Alleluia. (After the Epistle) Brief Versions. Second Mode adpated from Athanasios Karamanis (1911- )

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lleluia (fter the Epistle) Brief Versions Second Mode adpated from thanasios Karamanis (1911- ) 108 l - le - lu - ƒ- ƒi - ƒƒa. ƒl - ƒle - ƒƒlu - - - - ƒi - - - ƒa. ƒl - - le - - lu - - ƒƒi - ƒa. Ì

lleluia - Brief Versions 177 Second Mode by Constantine Pringos (1892-1964) l - ƒle - ƒƒlu - ƒi - ƒƒa. ƒƒl - le - ƒƒlu - - - ƒi - - a. ƒl - ƒle - - lu - - ƒi - a. ÌÌ Plagal First Mode by Nectarios Thanos the Lampadarios l - ƒle - ƒlu - - ƒi - a. ƒƒl - ƒƒle - - ƒlu - - - - - i - - - - - ƒa. ƒl - - - le - ƒƒlu - - i - ƒa. Finale: ƒƒlu - - -ƒƒi - a. Ì

lleluia First Mode by Hieromonk Gregory of Simonos Petras Monastery 96 l - - - ƒƒle - - - -ƒlu - - - - - - ƒi - - - - ƒa. ƒƒƒl - le - ƒlu - - - - ƒi - - - - - a. l - ƒle - ƒlu - - - - ƒ- ƒƒi - - - - - ƒƒa. ÌÌ Finale: a. Ì

lleluia 179 First Mode lternate Melody by Simon Karas (d. 2000) the Byzantine Musicologist l - le - lu - - - - i - a. ƒƒl - ƒle - - lu - - - - - ƒi - - - - a. ƒl - - - - - ƒƒle - - ƒlu - - - - - - - ƒi - - - - - ƒa. Finale: i - - - - - a. Ì

180 lleluia Second Mode by Simon Karas ƒƒl - le - lu - ƒi - - a. l - - ƒle - - ƒƒlu - - - - - - i - - - - - - a. ƒl - - - - - ƒle - - ƒƒlu - - - - - - - - ƒi - - a. Finale: ƒi - - ƒa. Oh, that blessed alleluia of heaven that the angels chant where God dwells! There, the harmony of those who hymn God with words and deeds is perfect! So let us take care to chant the alleluia with perseverance now, so that we will be counted worthy of chanting it with stillness then. Blessed ugustine

lleluia 181 l - ƒle - ƒƒlu - - - i - - ƒa. ƒl - le - lu - - - - ƒi - - - - a. ƒƒl - - ƒƒle - - ƒƒlu - - - - - ƒal - ƒle - lu - - - i - - ƒƒa. Ì Second Mode "Deuteroprotos" by Nectarios Thanos the Lampadarios Finale: ƒi - - ƒƒa. Ì

182 lleluia Third Mode by Gregory Stathes Professor of Psalmody at the University of thens ƒl - - - - - ƒƒle - - - ƒlu - - - - - - - - i - - - - ƒƒa. ƒƒl - ƒle - ƒƒlu - - - - - - - ƒi - - - - - - - - ƒƒa. (+a) l - - - ƒƒle - - - - - - - - - - - - - al - ƒƒle - ƒƒlu - - ƒƒi - - - a. (+a) Ì Finale: a. Ì(+a) Is anyone cheerful? Let him chant. James 5:13

lleluia 183 Third Mode Briefer Melody by Simon Karas ƒƒl - le - ƒlu - - -ƒi - - ƒa. ƒƒl - - ƒle - - lu- - - - ƒi - - - - ƒa. ƒƒl - - - - - - - - ƒle - - - - lu - - - - - - ƒƒi - - - - a. Finale: ƒi - - - - ƒa.

184 lleluia l Fourth Mode "gia" by Simon Karas - le - - ƒƒlu - i - - ƒa. l - ƒƒle - - ƒlu - - - - - i - - - - - - ƒƒa. ƒl - - - - - - - le - - -ƒƒlu - - - - - i - - - - - - a. Finale: ƒi - - - - - - ƒƒa. Ì Psalmody is the weapon of a monk, by which he chases away grief. St. John of the Ladder

lleluia 185 Fourth Mode "Legetos" by Nectarios Thanos l - ƒƒle - ƒƒlu - ƒi - - ƒƒa. l - le - ƒƒlu - ƒƒi - - -ƒa. ÌÌ ƒl - - - ƒƒle - - ƒlu - ƒi - - -ƒƒa. Ì Finale: ƒi - - ƒƒa. Ì

186 lleluia Plagal First Mode by Gregory Stathes l - le - ƒƒlu - ƒi - - a. Ì ƒƒl - - - ƒle - lu - - - - - -ƒƒi - - - - - ƒa. ƒl - - - - - - le - - - ƒlu - - - i - - - - ƒƒa. Finale: ƒƒl - - - - - ƒƒle - - - - ƒƒlu - - - - - - i - - a. Ì ÌÌ When pleasure predominates during psalmody, then through this pleasure we are brought down to passions of the flesh. St. Basil the Great

lleluia 187 Plagal First Mode lternate Melody by Hieromonk Hierotheos l - - ƒle - - ƒlu - - ƒƒi - - - ƒa. ƒƒl - - - le - - ƒlu - - - - - - ƒi - - - - -ƒƒa. l - - ƒle - - - - lu - - - - - - ƒi - - - -ƒa. ÌÌ ThE BurnIng BuSh

188 lleluia Plagal Second Mode by Hieromonk Gregory ƒƒl - - - - - - - ƒle - ƒƒlu - - - i - - - - - - ƒa. l - le - lu - - - i - - - - - ƒƒa. Ì ƒƒl - le - lu - - - - - - - - - - i - - - - - - ƒa. Finale: ƒi - - - - - - a. Ì I will sing unto the Lord, Who is my benefactor, and I will chant unto the name of the Lord Most High. Psalm 12:6

lleluia 189 Plagal Second Mode lternate Melody by Simon Karas l - ƒle - - ƒƒlu - i - - a. ƒƒl - - ƒƒle - ƒlu - - - - ƒƒ- - - ƒi - - - - ƒa. l - - - - - - le - - - ƒlu - - - - - - - - -ƒƒi - - - - - - ƒa. Finale: ƒi - - - - - - ƒa. Ì

190 lleluia Grave Mode (Diatonic) by Hieromonk Gregory l - ƒle - lu - - - - - ƒƒi - - - - - - a. l - ƒle - ƒlu - - - i - - - - - - a. Ì l - - - - - - ƒƒ- ƒle - - ƒlu - - - - - i - - - - - - a. Finale: ƒ- ƒƒi - - - - - ƒa. Those who chant in the churches should refrain from forcing their nature to yell, but also from saying anything else that is unsuitable for the church. Canon LXXV of the Sixth Ecumenical Synod

lleluia 191 Grave Mode (Enharmonic) by Nectarios Thanos l- ƒƒle - ƒlu - ƒƒi - ƒa. ƒƒl - ƒƒle - - lu - ƒi - - ƒƒa. ƒl - - ƒƒle - ƒlu - - -ƒi - - ƒa. Finale: lu - - ƒƒi - - - - ƒƒa.

192 lleluia Plagal Fourth Mode by Hieromonk Gregory l - ƒle - ƒlu - - - - - i - - - - - - a. ƒƒl - ƒle - lu - - - - ƒi - - - - - -ƒa. Ì ƒl - - - - - - - - ƒle - ƒlu - - - - - - - i - - - - - ƒƒa. Finale: ƒi - - - - - - ƒƒa. Ì

lleluia 193 Plagal Fourth Mode lternate Melody by Nectarios Thanos l - ƒƒle - ƒlu - ƒi - - ƒa. ƒƒl - ƒle - ƒlu - - - - - - -ƒƒi - - ƒ- - - a. ƒƒl - - - - le - ƒlu - - - - - i - - - - - ƒƒa. Finale: ƒi - - - - - - - ƒƒa. ÌÌ j{xç à {tññxçá àé Åx à{tà à{x áéçz ÅÉäxá Åx ÅÉÜx à{tç à{x à{ Çz ã{ v{ á áâçz? \ véçyxáá à{tà \ {täx á ÇÇxw uätåxyâääç tçw à{xç ÑÜxyxÜ ÇÉà àé {xtü à{x á ÇzxÜ UÄxááxw Tâzâáà Çx

rise, O God Judge the Earth Chanted instead of "lleluia" after the Epistle on Holy Saturday Grave Mode 84 - ƒƒrise, O Ì God,ƒƒjudge ÌÌ thē Ì ƒearth; for ƒ ƒyou shall have ƒan in - her - ƒƒit - - - - ance a - mong ÌÌÌ ƒƒall ƒƒƒthe ÌÌ ƒna - - - - - - tions. Ì Finale: the ÌÌ na - - - - - - - - ƒtions. Ì

Glory to You, O Lord (fter the Gospel) Plagal Fourth Mode adapted from thanasios Karamanis 108 lo - ry ƒto You, ƒƒo Lord, glo- ry ƒto You. Ì lternate Version adapted from Hieromonk Hierotheos G lo - ry ƒto You, Ì ƒ O Ì ƒlord, ƒƒglo - - - ƒry to 88 You. ÌÌ

196 Glory to You, O Lord G nother Version adapted from Hieromonk Hierotheos 88 lo - - - ry to You, Ì ƒƒo Lord, ÌÌ ƒglo - - ry ƒƒto You. G Modified Fourth Mode adapted from Hieromonk Hierotheos lo - ƒry to You, ƒo Lord,_ ƒglo - ƒry to You. 108 G Third Mode adapted from Hieromonk Gabriel Kountiadis 108 lo - ƒry to You, O ÌLord, Ì ƒƒglo - - - ƒry Ì ƒto ƒyou.

Eéój ðïëëá ; e[ôç Äåóv ðïôá Many Years to You, O Master Second Mode traditional melody 80 1 ƒman - y Ì̃ƒyears Ì ƒƒto Ì ƒƒyou, O ÌÌ ƒmas - ƒƒter. Ei" pol la e th De spo ta Modified Fourth Mode by Constantine Pringos 2 ƒman - ƒƒy years ƒƒto You,_ ƒo_ Ei" pol la e th De Masƒspo - - ter. ÌÌ ta

198 Eis Polla Eti Despota Fourth Mode by Hieromonk Hierotheos 3 ƒ Man - - - y ƒƒyears ƒƒto Ei" pol la e You, ƒo ÌÌ Mas - - - ƒter. Ì th De spo ta lternate Melody by Hieromonk Hierotheos 4 Man - ƒƒy years Ì ƒƒto ƒyou, ƒo Ei" pol la e th De Ì Mas - - - -ƒƒter. Ì spo ta

Eis Polla Eti Despota 199 Fourth Mode by Hieromonk Hierotheos 5 ƒƒƒman - ƒy ƒyears ƒƒto ƒyou, O ÌÌ Masƒ- Ei" pol la e th De spo - - - -ƒƒter. ta Second Mode by Hieromonk Hierotheos 6 Man - - - ƒy ƒyears Ì ƒto ƒƒyou, O_Ì Ei" pol la e th De Ì Mas - - - - - ter. ~e De spo ta