Robert Spence.

Similar documents
PIZZA MAN. (Offstage the drawers continue to slam. Julie starts to get up and head into the bedroom to see what s happening.)

GOLDILOCKS. Written by. Mitchel Taylor

I LEFT THROUGH THE WINDOW. Phil Reynolds

and led Jimmy to the prison office. There Jimmy was given an important He had been sent to prison to stay for four years.

SO SORRY. Jimmy Smith

FOOTLOOSE, CUT LOOSE ALEX COOPER

Empty as can be. Seems to go on for miles to a double door at the end.

TOGETHER By Michael Yu.

EDEN A Short Film By Adam Widdowson

Light streams through holes in the ceiling. A wooden door opens. STEVE, 30, tall and thin backs into the shed.

HELLO BROOKLYNN. Written by. Brandon E. Weber

TRAPPED. Written by. Steven Wood

A FOREST WITH NO TREES. written by. Scott Nelson

Chapter 1 You re under arrest!

Organ Donor. Harley Wolfe Jr.

MACMILLAN READERS PRE-INTERMEDIATE LEVEL ROBERT CAMPBELL. Owl Hall. From an original idea by Robert Campbell and Lindsay Clandfield MACMILLAN

' The Brother ' by Roger Goldsmith. (A Short Film Script)

ELIZABETH (V.O) What are you afraid of?

All That You Loved. By Blake Goeres. (BlakeGoeres)

PUT AWAY. Written by. Simon K. Parker

COLOR OF CRIME. By Shelah Mincey

CHARLES S BAND. Levi J. Gardner

Chapter 1 From Fiji to Christchurch

The characters in the story

"THE KING AND I" written by. Joshua Lederman

Fool's Gold. Jeffrey Dean Langham

"CONVICTION" Barry Katz & Tony Piccolo.

BACKUP. written by. Scott Nelson

A woman in a small late model car drives past the sign. AMY, a very pregnant thirty-five year old business woman stops her car at the red light.

JULIET AND THE FALL FESTIVAL Hal Ames

THE GOLDFISHES. Written by. Helio J Cordeiro

The Camper. Kirsten James. Copyright 2018

The Perfect Sacrifice. An original screenplay. Tiffany Littlejohn. 3rd Draft

ONE MAN'S TRASH. by René Claveau. # Homer St. Vancouver, BC V6B 6A7 Canada Ph: (604)

La Colera Del Rayo. Screenplay by. (C) Sean Halket

Hank By Darien Gostas 2014

OBLIVION. James McClung. 2007, All Rights Reserved

HICKEY. Jimi Lamp. "Copyright (c) 2014 This screenplay may not be used or reproduced without the express written permission of the author.

The vision. Edwin Eric Maboko. Kigali-Rwanda

HOW TO MAKE ME DISAPPEAR. Written by REDACTED

"Child s Play" Screenplay By. Jason Mickey. Based on the 1988 film "Child s Play" created by Don Mancini

The Storm. (looking at a photo of a boat) Very nice, Dad! Bye! See you at the picnic. My friends are waiting for me. I m late.

NIGHT HAWL. Gobby Yan. 404 Shatto Pl. Apt 207 Los Angeles, California

Henry Altman (78) picks up a small handful of dirt and looks down at the casket, sadly. He tosses the dirt on top.

Limmy's Show 2 Shooting Batch 7 28/09/10 1. DEE DEE - YOKER EXT. RESIDENTIAL STREET. DAY

The Remnant. Colton Harrell. Copyright (c) 2017

The Black Dog. Stuart Mower. Copyright 2009 Stuart Mower

When her husband's plane is delayed, Terry Bliss kills time in the airport lounge; where

Chapter One Alex watched a cricket creep along the baseboard and disappear. He didn t feel strong enough to go after it. Not today. Besides, why try?

A short story by Leo Schoof, Kelmscott, Western Australia. The Sexton s Wife

KILLER. Written by Matthew Nsubuga. Based on: Age of Superheroes. written permission of the author.

(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed)

Pick a Box Game 1. a green I see story as. at be and story number and. green a number at as see. and story as green be I. I see be and at number

What s in that bottle up there? He waved his hand towards a small bottle on the bedside table.

Thank You, Ma am. By Langston Hughes

Christmas Cards. screenplay by David M Troop

IPSO FACTO. Written by. Roberto Negron

PASSIVE ATTACK January 2008

Good Night. John Newman (613)

GET WHAT YOU PAY FOR. Bryson G

LOVE GLOW. written by. Marnie Mitchell-Lister

School Bus Safety Rules and Consequences

Glass Animals. Chris Coon. screenplay may not be used or reproduced without the express written permission of the author.

ASSASSIN. Jonathan Peterson. screenplaymay not be used or reproduced without the express written permission of the author.

Characters list (and Narrator) Scene 1 1. Spiderella 2. First Ladybug 3. Second Ladybug 4. Narrator. Scene 4

GOING CAMPING HAL AMES

Julie Mazur. Illustrations by Derrick Williams

HOME. Written by. Gavin Logan

An OLD MAN, dressed in a black suit, sits at a park bench feeding the birds. Before him is a street lined with parked cars.

Broken. Order the complete book from the publisher. Booklocker.com

Little Red-Cap (Little Red Riding Hood, Grimms' Version)

A wheelchair lies tipped over. Next to it a bloody hand. Suddenly, a CAMERA FLASH!

ETERNITY. David Rodney Hulbert II Whitehouse Rd Dacula, GA

If you found this and decided not to read entire text, at least, please take a look at the end of the document.

TRUE LOVE BEN PEARCE

The Escape by Lynda La Plante ********************************************************* Colin lay on his prison bed, staring up at the ceiling.

Final Draft 8 Demo. Final Draft 8 Demo. Final Draft 8 Demo

It s going to be minute clean up minimum. You re going to be running late today for sure.

When the Time Comes. J.D. Cornett

MY FIRST TRIP Hal Ames

DANGER GIRL S NIGHT OFF by Marshall Ryan Maresca

"Have a Nice Day..." by Michel J. Duthin

A largely empty airport with little noise but the one coming from a television playing CNN above benches.

My Child Still Won t Eat. A guide for parents and health care professionals SAMPLE COPY

DON T PANIC. Yannick De Decker

It is a bright day with a few clouds in the sky. There is a car parked outside of BERT S house.

Volume 2018 Article 38

New York City Office of Emergency Management. Sharks in the Crosswalk

MAGGIE'S NEW BOYFRIEND. Written by. Allison Beda. March 30, 2018

Hitchhiker. written by. Huidong Lu

A tall man with short hair and a medium build dressed in BDUs walks out of the base and looks up at the sky (DAN)

YES, DEAR. A Short Script Written by. Ron Houghton

BELOVED PHIL. Written by. Helio J Cordeiro

STOCKHOLM DIARIES. Written by. Shelby Saumier & Milo Mendoza

Safety Tips for Children Grades K-5

On the bus with Granny

THE PACT. Karen Nilson. Devereaux Smith

ABIGALE Stop hun, I m going to over cook the food.

BABES IN TOYLAND. by Michel J. Duthin. Phone:

MOUNTAIN MOUNTAIN CHANCE CARD CHANCE CARD MOUNTAIN MOUNTAIN CHANCE CARD CHANCE CARD MOUNTAIN MOUNTAIN CHANCE CARD CHANCE CARD MOUNTAIN

Transcription:

THE BREAK-UP CHRONICLES by Robert Spence RSpence99@aol.com

FADE IN: INT. COMMUNITY CENTRE - DAY, 45, stands among a circle of seated women. She is pretty, but her face is tattooed with heartbreak. Hello everyone. I m really new to this. ANNE, 50 (larger than life) addresses her. Kathy smiles. ANNE In your own time darling. Thanks. Kathy exhales. (CONT D) My name s Kathy, I m forty five, and I ve just recently split up with my fiancé. Kathy begins to cry. (CONT D) He slept with someone he met on the internet... Everybody shakes their heads. ANNE Well you re in the right place Kathy. Kathy wipes away her tears and tries to manage a smile. INT. CAR - DAY, 23 (Kathy s son) drives Kathy home. He is his mother s double. So how did it go? Fine. Silence. Kathy begins to sob, breaking her heart.

2. I hate seeing you like this. I hate being like this. Brian pulls out a pack of tissues and hands her them. He s a douche, and he s not worth this. I know he s not. I just can t help myself. Brian s heart breaks at his mum s vulnerability. INT. LOUNGE - DAY Kathy sits with a bowl of raw tomatoes. She salts one, and then bites into it. She winces at the taste. Brian enters with a plate of dinner and sits. He glances at his mum as he goes to take a bite. What are you doing? Eating tomatoes. I m trying to lose some weight. Who s going to want me looking like this? Mum, pull yourself together okay? Someone else will come along. I don t want anyone else. You ll get over Keith just like you got over dad. Kathy cringes at the sound of his name. Your dad and I just fell out of love. This is completely different. Brian sighs as she takes another bite of her tomato.

3. INT. COMMUNITY CENTRE - DAY Kathy is back at the support group. Anne is sharing with the group. ANNE He told me he was going for a pint of milk... Should have noticed the signs. Who goes for milk at two in the morning? Lying bastard. She sits down next to Kathy who delivers a supportive smile. JOHN, 45 (handsome silver fox) enters. He s the janitor. JOHN Oh sorry, I didn t know you guys were still in here. WHISPERS between the women begin. BARBARA, 40 (jolly and plump) shouts. BARBARA Feel free to join us John. You can mop my floor any day. She lets out a scary wink and a jolly laugh. John smiles. JOHN Thanks for the offer but I ll take a rain check. Anne leans into Kathy. ANNE (whispering) He looks just like that guy from the Diet Coke adverts! Kathy has a sly look. John catches her eye. She quickly breaks it. As John leaves, Kathy stands to address the group. My sin of the week is the drunken dial. The group slowly nod. They know all about it. INSERT: FLASHBACK INT. BEDROOM - NIGHT Two empty bottles of red wine are perched upon Kathy s bedside table and piles of clothes dirty her room. Kathy grabs for her phone and dials Keith s number.

4. HEIDI, 25, answers the phone. She speaks with a thick Ukrainian accent. Hello? HEIDI (O.S.) Kathy panics. Hello? HEIDI (O.S.) (CONT D) Kathy frantically begins looking for something to say. She spots a Virgin telephone bill under her wine bottles on the bedside table. She begins speaking in a thick Indian accent. Brian walks in at this moment. Hello, this is Pilau from Virgin telecommunications... would you like to hear about our fantastic deals? Brian looks at his mum in disbelief. Kathy is also in disbelief at what she has just said. HEIDI (O.S.) It s after midnight. Never call here again. Okay, goodbye. Kathy hangs up. Brian s look says it all. END FLASHBACK INT. COMMUNITY CENTRE - DAY The group eagerly listen to Kathy s story with shocked faces. And this Russian girl answered the phone. She cries. Anne comforts Kathy with a pat on the back as she sits down. INT. CAR - NIGHT Brian drives with his mum in the car. Silence. How are you son?

5. I m okay, why? Can t I ask my son how he is? You never ask how I am. There is a look of guilt in Kathy s eyes. Why don t you get yourself a girlfriend or something? I m worried about you staying in all the time. I don t think you re in a position to give me relationship advice mum. (beat) And the reason I m in all the time is because I m scared you re going to kill yourself or something. I d never do anything like that Brian. Brian shoots her a whatever you say look. (CONT D) Can we make a quick stop before we go home? I need to collect something. Sure. INT. CAR - LATER Brian still drives. Are we near? Just around the corner here. Brian turns the corner into a suburb. (CONT D) Keep going. As they continue, Brian eyes her suspiciously.

6. This is Keith s house. Just keep going. Kathy pulls out a balaclava from her handbag and puts it over her head. Two eyes have been terribly cut out and are nowhere near where they should be. What the hell are you doing? Trust me son. Pull over, and keep the engine running. You re crazy! I m not letting you out of this car. Yes you are. No I m fucking not. Don t you dare swear at me! I am your mother and you will listen to me... now pull this car over right now! Brian exhales, and does so. Kathy pulls out a plastic bag from her handbag and exits the car. Brian has his head in his hands. Kathy sneaks up to Keith s car but walks into a fence. She s practically blind. She tries to slash his tires with a kitchen knife, but fails miserably. She then produces a can of spray paint and begins to graffiti his front door. She begins badly writing the letters CHEA but slips and sprays what looks like an S at the end. From the car Brian squints at the word she has written. Cheas? Kathy hears a noise and runs back to the car. She turns around to admire her artwork. She squints also, realizing the monstrosity she has just produced. Oh no.

7. Did you mean to write cheas on his door? I was trying to write cheat but I slipped. Kathy takes the balaclava off. Brian begins driving. You re the worst criminal ever. The police are now going to be looking for a retarded criminal who can t spell. Kathy and Brian exchange looks but burst out laughing. EXT. STREET - DAY Kathy walks down a busy street with Anne. ANNE I can t believe you did that. A woman scorned... Anne is in hysterics. Kathy notices KEITH, 50 (her ex fiance) approaching. He s completely bald and is not the best looking guy in the world. Oh no. What? (CONT D) ANNE That s him! ANNE Who? Kojak? Keith! Kathy dives into the nearest shop, which is a sports shop. She falls into a basket filled with soccer balls and they go everywhere. She is on her back. A hand takes hers and pulls her up...... It s John the janitor.

8. JOHN Are you alright? Yeah, I m fine. I just lost my balance. JOHN That was some tumble. Kathy smiles. John picks up some of the balls. Here, let me grab those balls. She instantly notices what she has said. John laughs. (CONT D) I don t mean your balls balls. (she cringes) Not that they re not nice balls... She helps him. John laughs at what she has said. JOHN I knew what you meant. It s Kathy, isn t it? Anne watches on from behind John. She is in hysterics, and distracts Kathy. John laughs. Kathy laughs. Kathy? My name, yes, my name s Kathy. JOHN Are you sure? I m sure. Must have been the fall. What s your name? I m John. JOHN He extends his hand. She just stares at it. JOHN (CONT D) Don t leave me hanging here. She realizes, grabbing it eventually. Nice to meet you.

9. JOHN Well it was nice talking to you Kathy. Kathy smiles as John exits the shop. Anne approaches Kathy grinning from ear to ear. Don t you say anything. INT. BEDROOM - NIGHT Brian sits at his computer with a University application page opened. He hovers over the submit icon with his mouse. He doesn t click it. He changes page to a dating website and finishes writing a profile for Kathy. He reads as he writes. I m a caring, loving person who likes to live on the edge. I ve got a really big heart. He submits what he has written. Done. (CONT D) He is happy with himself. INT. KITCHEN - DAY Kathy enters the kitchen in a lovely dress. This is the nicest she has been in a long time. Brian stands before her. Wow. You don t think I m too overdressed do you? I think you look perfect. I m not sure if I m into this internet dating thing. Mum, we ve been over this. It s a way for you to try and get over him. (MORE)

10. (CONT'D) I m not asking you to get married, just make an effort for me. Okay. And whatever you do, don t do anything crazy. Kathy rolls her eyes. Okay dad. INT. RESTAURANT - NIGHT Kathy enters a busy restaurant with a rose. The worst looking man in there, RANDAL, 40 (glasses and pony tail) sits himself with a rose. Kathy cautiously walks over instantly regretting her decision. She utters hoping she is wrong... Randal? Randal stands. RANDAL Yes, and you must be the lovely Kathy. He gives her an awkward kiss on the cheek before they sit down. RANDAL (CONT D) I ve ordered you a glass of red wine. I hope you don t mind. Thank you. RANDAL Well you look just as beautiful as in your picture. Thank you. You look nothing like your picture actually. RANDAL Yeah it was taken about five years ago before the accident. Accident?

11. Kathy takes a drink of her wine. RANDAL My family were murdered. Kathy s spurts the wine all over Randal s face. I m so sorry! Randal begins dabbing his face. Keith and Heidi (leggy, hot, and looking ten times better than Kathy) enter the restaurant hand in hand. Kathy spots him instantly. She can t take her eyes off them. Randal turns and looks over in their direction. RANDAL Do you know them? My ex. Randal turns his head again. Kathy grabs his pony tail and pulls him back round. Ouch! RANDAL Stop looking, I don t want him to know we re talking about him. Randal takes a gulp of his beer; a gulp that suggests he s got his work cut out. INT. COMMUNITY CENTRE - DAY Kathy is recalling the events of her date night whilst the group eagerly listen. ANNE So what happened next? This is when things went from bad to worse... INT. RESTAURANT - NIGHT Kathy is now visibly drunk whilst a scared Randal looks on. I can t believe he did this to me.

12. RANDAL He s not worth it Kathy. Kathy ponders for a moment. Right! Kathy struggles up and staggers over to Keith s table. Keith sees her coming and holds his head in his hands. Heidi takes a gulp. (CONT D) Keith! What are the odds? This must be...? Heidi. HEIDI Heidi speaks with her thick Ukrainian accent. Heidi! Lovely to meet you. Where are you from Heidi?... Russia? Ukraine. HEIDI Ah, tomato tomato. And how old are you Heidi? KEITH Don t do this Kath. Don t call me that. HEIDI I m twenty five and a half. Really? And a half, a whole half. Heidi awkwardly smiles. (CONT D) So what does someone like you want with someone like this? Kathy points to Keith. (CONT D) I mean, you re beautiful and young. Keith on the other hand is... well, the opposite.

13. Keith stands up. KEITH Stop this now Kathy. You don t need to answer this Heidi. Because you re scared of what she ll say! KEITH Get out of here! We re over Kathy, accept it! I don t love you any more. Kathy is hurt by this. A tear cascades down her cheek. At this, she picks up Heidi s glass of wine and throws it over Keith. Kathy storms out the restaurant leaving a baffled Randal sitting alone. A look of sympathy dominates Keith s face as Heidi wipes away the wine. INT. COMMUNITY CENTRE - DAY Kathy has finished her story and the women are on the edge of their seats. Kathy sits down. INSERT: MONTAGE A) Kathy goes out jogging with Brian, getting herself into shape. B) Kathy burns pictures of Keith and her together. C) Kathy has the girls from the support group over at the house. They laugh and have a good time. Brian watches on with a smile on his face. D) Brian spots Kathy chatting to John as she walks out the community centre. E) As Keith walks down a busy street with Heidi holding multiple designer bags of shoes and clothes, he spots Kathy at the other side of the street. She struts looking great. He seems bothered. END MONTAGE INT. KITCHEN - NIGHT Kathy and Brian play scrabble at the table. They look like they re having fun.

14. She smiles. He smiles. You re glowing mum. For the first time in a while, I feel good. Kathy s cell phone RINGS. An unknown number. She answers. Hello? Hi. (CONT D) VOICE (O.S.) Kathy s heart sinks. Brian can tell who it is. He signals for her to hang up. She can t. Keith speaks. He speaks. What do you want Keith? (CONT D) I don t know if that s such a good idea. (CONT D) Because, it s been too long. He speaks. Brian again signals for her to hang up. Kathy hangs up. (CONT D) I ll think about it. I ve got to go. (CONT D) He wants to see me. Why? He said he misses me. After all this time? He must be coming to his senses.

15. Brian sighs. Are you going to do it? I don t know. After everything we ve all done to help you through this. This is my life son. And it s my life too. Do you think it s easy for me seeing you the way you ve been over the past year? Brian s voice cracks, trying to fight back the tears. (CONT D) I ve had to delay things I ve wanted to do in my life, like going to University because I m scared to leave you by yourself. I didn t know that. Tears are now streaming down Brian s face. Brian sighs. You didn t, because you didn t give me a second thought. I m getting sick of picking up the pieces all the time. You re my mum, and you should be taking care of me. Not the other way around. We can t help who we love Brian. (CONT D) I want you to stop focusing all your attention on my life and start living your own. Whatever mum. Brian gets up and exits the kitchen. LEGEND: ONE MONTH LATER

16. INT. KEITH S CAR - DAY Kathy and Keith silently sit in his car. So what happened to Heidi? Keith gives her a knowing look. (CONT D) Ah. Not going to say I told you so. KEITH You don t need to. She s back in the Ukraine. I m sure she s got a bit of a nicer wardrobe now though. KEITH I don t want to talk about her. I want to talk about us. Keith looks at Kathy in the eyes. She breaks the eye contact. I can t. KEITH You can t what? Do this. We re completely different. You were right to end it. KEITH But you love me. I know you do. Part of me will always have feelings for you, but I need to do some me for a change. Keith studies her face as if trying see whether this is genuine. He looks away. It is. Keith smiles. (CONT D) Have a nice life. EXT. S HOUSE - DAY Kathy exits Keith s car. Brian lets her in.

17. INT. KITCHEN - DAY Brian and Kathy stand in the kitchen. Silence. So? It s over for good. And that s what you want? Kathy purses her son s face in her hands. Brian smiles. Kathy smiles. You are the most important thing in my life, and I want you to be happy. I thought Keith was the one, but obviously not. I m proud of you mum. Thanks son. We re going to be okay. I know. INT. BEDROOM - DAY Brian stares at his computer screen. It s his University application page. He smiles to himself, and then presses submit. EXT. STREET - DAY Brian loads some boxes into the back of his car while Kathy looks on. She is emotional. Are you sure you want to do this? It s okay if you don t. Mum, I m doing it. I ll call you when I get there.

18. I want you to come back every weekend and I ll do your laundry. Brian smiles. He hugs his mum tight and kisses her on the cheek. Kathy smiles. Don t get up to any mischief. He gets in the car, and drives away INT. KITCHEN - DAY Kathy prepares bowls of nibbles, and lies them out on the kitchen table. The door RINGS. INT. DOOR - DAY Kathy opens the door...... It s John the janitor. He holds a bouquet of flowers. Surprise. JOHN He hands Kathy the flowers. Thanks, they re beautiful. John turns and shouts. JOHN Hurry up slow coach. STEVE, 40, (handsome and chiseled) walks up the drive. And you must be Steve. Steve leans in and gives her a kiss on the cheek. STEVE It s a pleasure to meet you Kathy. You re such a good looking couple. John and Steve look lovingly into each other s eyes. Kathy invites them in.

19. INT. LOUNGE - NIGHT Kathy and all her friends from the community centre are drinking and enjoying themselves. Kathy stops for a moment, and looks around. She smiles to herself. The bouquet of flowers sits in a vase at the window, looking as fresh and alive as Kathy. FADE TO BLACK.