File No WORLD TRADE CENTER TASK FORCE INTERVIEW

The Red Sublime by. Eric Hansen. Based on influential friends.

PASSIVE ATTACK January 2008

Talk to your toddler and listen too

Kindness Counts! Book Collection. Kindness Chain. Kindness Buddies. Kindness ideas: Kindness awareness: Kindness from your buddy to your child:

THE WANDERING LAMB. By Tambra Kay Petrie. Performance Rights

AND THEN OKAY. Written by. Summer Dorr. (first 10 pages)

Getting Children to Bed on Time

MACMILLAN READERS PRE-INTERMEDIATE LEVEL ROBERT CAMPBELL. Owl Hall. From an original idea by Robert Campbell and Lindsay Clandfield MACMILLAN

FOOTLOOSE, CUT LOOSE ALEX COOPER

At one end, two thread bare seats are situated opposite each other, with a table between. The windows are blocked by grubby old curtains.

CAROL Oh, you fixed breakfast. CAROL I didn t know you could cook. BILL I really can t take any credit, half of this was done by accident.

The sound of heavy wood SCRAPING against stone reveals a long, round shaft lined with bricks.

"CONVICTION" Barry Katz & Tony Piccolo.

La Colera Del Rayo. Screenplay by. (C) Sean Halket

DON T PANIC. Yannick De Decker

Chapter 1 You re under arrest!

Chapter 1 Two dangerous men

Transcription:

Good Night By John Newman WGA reg d (2011) johnnewman_136@hotmail.com (613)421-5720

FADE IN: INT. HOSPITAL - S ROOM - DAY PUSH IN toward a curtain drawn around a bed. HOSPITAL SOUNDS float in from the HALLWAY, but as we pass through the curtain all is SILENCE. A sits beside WATERS (early 40 s). Carl stares out the window seeing nothing. beat Can I go home? Yes, of course. I ll make the arrangements - for you to come back. I m going to leave some pamphlets here on the dresser. Carl says nothing, stares out the window. The doctor puts some pamphlets on the dresser and rises to leave. There s a guy next door, about my age. Mister Reddiker. Will I look like him? Carl finally turns away from the window: the doctor says nothing. EXT/INT. MINIVAN - HOSPITAL PATIENT PICK-UP AREA - DAY Carl puts an OVERNIGHT BAG into the back, closes the hatch and climbs into the passenger seat of a mini-van. In the driver s seat is (late 30 s). In the back seat is (7).

2. Ready? Yeah. Joanne puts the van in gear and they begin to move. Dad, when I get big I m gonna build houses. Great big ones with pools and a bowling alley. Sounds good buddy. I ll build one for me and one for you and Mom. Does that sound like a plan? Carl tries to smile. Yeah. That s a great plan. EXT/INT. HOUSE - FRONT DOOR - DAY Joanne, Carl and Dylan enter the house. Dylan rushes off. Carl drops his overnight bag inside a closet and closes the door. Joanne is watching him, tears ready to fall: he avoids her eyes. Coffee? Dylan rushes back in. It s only three weeks til spring break. What are we gonna do? We ll talk about it later okay? Can we go to...

3. Later. He gives up and disappears again. Coffee. INT. HOUSE - DEN - NIGHT Carl, Joanne and Dylan are watching TV. Dylan, in pajamas, is almost falling asleep. Carl looks thinner and much sicker than before. Carl stares at Joanne and Dylan snuggled up together on the couch: the sound of the TV slowly fades away and... DISSOLVE TO: INT. HOSPITAL - S ROOM - DAY The doctor is walking out the door. Doc. I have one question. CUT BACK TO: DEN Joanne turns off the TV. Bedtime pal - you ve got school in the morning remember. I don t wanna go. You never wanna go. Maybe you should just get a job - what do you think? How come spring break went so fast? I wish school was a week and vacation was all the rest of the time.

4. Write a letter to the President, see what he says. Hugs for Daddy and go brush your teeth. Night Dad. Love you. Love you too Buddy. He gives Dylan an extended hug and a kiss. Joanne and Dylan leave: Carl sits in the dark. INT. HOUSE - MASTER BEDROOM - NIGHT Carl walks out of the en suite bathroom dressed in pajamas. He looks around, listens, then sits on the bed and opens the nightstand drawer. INT. HOUSE - FRONT DOOR - SAME Joanne opens the closet and takes out Carl s overnight bag. She is about to close the door but stops: she reaches out and touches the sleeve of Carl s FOOTBALL JACKET. MASTER BEDROOM - SAME Carl lines up blister packs of PILLS on the nightstand. He opens the drawer, takes out one more pack and slips all the pills into his pocket. INT. HOUSE - MASTER BEDROOM - DAY Carl is in bed, Joanne sits on the bed holding his hand. The Doctor is packing up his medical bag. He snaps the bag shut. When do we have to come in?

5. Anytime in the next two or three days - everything s set up. (then) I wouldn t wait longer than that. INT. HOUSE - UPSTAIRS - NIGHT Joanne, carrying the overnight bag, slips into a GUEST BEDROOM and closes the door behind her. She puts the bag on the bed and walks over to the closet. She opens the closet door: inside is empty except for a carefully prepared pile of pajamas, toiletries and slippers. On top of the pile is a PHOTOGRAPH of Carl and Dylan. MASTER BEDROOM - BATHROOM - SAME Carl studies his face in the mirror - he looks awful. INT. HOSPITAL - S ROOM - DAY Carl sits in bed staring at the Doctor s back. The Doctor closes the door to Carl s room, pauses and then deliberately locks it. CUT BACK TO: MASTER BEDROOM Carl walks out of the bathroom just as Joanne walks into the bedroom. You look exhausted. Maybe a little. Do you wanna watch TV for a bit? I m gonna watch in the den, you need to sleep.

6. She hugs him. You okay? I m good. Okay. He puts his face in her hair, smells her smell. I love you. She gives him one more squeeze and then walks into the bathroom. He watches until the door closes. DEN - NIGHT Carl sits in his armchair, the TV is on but the sound is OFF. He digs underneath the cushion and retrieves a small bottle of VODKA. INT. HOSPITAL - S ROOM - DAY The Doctor sits beside Carl s bed, he rubs his forehead - troubled. It isn t that easy. But that would do it, right? Maybe - probably. So? What I mean Carl - it s not that easy to let go.

7. beat The Doctor stands up, walks to the door. I ll see you in a few weeks. CUT BACK TO: DEN - NIGHT Carl removes pills from the blister packs. He twists the cap on the vodka bottle, finally breaks the seal. S ROOM Carl looks down on his sleeping child. Slowly, painfully he sinks to his knees: his face is inches away from Dylan s, he can feel the child s breath. Goodbye Buddy. Dylan wakes up, looks around - his door is open but the room is empty. He closes his eyes, goes back to sleep. INT. HOSPITAL - CORRIDOR - DAY Carl, in street clothes and carrying his overnight bag, looks into a PATIENT ROOM. He turns away, leans against the wall and closes his eyes. CUT BACK TO: DEN - NIGHT Carl puts one - two - three pills into his mouth and swallows. His hand shakes as he picks up the VODKA. He stares at the bottle, brings it closer to his mouth...

8. INT. HOUSE - FRONT DOOR - MORNING Carl hands Dylan his school bag and opens the door. See you tonight Dad. See you tonight Buddy. He closes the door behind Dylan, glances into the kitchen where his overnight bag sits on the table. THE END FADE OUT: