Greek and Roman Theatre

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Greek and Roman Theatre

What has survived? 33 Greek plays 36 Roman plays Over 400 Greco-Roman Theatres in Europe, Middle East, North Africa and Central Asia

Theatre and Religion Greek Theatre had its beginnings in the worship of Dionysus, the Greek God of wine, fertility and revelry. There were four major celebrations in honor of Dionysus. Three the City Dionsyia, the Lenaia and Rural Dionysia involved drama City Dionysia was the major festival

Held in Athens During the Spring (late March, early April) Lasted a week Three days are set aside for the performance of three Tragic Trilogies Is considered the birthplace of Tragedy City Dionysia

Dithyramb A choral ode sung in honor of Dionysus by a chorus of fifty men Was a regular part of the City Dionysia Greek Tragedy grew out of the Dithyramb Legend says that Thespis, a choral leader, left the chorus jumped on the alter, and assumed the role of "the god

Thespis Considered the first Actor Also the first Playwright Wrote for one actor plus chorus Won the first Tragic Contest in 534 BCE

Three Tragic Greek Playwrights 1. Aeschylus 2. Sophocles 3. Euripides

Aeschylus 525-456 BCE Won thirteen contests Have seven of his plays The only complete trilogy: Oresteia -- Agamemnon, Libation Bearers, and Eumenides Most studied play: Prometheus Bound Added the second actor

Sophocles 496-406 BCE Won eighteen contests Have seven of his plays Most important work: Oedipus Rex Added the third actor

Eudipides 480-407 BCE Won five contests Have eighteen of his plays Most often produced: Medea Often forced to use a contrived ending: Deus ex machina, god out of the machine

Trilogy Three short plays built around a common plot, character or idea Each play runs between 40 minutes and an hour Only one complete trilogy has survived: Oresteia by Aeschylus In addition to the trilogy, each playwright also presented a Satyr Play

Satyr Play Short comic treatment of the material covered in the three tragedies Presented after the tragedies Only one has survived: Cyclops by Euripides

Lenaia Held in Athens During the winter (January) Five comedies were performed First comedy competition: 486 BCE Is considered the home of Greek Comedy

New Comedy Old Comedy Old Comedy Written before 400 BCE Mostly political satire Work of only one playwright has survived New Comedy Written after 400 BCE Dealt with domestic affairs Fragments of only one New Comedy has survived

Aristophanes c 448 c 380 BCE Wrote Old Comedy Probably won four contests Eleven plays have survived Remembered for The Wasps, The Birds, The Frogs, and The Clouds Probably most produced: Lysistrata

Menander c 342 292 BCE Wrote New Comedy Fragments of only one play has survived: The Grouch Works were adapted by Roman playwrights

A Play by Menander

Layout of a Greek Theatre Seating Capacity: 15 to 16 thousand One third the population of Athens

Greek Theatre Orchestra: Where the chorus performed Meaning: Dancing place Theatron: Where the audience sat. Meaning: Seeing place Skene: The palace at the back of the orchestra. Source of our word scene. Parados: The entrance to the Orchestra

Theatre of Dionysus Athens

Deus Ex Machina God Out of the Machine

The Actor Limited to 2 in the plays of Aeschylus 3 in the plays of Sophocles and Euripides No limit in comedy Male only, no women on stage

The Greek Chorus Ancient Modern

Function of the Chorus 1. Character in the Play 2. Presents the playwright s point-of-view 3. The ideal spectator 4. Divided the play into dramatic units

Dramatic Units Prologue by Chorus Scene 1 Choral Interlude Scene 2 Choral Interlude Scene 3 Epilogue by Chorus

Roman Theatre A Wall Painting in Pompeii

Titus Marcus Plautus 254 184 BCE We have 21 plays All based on New Greek Comedy Plots and characters borrowed by Shakespeare and Moliere Most often revived: Menaechmi

Stock Characters used by Plautus The young man The old man A pair of slaves The parasite The courtesan The slave dealer The braggart soldier

Set for a Roman Comedy On a street in front of 3 houses

Lucius Seneca c 6 BCE 65 CE Tragic playwright Tutor and advisor to Nero 9 plays have survived All adaption of Greek tragedies Mostly Euripides Probably not performed

Seneca s Importance to Dramatic Literature His plays were used as models by Renaissance playwrights: William Shakespeare Jean Racine Pierre Corneille

Characteristics of Senecan Tragedy 1. He divided his plays into five acts 2. He used elaborate rhetorical speeches 3. He was a moral philosopher 4. His tragedies involved much violent action 5. His tragedies respected the unity of time and place 6. Each of his characters was dominated by one passion

Soliloquy, Aside, & Confidant Soliloquy: A character, on an empty stage, speaks directly to the audience Aside: A character speaks to the audience, but the other characters on stage do not hear Confidant: A character who listen to and often gives advise to another character

Roman Theatre Merida, Spain

Greek to Roman Theatre 1. Cut the orchestra in half, from a circle (in Greek times) to a semi-circle. 2. Reduced the seating area (cavea) to a semi-circle 3. Orchestra was used as a seating area 4. Added a narrow stage backed by an ornate facade (scena frons) 5. There were five entrances onto the stage 6. Seating capacity: About 14,000

Greek and Roman Theatre

Teatro Marcello Roma

Teatro Marcello, Rome Today Largest Theatre in the Roman Empire

Teatro Marcello Rear view

Teatro Marcello Satellite View

Anfiteatro di Flavio Rome, Today

Roman Amphitheatre An amphitheatre has the audience completely surrounding the "stage space." They were huge arenas used primarily for gladitorial combat, mock sea battles and wild animal hunts. The largest (Seating capacity: 87,000) in the Empire was Rome's Anfiteatro di Flavio, the Colosseum

Gladitorial Combat

Colosseum Satellite View

The hypogeum (underground)

Amphitheatre in Verona

Grand Opera at Verona

Amphitheatre in Capua

Inside the Amphitheatre

Downfall of the Roman Theatre 1. The decay and fall of the Roman empire 2. The barbarians who came down from the north and plundered the cities of the empire 3. The hostility of the church

Last Roman Performance 533 CE, 1066 years after Thespis won the first Greek Tragic Contest.