K ARLA DICKENS L UCKY BASTARDS AND FAST FOOD
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1 K ARLA DICKENS L UCKY BASTARDS AND FAST FOOD
2 W HO' S LUCKY? The phrase lucky country is the base-point from which these works grew. I was grateful and relieved to find that Donald Horne, the man who first coined this famous phrase in 1964, was ironically condemning Australia for its complacency and failure to acknowledge its history. The work comprises three parts: The first part, entitled Unlucky bastard, consists of a black straight-jacket adorned with embroidered patches and inscribed text. Each of the three embroidered patches contains an upward-facing white horseshoe imprinted with the word lucky and a downward-facing red, black and yellow horseshoe imprinted with the word bastard. My playful and straight-forward observation is that you are lucky in Australia if you are white and a bastard if you are Aboriginal. I have hand-painted a number of quotes from Horne's book The Lucky Country onto the strait-jacket. They are there to remind those who still literally believe in the phrase of the author s original intension. The second part, collages using rusty oil- and petrol-cans I found abandoned in the bush, are adorned in white lettering with the title Unlucky. While digging through the old dump near a closed mission-camp, I played the role of anthropologist; studying re-purposed oil-cans like treasured artefacts. Hard-rust tells many stories. As I interpreted the artefacts, they spoke to me of fortunes made from this country on the backs of its traditional owners. Buckets of money made by mining and pastoral businesses with government blessings; but at the cost of great suffering and hardship by those who will never, ever get a lucky break. The third part consists of three collages: one using an old Australian tea towel that reads Have a go Australia and the other two using heart-shaped pieces that once formed a cushion proclaiming I Love Australia. These works express my thoughts about white supremacists hijacking the Southern Cross for their own purposes by asking the viewer, Who's lucky? in Australia.
3 L UCKY BASTARDS Lucky Bastards I could spin you a sales pitch one you have heard as long as you can remember yet chose to forget a pitch to sell a country stolen by foreigners, sold to more God s Own Country A spin to comfort and build national pride draw attention to iconic landscapes unique Australianism in backyards lighting barbies reinforcing values of mateship and a fair go for all things homegrown The Lucky Country But I m not selling, I m already sold I love this land, its waratahs and pouch babies the first people of the world the old folk: the wise, those of the earth and the skies the native-born Unlucky Bastards A sunburnt day has a dark night a flip side: the B-side, the rear end it s a white darkness along with Peter Pan, Straya has sewn on a shadow of arrogant entitled denial Aussie Pride Mining culture, robbing stars belittling beloved wisdom misunderstanding essential truths squandering its luck and raw beauty waving the flag for second-rate fools Reclaiming Patriotism with Jingoism Anti-refugee fears breed like fungi in wet heat breast feeding white policies celebrating dishonour Donald s horn is still honking loud forever misquoted Wake up Mr Australophile
4 U NLUCKY BASTARD 2017 Mixed media cm $6,600
5 U NLUCKY I 2017 Mixed media cm $11,000
6 U NLUCKY II 2017 Mixed media cm $11,000
7 U NLUCKY III 2017 Mixed media cm $11,000
8 U NLUCKY IV 2017 Mixed media cm $11,000
9 D OUBLE- CROSSED 2018 Mixed media cm $5,000
10 H IJACKED 2018 Mixed media cm $5,000
11 M Y LUCKY STARS 2018 Mixed media cm $5,000
12 M RS WOODS 2013 Inkjet print, Edition cm $4,400
13 M RS WOODS AND ERE 2013 Inkjet print, Edition cm $4,400
14 Q UARTERED Your nappies are marked A cell awaits eyes track each step Police slow down ready to ignite your wick a bomb has been built blow boy, blow A vilified innocent judged by skin automatic arrests detected and detained hopeless offender manufactured criminal lock me up Officer Designer loser stripped and tear gassed demoralized and destroyed destined for the big house mainstream correction legislated trafficking no fairness in justice Kids in jail out-of-sight / out-of-mind forcible removal castration in incarceration no seeds to plant just balls to hold stay out of the boneyard
15 Q UARTERED 2017 Mixed media cm (approx. each) $11,000 (set of six)
16 Q UARTERED 2017 (DETAIL)
17 Q UARTERED 2017 (DETAIL)
18 Q UARTERED 2017 (DETAIL)
19 Q UARTERED 2017 (DETAIL)
20 Q UARTERED 2017 (DETAIL)
21 Q UARTERED 2017 (DETAIL)
22 J ACK AND JILL Hold a thought for the woman who hid in the long grass longing to be invisible With no make-up to cover the scars as rivers of grog flowed she spills an ocean of blood A workhorse by day and endless dark nights an animal for the taking some called it assimilation There was warmth on occasion glimpses of kindness confusion of love for lust Babies to kiss until the eyes turn his fists flew the bottle was empty No flowers no silk scarves sinking into deep grooves of grief Houdini would find it hard to escape One may have a paddle occasionally a boat yet the water still smells up Shit Creek Staining her heart bruising her cheeks wounding her knowing until death do us part
23 J ACK AND JILL (A.K.A. HUNG, STRUNG AND QUARTERED) 2016 Mixed media cm $22,000
24 W ITHOUT A PADDLE I 2017 Mixed media cm $1,650
25 W ITHOUT A PADDLE I 2017 (DETAIL)
26 W ITHOUT A PADDLE II 2017 Mixed media cm $3,300
27 W ITHOUT A PADDLE II 2017 (DETAILS)
28 T O SEE OR NOT TO SEE A woman mother about to turn 50 fair-skinned queer Aboriginal living with mental health making art under the hood I see As a kid I longed for invisibility my gift granted a loud voice rises I fade underestimated Little Miss Riding Hood I smile deep Seeing you Spotlights circle the beautiful embraced artists give a knowing nod moulding, movers, dealers I stand back I watch I hide I dip a toe in the hood Bearing witness The good, the bad, the game needing protection laying naked, exposed on exhibition for sale artist / work interwoven on the chopping block with or without the hood See me
29 TO SEE OR NOT SEE # Inkjet print, Edition 3, cm $6,600
30 TO SEE OR NOT SEE # Inkjet print, Edition 3, cm $6,600
31 L OOKING AT YOU I 2017 Inkjet print, Edition 3, cm $6,600 Inkjet print, Edition 7, cm $2,200
32 L OOKING AT YOU II 2017 Inkjet print, Edition 3, cm $6,600 Inkjet print, Edition 7, cm $2,200
33 L OOKING AT YOU III 2017 Inkjet print, Edition 3, cm $5,500 Inkjet print, Edition 7, cm $2,200
34 L OOKING AT YOU IV 2017 Inkjet print, Edition 3, cm $5,500 Inkjet print, Edition 7, cm $2,200
35 L OOKING AT YOU V 2017 Inkjet print, Edition 3, cm $5,500 Inkjet print, Edition 7, cm $2,200
36 L OOKING AT YOU VI 2017 Inkjet print, Edition 3, cm $5,500 Inkjet print, Edition 7, cm $2,200
37 L OOKING AT YOU VII 2017 Inkjet print, Edition 3, cm $5,500 Inkjet print, Edition 7, cm $2,200
38 L OOKING AT YOU VIII 2017 Inkjet print, Edition 3, cm $5,500 Inkjet print, Edition 7, cm $2,200
39 T RASHING COUNTRY The disease of the redhead like hepatitis, there are various strains this one doesn t have a history of fish and chips it s the upsized burger variety landing on our shores in 1971 the pale-faced foreign clown has hypnotized and infected the nation with outbreaks far into the outback delivering deadly happy meals thick shakes and thicker arteries Ronald waves toys at the kiddies dollar deals at pensioners gives drive-thrus to busy parents Concentric rings of rubbish flow fast from the glow of golden arches packaging pandemic wastelands breed as birds choke and babies bloat iconic landscapes are littered with clown shit suffocating debris entangles bushlands with sugar-smiles hijacking culture circling fast food venues the ultimate advertising trickster giving back to communities with quality service, cleanliness and value garbage dumps and diabetes it kills but can't be killed Keep Australia beautiful, tossers
40 TRASHING COUNTRY 2018 Mixed media Polyptych six pieces (tallest 105 cm) $33,000
41 C LEAN UP AUSTRALIA 2018 Mixed media cm
42 K ILLING CULTURE 2018 Mixed media cm
43 R ONALD' S LAUGH NOW 2018 Mixed media cm
44 K EEPING AUSTRALIA BEAUTIFUL 2018 Mixed media cm
45 TRASHING COUNTRY 2018 Mixed media cm
46 A TTACK OF THE DIRTY CLOWN 2018 Mixed media cm
47 J UST NOT CRICKET 2018 Mixed media cm $5,000
48 R UM RUNNERS 2018 Mixed media cm $6,600
49 R UM RUNNERS ABEL TASMAN 201 Mixed media cm
50 R UM RUNNERS CHARLES STURT 2018 Mixed media cm
51 R UM RUNNERS ARTHUR PHILLIP 2018 Mixed media cm
52 R UM RUNNERS CAPTAIN BLIGH 2018 Mixed media cm
53 R UM RUNNERS JAMES COOK 2018 Mixed media cm
54 R UM RUNNERS MATTHEW FLINDERS 2018 Mixed media cm
55 I N THE HOOD # Mixed media cm $3,300
56 I N THE HOOD # Mixed media cm $3,300
57 I N THE HOOD # Mixed media cm $3,300
58 I N THE HOOD # Mixed media cm $3,300
59 I N THE HOOD # Mixed media cm $3,300
60 I N THE HOOD # Mixed media cm $3,300
61 I N THE HOOD # Mixed media cm $3,300
62 I N THE HOOD # Mixed media cm $3,300
63 I N THE HOOD # Mixed media cm $3,300
64 B EFORE CHRIST 2018 Mixed media Polyptych six pieces (tallest 70 cm) $13,200
65 B EFORE CHRIST 2018 (DETAIL)
66 B EFORE CHRIST 2018 (DETAIL)
67 B EFORE CHRIST 2018 (DETAIL)
68 B EFORE CHRIST 2018 (DETAIL)
69 B EFORE CHRIST 2018 (DETAIL)
70 B EFORE CHRIST 2018 (DETAIL)
71 K ARLA DICKENS Born Heritage B IOGRAPHY 1967, Sydney Wiradjuri E DUCATION 2000 Bachelor of Fine Arts, National Art School, Sydney 1993 Diploma of Fine Arts, National Art School, Sydney S ELECTED SOLO EXHIBITIONS 2018 Lucky Bastards and Fast Food, Andrew Baker Art Dealer, Brisbane 2016 Black and Blue, Andrew Baker Art Dealer, Brisbane Focus on the Collection: Karla Dickens, Artspace Mackay, Queensland King-hit by a life-like liquid, Allens, Sydney 2015 Black Dogs, Love and Crutches, Andrew Baker Art Dealer, Brisbane You Winesome you lose some, Glasshouse Port Macquarie, New South Wales On This Site, Verge Gallery, University of Sydney Union, New South Wales 2012 Field and Game, The Hughes Gallery, Sydney 2011 Home is Where the Rabbits Live, Firstdraft, Sydney 2010 The Black Madonna, Casula Powerhouse, Sydney; Grafton Regional Gallery, New South Wales Beloved Mother, Dacou, Alstonville, New South Wales 2009 In Loving Memory I Found the Black Madonna, Museum of Brisbane, Queensland 2008 Karla Dickens, Iain Dawson Gallery, Sydney Loving Memory, Lismore Regional Gallery, New South Wales 2005 Home, Next Contemporary Art Space, Sourthern Cross University, Lismore, New South Wales 2004 Our Lady of Triana, Black Fellas Dreaming, Sydney Urban Aboriginals, Black Fellas Dreaming, Bangalow, New South Wales 2003 Love, Luck & Lust, A-Space on Cleveland, Sydney 2002 Sheilas Downunder, Pine Street Gallery, Sydney 2001 Unwind, A-Space on Cleveland, Sydney 2000 Now Nowhere Here, DQ Gallery, Sydney 1998 Cross Works, Guardella, Italy No Limits, Hogarth Galleries, Sydney J OINT EXHIBITIONS 2014 The Honey and the Bunny (with Monica Oppens), Southern Cross University Library, Lismore, New South Wales
72 2011 Mother of All (with Ishta Wilson), Tweed River Art Gallery, Murwillumbah, New South Wales S ELECTED GROUP EXHIBITIONS 2017 Defying Empire: 3rd National Indigenous Art Triennial, National Gallery of Australia, Canberra The National 2017: new Australian art, Carriageworks, Sydney Everyone Has a History: Part One: Plain Speak, Art Gallery of Western Australia, Perth Grounded: Contemporary Australian Art, National Art School, Sydney Faith, Casula Powerhouse, Sydney Four Women: (I do Belong) Double, Lismore Regional Art Gallery, New South Wales National Self-Portrait Prize 2017: Looking at me looking at you, UQ Art Museum, Brisbane We re Closer Than You Think, The Old Gallery, Lismore, New South Wales Unwelcome Boats and Black Bones (as a part of North Head Project), Quarantine Station on Carrang gel Country/Northern Beaches Council/Manly Art Gallery and Museum, Sydney 2016 Lighting the Sails: Songlines (part of Vivid LIVE), Sydney Opera House, New South Wales Darkness on the Edge of Town, Artbank, Sydney Sixth Sense, National Art School, Sydney At the Junction of Two Rivers: the Wellington exchange project, Old Western Stores Building, Wellington, New South Wales Old Land, New Marks, Dubbo Regional Gallery, New South Wales 2017 NSW Visual Artist Fellowship Exhibition, Artbank, Sydney All dressed up: the culture, drama and play of clothing, costume and disguise, Hawkesbury Regional Gallery, Windsor, New South Wales 2015 Western Australian Indigenous Art Awards 2015, Art Gallery of Western Australia, Perth The Colour of the Sky Today: Prague Quadrennial of Space and Design (PQ), Collorado Mansfeld Palace, Prague, Czech Republic Bungaree s Farm, The Tanks/Mosman Art Gallery, Sydney Blak Nite Screen 2015, City of Melbourne, Treasury Gardens, Melbourne Cementa 15: Biennial Contemporary Arts Festival, Kandos, New South Wales Wiradjuri Ngurambanggu, Murray Art Museum Albury (MAMA), New South Wales C3West Blacktown Native Institution Corroboree, Blacktown Arts Centre/Museum of Contemporary Art Australia/UrbanGrowth NSW, Sydney Talk the change//change the talk: An exhibition of Aboriginal self-determination, Fairfield City Museum & Gallery, New South Wales Rough Medicine: Life & Death in the Age of Sail, Australian National Maritime Museum, Sydney 2014 TarraWarra Biennial 2014: Whisper in My Mask, TarraWarra Museum of Art, Healesville, Victoria Hereby Make Protest, Carriageworks, Sydney
73 2013 The Art of Sound, Grafton Regional Gallery, New South Wales The Native Institute, Blacktown Arts Centre, New South Wales Parliament of New South Wales Aboriginal Art Prize, Parliament House, Sydney Bungaree: The First Australian, Mosman Art Gallery, Sydney; Lake Macquarie City Art Gallery, New South Wales; The Glasshouse, Port Macquarie, New South Wales 2012 Home, Art Gallery of New South Wales, Sydney Feminage: The Logic of Feminist Collage, The Cross Art Projects, Sydney 2011 People We Know Places We ve Been, Goulburn Regional Gallery, New South Wales Thank you for the days: My Teenage Years, Lismore Regional Gallery, New South Wales Pink Sunrise, Boomalli Aboriginal Artists Co-operative, Sydney Freedom Riders, University Art Gallery, The University of Sydney, New South Wales Fairytales in Fairyland, Grafton Regional Gallery, New South Wales 2010 Safari: Biennale of Sydney Fringe, MOP, Sydney Parliament of New South Wales Indigenous Art Award, Parliament House, Sydney Articles of Interest, SCI Next Art Gallery, Lismore, New South Wales Lest We Forget, Dacou, Alstonville, New South Wales 2009 Parliament of New South Wales Indigenous Art Award, Parliament House, Sydney (touring New South Wales regional galleries) Connections, NPWS Art, Northern Rivers Community Gallery, Ballina, New South Wales 2008 Messages of Peace, Gallery XX, Settembre, Italy Fisher s Ghost Art Award, Campbelltown City Art Centre, New South Wales Confidential Business Project, Casula Powerhouse, Sydney Australian Values, Next Art Gallery, Southern Cross University, Lismore, New South Wales Premier State, Campbelltown City Art Centre, New South Wales Identity, Grafton Regional Gallery, New South Wales The Year of the Apology, Northern Rivers Community Gallery, Ballina, New South Wales 2007 Parliament of New South Wales Indigenous Art Award, Parliament House, Sydney (touring New South Wales regional galleries) Past, Present, Future, Grafton Regional Gallery, New South Wales 3 in 10, Boomalli Aboriginal Artists Co-operative, Sydney 2006 Chrysalis: The Emergence of Northern Rivers Artists, Lismore Regional Gallery, New South Wales The Pink, The Black and the Beautiful, Boomalli Aboriginal Artists Co-operative, Sydney Our Spirit Our Country, Bungjalung Art Award, Lismore Regional Gallery, New South Wales 2005 Group of Eleven Artists NAIDOC Week, Waverley Library, Sydney
74 2004 Nice Coloured Dolls, 24HR Art Northern Territory Centre for Contemporary Art, Darwin 2003 Hung, Drawn and Quartered, Tin Sheds Gallery, University of Sydney, New South Wales 2001 Aboriginal Ways of Knowing, Macy Gallery, Columbia University, New York, NY, USA 1999 Perspecta: Love Magic, S.H. Ervin Gallery, Sydney Arone Meeks & Co., Cooee Aboriginal Gallery, Sydney 1998 National Indigenous Heritage Art Award, Old Parliament House, Canberra Co-existence Sorry, Hogarth Galleries, Sydney 1997 Stars on the Net, Museum of Contemporary Art, Sydney 1996 Never the Less, John Paynter Gallery, Newcastle, New South Wales 1995 Portia Geach Memorial Award, S.H. Ervin Gallery, Sydney 1994 Festival of Fisher s Ghost, Campbelltown City Art Gallery, New South Wales Recognising the Republic, Michael Nagy Fine Art Gallery, Sydney A WARDS AND COMMISSIONS 2017 Commission, The Queen s Road (8 minute video), Wynscreen, Wynyard Station, Transport for NSW, Sydney 2013 Winner, New South Wales Parliament Art Prize, NSW Parliament, Sydney 2009 Runner-up, NPWS Northern Rivers Region Aboriginal Art Award, Northern Rivers Community Gallery, Ballina, New South Wales 2007 Winner, NPWS Northern Rivers Region Aboriginal Art Award, Northern Rivers Community Gallery, Ballina, New South Wales 2006 Winner, NPWS Northern Rivers Region Aboriginal Art Award, Northern Rivers Community Gallery, Ballina, New South Wales S ELECTED BIBLIOGRAPHY Anon. 'Freedom Riders', Sydney University Museums News, Art and Aboriginal Rights Special Feature, Sydney, June 2011 Anon. Remembering 'Humanity Lost': Karla Dickens and Aris Prabawa, Art Monthly Australia, Issue 244, October 2011, pp Anon. 'The medicine of creation', GPSpeak, October 2011 Balodis, Janis. 'The healing art of transformation', Health Speak, Summer 2015 Behrendt, Larissa. Hereby Make Protest review a historical reflection on Aboriginal activism, The Guardian, 18 June 2014 Blackall, Judith. Karla Dickens, Grounded: Contemporary Australian Art [ex. cat.], National Art School, Sydney, 2017 Dow, Steve. The National: New Australian Art 2017, Art Guide Australia, 30 March 2017 Encalada, Javier. Local artists paint the Opera House with light, The Northern Star, 17 March 2016
75 Finegan, Ann. Retro Black: Interpellating History, Sturgeon, Issue 5, 2016 Flemming, Robyn (editor). Wiradjuri Ngurambanggu [ex. cat.], Murray Art Museum Albury, New South Wales, 2015 Fraser, Virginia. Bungaree, the First Australian interrupted, Art Monthly Australia, Issue 262, August 2013, pp Fraser, Virginia. Karla Dickens, in French, Blair, et al. The National: New Australian Art, Art Gallery of New South Wales, Carriageworks, Museum of Contemporary Art Australia, Syney, 2017 Geczy, Adam. The Native Institute, Art Monthly Australia, Issue 263 September 2014, p. 56 Grishin, Sasha. The National: New Australian Art in Sydney shows works at three venues, The Sydney Morning Herald, 6 April 2017 Hobbs, Harry. Indigenous Law Bulletin, July September 2017, Vol. 8, No. 30, Faculty of Law, University of New South Wales, Sydney King, Natalie, Mundine, Djon and Cruikshank, Alan. 'Whisper in my mask', Contemporary Visual Art+Culture Broadsheet, Issue 43.2, 2014 Leane, Jeanine. Karla Dickens: Continuing the Dialogue, Art and Australia, May 2104, 51.4 McDonald, John. Using art to making sense of the past at MAMA and Bathurst regional galleries, The Sydney Morning Herald, 6 November 2015 Mandryk,Chloe, Sixth Sense, Art Almanac. September 2016 Mundine, Professor Djon OAM (editor). Bungaree: The First Australian [ex.cat.], Mosman Art Gallery, Sydney; Lake Macquarie City Art Gallery, New South Wales, 2012, p. 11 and pp Mundine, Professor Djon OAM. Conversations with a Crow, Art Monthly Australia, Issue 212, August 2008, pp Mundine, Professor Djon OAM, in Poulos, Maria (editor). The Wounded The Scar The Gifted, 16 Karla Dickens, Allens, Sydney, 2016 Nahlous, Lena (editor). Talk the change//change the talk: An exhibition of Aboriginal selfdetermination, Fairfield City Museum & Gallery, Smithfield, 2015 Nicoll, Fiona. Comparative Reflections on Indigenous Gambling: Sovereignty, Race and Epistemology, Aboriginal Policy Studies, Vol. 6, No. 1, 2016, University of Alberta, Faculty of Native Studies, Edmonton, pp O Riordan, Maurice. Where Eagles Hover, Artlink, Volume 18 Number 1, March 1999 O Riordan, Maurice. What s up, Karla, Karla Dickens: Home is Where the Rabbit Lives [ex. cat.], Firstdraft/Arts NSW, Sydney, 2011 O Riordan, Maurice. In My Painting, At My Window, Karla Dickens: Loving Memory [ex. cat.], Lismore Regional Gallery, 2008 Parker, Luke and Stephen, Ann (editors). Freedom Riders: Art and Activism 1960s to Now, University Art Gallery, The University of Sydney, Sydney, 2011
76 Poulos, Maria. King hit by life-like liquid, 16 Karla Dickens, Allens, Sydney, 2016 Roberts, Katherine. Karla Dickens, North Head Project [ex. cat.], Northern Beaches Council/ Manly Art Gallery and Museum, Sydney, 2017 Taffel, Jacqui. Story of Bungaree explored on the site that was once his, The Sydney Morning Herald, 5 February 2015 Taylor, Andrew. Wrapped in colours of denial: Finalists in an Aboriginal art prize aren't afraid of controversy, The Sydney Morning Herald, 8 October 2013 Taylor, Andrew. Artists discover history casts a dark shadow over Manly's North Head, The Sydney Morning Herald, 10 December 2017 Zafiriou, Yiorgos. Karla Dickens: It's Not Bloody Art It's Work!, Artlink, Issue 35:2 Artlink Indigenous Global, June 2015 C OLLECTIONS National Gallery of Australia, Canberra National Museum of Australia, Canberra Australian National Maritime Museum, Sydney Art Gallery of Western Australia, Perth Artbank, Sydney Museum of Applied Arts & Sciences, Sydney Artspace Mackay, Queensland Bendigo Art Gallery, Victoria Black Fellas Dreaming Museum, Sydney Bundoora Homestead Art Centre, Melbourne Campbelltown City Art Centre, New South Wales City of Sydney Civic Collection, New South Wales Grafton Regional Art Gallery, New South Wales Griffith University, Queensland International Education Services Indigenous Art Collection, Brisbane Lismore Regional Art Gallery, New South Wales Northern Rivers Performing Arts, Lismore, New South Wales University of Technology, Sydney UBS Warburg Collection, Sydney
77 Andrew Baker Art Dealer 26 Brookes Street Bowen Hills Qld
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