Henry Pool Comoser United States (USA), Brooklyn, New York About the artist Henry Pool is born on June 12, 199 in Amsterdam, Netherlands, as the second o our siblings, all boys. His amily suered with the rest o the Dutch nation the horrors o the Second World War. Ater the war he went to elementary school, high school and teachers? seminary. He worked seven years as a teacher in Amsterdam, then emigrated to Israel. Ater a short sojourn in kibbutz Sha?alvim he joined begin 1967 a Rabbinical College in Netivot. In 1969 he married Lilette Sroussi, a girl rom Paris, France, who emigrated to Israel in 1968. During the years the coule has been blessed with ive children. In 1974 they moved to Jerusalem, where he started to work as a grahic artist. In 1988 they emigrated to the USA, where they still live, now as American citizens. In the USA he worked as a comuter oerator. In 2004 he retired. Though his career as a comoser hasn?t been an easy one, he managed over the years to rise to the level o a roessional comoser. Beside one year (at age 8) o iano lessons he never got any training. He has taught himsel and learned by laying the iano, studying the comositions o the masters, going to concerts, listening to classical radio and recordings and rom exloring books on comosition, harmony, counteroint, orchestration, etc... (more online) Personal web: htt://www.musiciansage.com Associate: ASCAP - IPI code o the artist : 62854042 About the iece Title: A Dutch Rhasody or Orchestra in Ab-do (Score) [Ous 28] Comoser: Pool, Henry Licence: Coyright Pool Henry Publisher: Pool, Henry Instrumentation: 2 Flutes, 2 Oboes, 1 B-Clarinet, 1 Bassoon, 2 F-Horns, 2 B-Trumets, 1 Trombone, 1 C-Tuba, Timani, Glockensiel, Har, Violins 1, Violins 2, Violas, Violoncellos, Double Basses Style: Modern classical Henry Pool on ree-scores.com htt://www.ree-scores.com/download-pdf-sheet-music-henry-ool.htm Contact the artist Write eedback comments Share your MP recording Web age and online audio access with QR Code : This work is not Public Domain. You must contact the artist or any use outside the rivate area. First added the : 2011-05-18 Last udate : 201-01-09 22:06:48
HENRY POOL Ous 28 A Dutch Rhasody or Orchestra Score
First Imression 2011 Coyright 2011 by Henry Pool 701 Avenue M Brooklyn, NY 1120-5115 E-mail: hheno7@aol.com This book has been registered with the Library o Congress, Washington DC
HENRY POOL Ous 28 A Dutch Rhasody or Orchestra Score
Introduction A Dutch Rhasody is the orchestral version o the irst movement o Henry Pool s Eighth Sonata or Piano ( My Three Fatherlands ). It is written in sonata orm and the irst theme in A-lat major is the Dutch anthem: the Wilhelmus. The lyrics are an acrostic on the name Willem van Oranje, who was the atriarch o the Dutch Royal Family (the House o Orange-Nassau) and the leader o the Dutch nation in its ight or reedom and indeendence rom the Sanish tyrants in the sixteenth century. Those lyrics were written by Marnix van Sint- Aldegonde on an old Dutch olk melody. This anthem is the symbol o the reedom o the Dutch and o the strong bond with their sovereign (who in World War II was Queen Wilhelmina, the grandmother o today s Queen Beatrix). The second theme in E-lat major is a song rom later time: Holland the Beautiul, o which both the lyrics and the melody were written by S. Abramsz. It extols the beauty o the Dutch landscae: the green meadows with the gleaming cows, the wide slow-lowing rivers bordered by blooming orchards, the vast yellow cornields and the maniold towns and villages. The themes are connected by a modulating transitional theme, while the exosition concludes with a layul coda. The elaboration tells the story o The Netherlands during World War II, when it was occuied by the Germans under the Nazi regime. It starts thereore with the Wilhelmus set in minor, ollowed by the begin o an old Dutch song:
O Netherland mind now thy cause in a Dorian mode, which song became the watchword o the Dutch underground. This song is even today still layed on the carillon o the old Munttoren (Mint Tower) in the center o Amsterdam. That is, why it in this orchestral version is layed by the glockensiel. Immediately ater the oening sentence o this song is heard, the sounds o the ominous theme o Fate knocking on the door rom Beethoven s Fith Symhony comes thundering down. The rhythm o this theme was used by the Dutch incarcerated by the Germans. They would knock it on the walls to contact other inmates. Most o these eole were tortured and shot dead. That is why Holland the Beautiul aears now in minor. The elaboration continues with laying the various themes in minor, until the allied armies succeed in liberating The Netherlands rom the Germans. And then emerges the theme o Fate in major, as it has turned or the good, ollowed by O Netherland mind now thy cause in a Lydian mode which is the major o the Dorian mode ater which the Song o Freedom, melody by J.W. Wilms on lyrics by M.J. Brand van Cabauw, burst out in a jubilating anare. A modulating transitional theme brings us then to the reetition o the exosition, but now with both themes in the scale o A-lat major. And The Netherlands are as eaceul and beautiul as beore.
2 Flutes 2 Oboes 2 Clarinet in B 1 Bassoon 2 Horns in F 2 Trumets in B 1 Trombone 1 Tuba in C Timani Glockensiel Har 1 st Violins 2 nd Violins Violas Violoncellos Double Basses
Flute Oboe B Clarinet Bassoon Horn B Trumet Trombone C Tuba Timani Glockensiel Har Violins 1 Violins 2 Violas Violoncellos Double Basses 15 8 Andante (M.M. 68)
2 B Cl. B Tt. Tim. Hr. m m m m m m 15 8 m m m m m
B Cl. B Tt. Tim. Hr. 15 8
15 8 Tim. Hr. 4 B Tt. B Cl. 8
B Cl. B Tt. Tim. Hr. 11 15 8 5
6 B Cl. B Tt. Tim. Hr. 14 15 8 m m m m 8va m m m m m
15 8 7 Tim. Hr. B Tt. B Cl. 19
8 B Cl. B Tt. Tim. Hr. 26 15 8
B Cl. B Tt. Tim. Hr. 2 15 8 m m m m m m m m m m m m 9
Tim. Hr. 10 B Cl. B Tt. 8 15 8
B Cl. B Tt. Tim. Hr. m m 15 m m 8 44 11
12 B Cl. B Tt. Tim. Hr. 48 15 8
m m m m m m m m m m 15 8 1 Tim. Hr. B Tt. B Cl. 51
Tim. Hr. 14 B Cl. B Tt. 15 8 54
B Cl. B Tt. Tim. Hr. 57 15 8 15
16 B Cl. B Tt. Tim. Hr. 59 15 8 m m m m m m m m m m m m m
B Cl. B Tt. Tim. Hr. 62 15 8 17
15 8 Tim. Hr. 18 B Tt. B Cl. 66
15 8 19 Tim. Hr. B Tt. B Cl. 69
20 B Cl. B Tt. Tim. Hr. 7 15 8
B Cl. B Tt. Tim. Hr. 76 15 8 m m m m m m m m m m m m 21
22 B Cl. B Tt. Tim. Hr. 81 15 8 m m m m m m m m m m m m m m m m m m m m m m m
B Cl. B Tt. Tim. Hr. 85 15 8 2
B Cl. B Tt. Tim. Hr. 88 15 8
B Cl. B Tt. Tim. Hr. 91 15 8 25
26 B Cl. B Tt. Tim. Hr. 92 15 8
B Cl. B Tt. Tim. Hr. 94 15 8 27
28 B Cl. B Tt. Tim. Hr. 98 15 8 m m m m m m m m m m m m
B Cl. B Tt. Tim. Hr. 102 15 8 8vb 29
Tim. Hr. 0 B Cl. B Tt. 105 15 8 8vb
B Cl. B Tt. Tim. Hr. 108 15 8 8vb 1
Tim. Hr. 2 B Cl. B Tt. 8vb 15 8 111
B Cl. B Tt. Tim. Hr. 114 m m m m m m m m 8vb m m 15 m m m m 8 m m m
B Cl. B Tt. Tim. Hr. 117 15 8 m m m m m m m
B Cl. B Tt. Tim. Hr. 120 15 8 5
6 B Cl. B Tt. Tim. Hr. 12 15 8 Calando Calando Calando Calando Calando Calando Calando Calando Calando Calando Calando Calando Calando Calando Calando Calando
B Cl. B Tt. Tim. Hr. 126 15 8 a temo a temo a temo a temo a temo a temo a temo a temo a temo a temo a temo a temo a temo a temo a temo a temo 7
8 B Cl. B Tt. Tim. Hr. 129 15 8 m m m m m m m m m m m
B Cl. B Tt. Tim. Hr. 12 15 8 9
15 8 40 Tim. Hr. B Tt. B Cl. 15
15 8 41 Tim. Hr. B Tt. B Cl. 18
Tim. Hr. 42 B Cl. B Tt. 141 15 8
8va m m m m m m m m m m 15 8 4 Tim. Hr. B Tt. B Cl. 145
15 8 Tim. Hr. 44 B Tt. B Cl. 151
B Cl. B Tt. Tim. Hr. 157 15 8 45
46 B Cl. B Tt. Tim. Hr. 16 15 8
B Cl. B Tt. Tim. Hr. 169 15 8 m m m m m m m m m m m m 47
48 B Cl. B Tt. Tim. Hr. 175 15 8
B Cl. B Tt. Tim. Hr. 182 15 8 m m 8va m m 49
50 B Cl. B Tt. Tim. Hr. 186 15 8 m m m m 8va m m m m
B Cl. B Tt. Tim. Hr. 189 15 8 m m m m m m m m m m m m m m m m 51
Tim. Hr. 52 B Cl. B Tt. 15 8 192