Jean-Baptiste Boësset. Motets for mixed voices Volume 1
|
|
- Eileen Hall
- 5 years ago
- Views:
Transcription
1 ean-baptiste Boësset ( ) Motets for mixed voies olume 1 Edited y Paul Gameson in assoiation ith
2 ean-baptiste Boësset ( ) Motets for mixed voies, olume 1 Edited y Paul Gameson Introdution Performane information Editorial Proedure Editorial ommentary Translations ii ii iv iv v 1. Ave vere sanguis (SSATB-) 1 2. Domine salvum fa regem (SSATB-) 4 2. In manus tuas Domine (SATTB-) 7 3. Regina oeli (SSATB-) 9 4. Salve Regina (SATB-) eni sponsa mea (SATTB-) identes hriste SATB 25 York Early Musi Press In assoiation ith Department of Musi, niversity of York, Heslington Foundation and York Early Musi Foundation. at Department of Musi, niversity of York York YO10 5DD K info@yorkearlymusipress.om.yorkearlymusipress.om Phone: +44 (0) Otoer 2002
3 ii Introdution ean-baptiste Boësset ( ) served Anne of Austria (King Louis XI s mother and regent during Louis minority) from 1643 to 1662, and Marie-Thérèse (Louis queen) from 1660 to He ontriuted to several allets de our during the 1640s 60s, hih inluded ollaorations ith Lully, ut remained on the periphery of musial reorganization of the hapelle Royale during the 1660s. ust eight sared orks are attriuted to Boësset, and all are found in a large manusript anthology of sared musi held in the Biliothèque Nationale, Paris, shelfmark Rés MS ma 571. These inlude three masses 2, a faux-ourdon psalm setting, and four motets. It is likely that Boësset s motets for mixed voies ere intended for the private orship of Anne of Austria and Marie-Thérèse. Both queens oasted modest-sized musial households of aout tenty singers, hih ere omined ith the hapelle Royale for speial oasions. The manusript soure, part of Séastien de Brossard s olletion donated to the Biliothèque du Roi in 1726, as opied toards the end of the seventeenth entury and reflets progressive musi in Frane in the early part of that entury, inluding the hurh musiian Guillaume Bouzigna ( ), hose onertatostyle orks ere never pulished ut nevertheless ell-knon in Paris, and motets from puliations featuring the earliest use of independent ontinuo line, Du Mont s antia sara (1652) and Moulinié s Meslanges (1658). On grounds of musial style it is proale that many of the anonymous orks in the manusript are also y Boësset. Only one piee in this olletion, Salve Regina, is attriuted to Boësset, though Domine salvum fa regem is an arrangement of a four-part motet for unroken voies y the omposer. 3 The voal style of orks in the manusript and printed olletions exudes melodi simpliity over virtuoso display and might almost e seen as a reation against the flamoyane of Italian musi, rought to Frane y the large numer of itinerant Italian musiians from the 1640s. Performane Liturgial ontext The Marian antiphons Salve Regina and Regina oeli and the ompline respond In manus tuas Domine are the only motets setting Proper texts. In ommon ith pratie in the rest the of Europe, there as a trend to sustitute Propers ith para-liturigial texts. eni sponsa mea, ith a text from the Song of Songs, might e used for Marian or other virgin feasts (the opening text is used for the Antiphon for the Feast of the ommon of virgins). Alloanes ere made elsehere in the liturgy for the inlusion of other musi. The short motets Ave vere sanguis and identes hriste ere proaly intended for use in Mass during the Elevation of the Host, eteen the Beneditus and Agnus Dei. It is likely that if an Elevation motet as sung, it replaed the Beneditus, and Boësset omits this movement in his three mass settings. The text Domine salvum fa regem (Psalm 19, v.10, Save, Lord: let the king hear us hen e all ) as introdued during the reign of Louis XIII to onlude mass, and it upholds the santity of kingship. 1 For further reading, see Norert Dufourq, ean-baptiste de Boësset: un musiien, offiier du roi et gentilhomme ampagnard ( ) (Paris, 1962); Yolande de Brossard, La olletion Séastien de Brossard : atalogue (Paris, 1994); Denise Launay, La musique religieuse en Frane du onile de Trente à 1804 (Paris, 1993); and Paul Gameson, The Development of the Frenh Fe-voied ontinuo Motet (PhD dissertation, niversity of York, 2002). 2 See ean-baptiste Boësset: Messe du trosième mode transposé; Messe du quatrième mode; Messe du Tiers; ed. Paul Gameson (York, York Early Musi Press, 2002). 3 See ean-baptiste Boësset: Motets for high voies, ol. 1; ed. Paul Gameson (York, York Early Musi Press, 2002).
4 Transpostion and soring iii In ontemporary Italian and German musi, the use of high lef ominations inluding G2 and F3 knon as hiavette implied that the piee as to e transposed don, usually y a fourth, though there is little evidene that suh pratie ourred in Frane. When onsidering Parisian pith perhaps as lo as a =396 Hz (suh as Mersenne s Ton de hapelle ), a typial transposition ould plae the musi don a fifth for modern performers at a = 440 Hz. 4 The poliy of this edition has een to hoose pithes here the voies ranges remain omfortale for modern performers: all ut one of the motets have een left at the original pith; Salve Regina, using the higher lefs G2-2-3-F3, has een transposed don a minor third. There are no indiations in the manusript of solo or full indiations, ut printed soures often inluded diretions to exploit the soring ontrasts if fores availale permitted (antiipating the formal struture of grand and petit hoeur in the ersailles grand motet). This ontrast might e used to good effet, for instane, in the refrain (horus) and verses (solo) of eni sponsa mea. Metre and tempo ust to metres, oth duple, are used in these motets. The duple metres are defined y the predominant unit of melodi movement and rate of harmoni hange rather than the relationship eteen the note values, so a minim pulse in oth signatures is the same, possily.60. This is evident in Regina oeli, hih appears elsehere in the manusript arranged for four voies: the first time hange ours in ar 8 of the five-part version, and ar 9 of the four-part version. Ornamentation Several typial ornamental figures of the air de our are ritten out in the musi, the most ommon eing the avant son (antiipation, either in a single voie or at a harmoni level), port de voix (a rising one-note grae no ith anapaesti underlay, sometimes ith delayed resolution), and the aent (a grae-note involving a hange of diretion from main note to neighour). The asene of other notated ornaments does not prelude their inlusion, though this ould e impratial for more than one singer to a part. A tremlement, or trill, an e used on the thirds of hords at adenes and should egin on the main note (upper or loer). The simple melodi lines of the solo passages ould e emellished ith the ornaments mentioned aove, and more Italian ornaments (mentioned in Frenh voal manuals). The tempo should reflet the fat that notated figures are ornamental not melodi, and e sung as if they ere improvised, lightly and free; for instane, the avant son and port de voix ould e over-dotted. The usually unritten onvention of inégale is the most harateristi Frenh rhythmi emellishment; it features the slight alteration to the length of ertain note pairs, usually the fastest notes in the tempo (quavers in ) and moving in stepise motion. 4 Mihael Lindley, Temperament in Stanley Sadie, ed., The Ne Grove Ditionary of Musi and Musiians, 2nd edition (London, 2001): 25, Mersenne (Harmonie niverselle (Paris, 1636)) ontrasts the Ton de la hapelle ith the Ton de la hamre (at a = 464Hz). omplaints that there is no uniform pith are made y to riters: Mersenne and André Maugars (Response faite à un urieux, sur le sentiment de la musique d Italie (Paris, 1639)).
5 iv Editorial proedure Prefatory staves sho original lefs, keys and time signatures, folloed y editorial nomenlature. The loer voal line and ontinuo share the same stave. In the soure, vertial lines learly indiate hen the voie should e silent. Original time signatures are generally used, though here modern signatures and hange of note value are preferred, the original is inluded aove the stave. Barring has een regularized. Original doule ars have een retained. In final ars, if there is a fermata in one part, it is inluded in the other parts and noted in the ommentary. In the soure, typially quavers are eamed together for melismas and separately for single syllales: in the sore they have een eamed aording to modern use. Preautionary aidentals in the soure are inluded in the sore. Extra aidentals in the soure that are redundant in modern musial onvention are not aknoledged. Aidentals aove the note are editorial indiating unnotated aidentals required y the rules of musia fita. Areviated ords, puntuation and spelling have een realised taitly. nlear underlay and ords omitted in the soure appear in italis. Throughout the soure a vertial tik is used to indiate hen the ass sings or hen the text is repeated; neither are inluded in the sore. It is also used in the manner of a modern omma to suggest that voies finish the note early, usually hen the solo voie has a shorter note; these are indiated in the sore. Soure Paris, Biliothèque Nationale, Rés MS ma 571. Editorial ommentary Numers refer to ar and supersript numers to the eat ithin the ar Areviations: r reve s semireve m minim r rothet q quaver 1. Ave vere sanguis f. 163v ar lengths halved 2. Domine salvum fa regem 175r-175v 29 3 repeat ar: m - m r (see D in.12) 3. In manus tuas, Domine 162v-163r 4. Regina oeli 149v-150v 5. Salve Regina 54v-55r ars are sriled out, ith another ending at f. 56v y a different hand, ho heads the setion Suitte [au] faute du Salve preedand de Mr Boesset ; hoever, oth versions are idential underlay pia 82 3 T G sharp (no aidental)
6 v 6. eni sponsa mea 131r-132v Repeats are not ritten out ut learly indiated in the manusript. No repeat is suggested at.111, though one might e added if the refrain is treated as a horus. 7. identes hriste 164r-164v Texts and Translations 1. Ave vere sanguis Ave vere sanguis pretiosi orporis Domini nostri esu hris qui pro nois in lingo rues effusus fuisti redemptio mundi. Hail most preious lood of the ody of our Lord esus hrist hih for us poured forth from the ood of the ross as a redemption for the orld. 2. Domine salvum fa regem Domine salvum fa regem; et exaudi nos in die qua invoaverimus te. Save, Lord: let the king hear us hen e all. (Psalm 19/20, v.10) 3. In manus tuas, Domine In manus tuas Domine, ommendo spiritum meum. Redemisti nos Domine, Deus veritatis. Into your hands o Lord, I ommend my spirit. Save us, O Lord, true God. (Psalm 30/1, v.6; Respond, ompline) 4. Regina oeli Regina oeli laetare, alleluia: Quia quem merusiti portare, alleluia: Resurrexit, siut dixit, alleluia: Ora pro nois Deum, alleluia Queen of heaven, reoie, alleluia: for he hom thou ast orthy to ear, alleluia: has risen as he said, alleluia: Pray for us to God, alleluia. (Marian antiphon) 5. Salve Regina Salve Regina, mater miseriordiae: vita duledo, et spes nostra, salve. Ad te lamamus, exsules, filii Eavae. Ad te suspiramus, gementes et flentes in ha larimarum valle. Eia ergo, Advoata nostra, illos tuos miseriordes oulos ad nos onverte. Et esum, eneditum frutum ventris tui, nois post ho exsilium ostende. O lemens: O pia: O dulis irgo Maria. All hail o queen, mother of mery. Life, seetness, and our hope, all hail. We, exiled sons of Eve, do ry unto thee. To thee e sigh, groaning and eeping in this vale of tears. Therefore o thou our Advoa turn those thy meriful eyes unto us. And she unto us after this exile lessed esus, the fruit of thy om. O lement, o pitiful, o seet virgin Mary. (Marian antiphon)
7 vi 6. eni sponsa mea eni sponsa mea, veni de Liano, eni, oronaeris. Tota pulhra es, amia mea, et maula non est in te. eni sponsa mea Ouli tui olumarum, siut vita oinea laia tua, Et eloquium tuum dule, aput tuum ut armelus, asque ea quod intrinseus latet. eni sponsa mea Anima mea liquefata est ut diletus loutus est, fulite me florius, stipate me malis, quia amore langueo. ome my ride, ome ith me from Leanon, ome ith me and you shall e roned. Thou art fair, my love, and there is no spot ith thee. ome my ride Your eyes are like a dove's, your lips are like a sarlet thread, and your mouth is seet, and your head is like armel ehind your veil. ome my ride My soul failed me hen my eloved spake, stay me up ith floers, omfort me ith apples, for I languish ith love. (Song of Songs, 4: 8, 3; 2: 5) 7. identes hriste identes hris in patiulo rues vulneratum, uxta ruem, lahrimantes lamamus. O hris audi nos. Seeing you, O hrist, ounded on the giet of the ross,e all to you, full of tears: O hrist, hear us.
8 1. Ave vere sanguis Hail, most preious lood of the ody of our Lord esus hrist, hih for us poured forth from the ood of the ross as a redemption for the orld. B B B. Soprano I Soprano II Alto Tenor Bass A - ve A - ve - ve ve - re re san - san - Basso ontinuo.. S.II A guis guis pre - pre - ti - o - ti - o - si or si. or - po - n po - ris ris Do - S.I 13. S.II A T. Do - mi - - mi - ni ni nos - nos - tri tri e - e - su su A hris - hris - ve a - B A - ve A - ve opyright 2002 y York Early Musi Press Ave vere sanguis - 1
9 2 19 ve re san -. guis pre - ti - o - si ve a - ve - re ve ve - re san - san - guis guis. pre - pre - ti - ti - o - o - si ve -. ve rė re san - san - guis guis. pre - pre - ti -. n n ti - o - o - si 25 n or si or si or n po - or - po -. po - or - po -.. po - ris ris ris ris Do - ris Do - mi -. Do - mi - mi - ni ni nos - ni nos -. Do - mi -. e - nos - tri tri tri ni nos - 31 n - su e - su e - e - tri e - hris - su hris - su hris - hris - - su hris - qui pro no - qui pro is in no - Ave vere sanguis - 2
10 3 38 lig - is in no ru lig - no n n ru - is ef - is ef -. fu - ef - fu - sus fu - fu - sus sus fu - is - fu - is - is - ef - ef - fu fu - sus fu - sus fu - is - is n. ti re -. ti re - ti demp - ti -. demp - ti -. n o mun o mun - - di, re - di, re - demp - ti -. demp - ti - re - o o mun -. demp - ti - ti re - demp - ti - o mun - di,. re - demp- ti - o ti. n re - demp - ti -. o mun - 52 mun o mun - mun - di, - - di, re - di, re - di, re -. di, re - re -. demp demp - ti - demp - demp - demp - ti - o ti - ti - o o Ave vere sanguis - 3 ti - o mun o mun mun - mun - mun - W di. W di. W di. W di. W di. W u
11 4 2. Domine salvum fa regem Save, Lord: let the king hear us hen e all. Soprano I. Soprano II Do - mi - ne sal-vum fa re - gem, Do - mi - ne sal - vum fa. B B. Alto Tenor Do - mi - ne sal - vum fa re - sal - Bass Basso ontinuo sal - 3. re - gem, Do - mi-ne, Do - mi - ne sal-vum, sal - vum fa re - gem, Do - mi - gem, fa re - gem,... vum fa re - gem, Do - mi - ne, Do - mi - ne sal-vum, sal-vum, sal - vum fa re - gem,. Do - mi-ne,. vum fa re - gem,. Do - mi -. Domine salvum fa regem - 1
12 5 8 n ne sal - vum,. n. Do - mi - ne sal - Do - mi - ne sal - Do - mi-ne. ne, Do - mi -... sal - vum fa vum, sal - vum fa re vum fa re - sal - vum fa ne sal - vum fa re - re - gem, fa re - re - gem, fa re - gem: gem: gem: et ex - gem: gem: 12.. et ex -. n au - di nos in di -. - e, et ex -. au - di nos. in.. et ex - au - di nos in. au - di nos in di e, in di - e,... in... et ex - au - di. nos in di - et ex - au - di nos in e, et ex - di - e, in. au - di nos. n in n 16. di - e, in di - e qua in - vo - a -. ve - ri -mus, in - vo - a - ve - ri - mus. di - e, in di - e qua in - vo - a - di - e, in. di - e di - di - e, in e, in di - di - e e Domine salvum fa regem - 2
13 6 21 qua in - vo - a - ve - ri -.. ve - ri - mus, in - vo - a -. mus, in - vo - a - ve -. ve - ri - mus ri - mus qua in - vo - a -. qua in - vo - a - in-vo-a-ve -. ve - ri - mus, in - vo - qua in - vo - a ve - ri - mus - ri - mus.. in - vo - a - ve - in - vo - a -. ri - mus ve - ri - mus Fine.... a - ve - ri - ve - ri - mus qua in - vo - a - mus, in -. in - vo - a-ve -.. ve - ri - mus, in - vo - a - ve - ri - mus.. vo - a - ve - ri - mus ri - mus et ex - u... Domine salvum fa regem - 3
14 7 3. In manus tuas Domine In to thy hands O Lord I ommend my spirit. For thou hast redeemed us O Lord, O God of truth. I ommend my spirit. Soprano B Alto. B Tenor I In ma - nus tu - as Do - mi - B Tenor II In ma - nus tu - as Bass Basso ontinuo S. 6 om-men do spi - ri - tum A. ne, om-men do spi - T.I. Do - mi - ne, om - men - do spi - T.II om - men - do spi - ri - tum me - um, spi - B.. om - men - do spi - - ri - tum. In manus tuas Domine - 1
15 8 12. me ri - tum me - um. um. Re - de - Re - de -. mis - ti mis - ti nos Do - nos Do - mi - ne, mi - ne, - ri - ri - tum me tum me - me - um. um. um N De - us De - us ve - ri - ve - ri - ta - ta - tis. om - tis. om - men men - do, om - om - men - do, om - men - om - 26 do, om - men - om - do. men - do spi -. spi - ri - tum ri - tum me - me - W um. W um. W men do, om - men do men - do do spi - spi - spi - ri - ri - tum ri - tum tum me - me - me - um. W um. W um. W u In manus tuas Domine - 2
16 9 4. Regina oeli Queen of heaven, reoie, alleluia: for he hom thou ast orthy to ear, alleluia: for he ho has risen as he said, alleluia: Pray for us to God, alleluia. Soprano I B Soprano II Re - gi - na oe - li B B. Alto Tenor Re - Bass. Basso ontinuo Re - gi - na. oe - li 6.. lae -. ta - re, lae - ta - re,. gi - na oe - li lae - ta - re,.. lae - ta - - re, lae - ta - re, ia, Regina oeli - 1
17 ia: Qui - a quem me - ru - is - - ti por -.. ia: ia: Qui - a quem me - ru - is ia: Qui - a quem me-ru - is - ia:.. 17 ta - re, qui a. ti por - ti por - ta Qui - ta a quem me-ru - re, re,. quem is me - ru - quem me - ru - is - is - ti por -. ti. ti por - ta - por - 23 quem me - ru - is - ti por - ta -. re,.. ta re, por - ta - - re, re, por -. ta ta - re, por - re, por - ta - - ta - - re, re,.. Regina oeli - 2
18 ia: ia,. ia: ia:.. ia: ia: 33 Re -. sur - re -. xit, si - ut di - xit, Re - sur - re - si - xit, si -. ut di - ut di - xit,. xit, si - ut di - n xit, Re - sur - Re - sur - re - re - xit, xit, si - ut di - xit, si - ut di -. si - ut di -. xit, xit, 38 ia: ia,. n ia: ia:. ia:. ia, ia: Regina oeli - 3
19 12 43 O - O - ra. ra pro pro no no - is is De - O ra pro no - is De - um, 49. n De um, um,... ia, al - le - ia, lu - ia, 54. n W ia,.. ia, al - le - lu - ia. W ia. W ia. W ia, ia, al - le - lu - ia. W ia,. ia. W u Regina oeli - 4
20 13 5. Salve Regina All hail o queen, mother of mery. Life, seetness, and our hope, all hail. We, exiled sons of Eve, do ry unto thee. To thee e sigh, groaning and eeping in this vale of tears. Therefore o thou our Advoa turn those hy meriful eyes unto us. And she unto us after this exile lessed esus, the fruit of thy om. O lement, o pitiful, o seet virgin Mary. B B Soprano Alto Tenor Bass Basso ontinuo Sal - ve Re - Sal - ve Re - Sal - ve Re - Sal - ve Re - gi - na, gi - na, gi - na, gi - na, ma - ter mi - se - ma - ter mi -. ma - ter mi - ma - ter mi - ri - or - di -. se - ri - or - di - se - ri - or - di -. se - ri-or - di ae: vi - ae: vi - ta dul - e - ta dul - e - do, et spes do, et spes nos - N nos - tra, sal - ve. tra, sal - ve. Ad Ad ae: vi - ae: vi - ta dul - e - ta dul - e - do, et spes do, et spes nos - tra, sal - nos - tra, sal - ve. ve. Ad Ad 10 te la - ma - te la - ma - mus ex - mus ex - su - su - les, fi - les, fi -. li - i E -. li - i E - vae. vae. te la - ma - n mus ex - su - les, fi - li - i E - vae. Ad te la - ma - n mus ex - su - les, fi - li - i E - vae. Salve Regina - 1
21 Ad Ad te te sus - sus - pi - pi - ra - ra - mus, ge - mus, ge - men - men - ad te sus - pi - ra - mus, ge - men -. N Ad te sus - pi - ra - mus, ge - men -. N 22 tes tes et et tes et flen tes et ṅ flen- tes, flen - et flen flen - tes tes tes tes in in in in ha ha ha ha la - la - ri - la - ri - la - ri - ri - ma - ma ma. - rum - rum ma rum val - val - le. le. E - ia, e - ia er - go, val - le, rum val - val - le. le. Salve Regina - 2
22 15 38 Ad - vo - a - ta Ad - vo - a - Ad - vo - a - ta Ad - vo - a - ta nos - tra, il - ta nos - tra, nos - tra, nos - tra, il - los tu - il - los tu - il - los tu - los tu - os mi - os mi - os mi - os mi - se-ri - or - n se - ri - or - se - ri - or - se - ri - or - des o - u - des o - u - des o - u - des o - u - 44 los ad los ad nos on - nos on - ver - on - ver - ver - te. te. Et Et e - e - los los ad ad nos on - ver nos on-ver te. te. Et Et e - e - 50 sum, sum, sum, e - sum, e - e - n ne - ne - di n e - n ne - di di ne - Salve Regina - 3 di - tum, tum, tum, fru - tum,
23 N fru fru - tum tum tum ven - ven - tris ven - tris n tu - tu - tris tu - i, no - i, is post no - is i, no - post fru - tum ven - tris tu - i, no - is post 63 ho ex -. ho ex - - is ho ex - i-li-um i - post i - li - li - os - ten -. ho ex - um os - um os - de, ex - i - li - i - li - ten ten - um os - um os -. ten - ten - de. de. de. de. 70. O. n le - O mens, le - O le - mens, O n O le - mens, Salve Regina - 4
24 O mens, le - O le - mens: mens: O. le mens: O O le - mens: 80 pi - O pi - O a, n pi a, O. pi O n pi n n a:. pi - a: O a: O a: O dul -. dul - dul - O dul - is ir -. n is is. is go Ma -. ir - ir - ir - go Ma - ri - go, ir - go ri - a,. a, Ma -. go Ma - Ma - Ma - ri - ri Salve Regina - 5 ri -. ri - W u a. W a. W u a. W a. W
25 18 6. eni sponsa mea ome my ride, ome ith me from Leanon, ome ith me and you shall e roned. Thou art fair, my love, and there is no spot ith thee. ome my ride Your eyes are like a dove's, your lips are like a sarlet thread, and your mouth is seet, and your head is like armel ehind your veil. ome my ride My soul failed me hen my eloved spake, stay me up ith floers, omfort me ith apples, for I languish ith love. Soprano B B Alto Tenor I ve - ni, ve - ni de Li - a - no, B Tenor II e - ni spon - a, Bass Basso ontinuo.. 6 e - ni spon - a, ve - ni,. ve - ni de Li -. e - ni spon - a, ve - ni de Li - ve - ni o-ro - na - e - ris. e - ni spon - e - ni spon - a, a, ve -.. ni de Li -. e - ni spon - a,.. eni sponsa mea - 1
26 a - no, - a - no, ve - - a - no, ve - ve - ve - ni o - ro - ni o - ro - ni, ve - ni o - ve - ni o - ro - ni o - ro -. na - e - na - e -.. ro - na - e - na - e -. na - e -. ris. To - ris. ris. ris. ris. To -. ta pul - hra ta pul-hra 18. es, a - mi - a a - mi - a me - a, a - me - a, a - a - mi - a me - mi - a me -. mi - a me -.. a, et ma - u -. a, et ma - u - a, et.. la, et ma - u - la non est. ma - u - la es, a - mi - a me - a, a - a - mi - a me - a, et mi - a me - ma - u - la non a, et. est in ma - u - la. 23. la non est in in in non est in et ma - u -. et ma - u -. et ma - u -. la,. la, et ma - u -. la, et ma - u -. la non est la non est et in et in et in et ma - u -. la, et ma - u - la non est in et non est in et ma - u -. la, et eni sponsa mea - 2
27 ma - u - la. non est in te. ve - ni, ma - u - la. ma - u - la. non. non est est in in te. te. e - ni spon - a, ma - u - la non. ma - u - la non. est est in in te. te. 34 ve - ni de Li - a- no, e - ni spon -. e - ni spon - ve - ni o-ro - na - e - ris. e - ni spon -... e - ni spon - e - ni spon - 41 a, ve - ni, a, ve - a, a, ve - a,.. ve - ni de Li - ni de Li -. ni de Li -.. a - no, a - no, ve - a - no, ve - ve - eni sponsa mea - 3 ve - ni o-ro - ni o-ro - ni, ve - ni o - ve - ni o-ro - ni o - ro -. na - e - na - e -.. ro - na - e - na - e -. na - e -. ris. ris. ris. ris. ris.
28 O - u - li tu -. O - u - li tu - i, tu - i. i o - o - lum - a - lum - a - rum si - ut, rum si - ut, si - ut si - ut vit -. O - u - li tu -. i, tu - i o-lum-a - rum si - ut, si - ut vit vit - ta o - i - ne -. ta o - i - ne -. ta o - i - ne -... a, o - i - ne -. a, o - i - ne -. a, o - i - ne -.. a la - i - a tu -. a la - i - a tu -. a la - i - a tu - et e - a, et e - a, a, et e - m. lo - qui-um tu -. lo - qui -. lo - qui-um um dul - um tu - um dul - e a - put e a - put tu - um ut tu - um ut ar -. ar - me - me - lus, as- que lus, as - que e - a quod e - a quod in -. tu - um dul - e a - put tu - um ut a - me - lus, as - que e - a quod in-. eni sponsa mea - 4
29 in - trin - se - trin - se-us, in - us, in - trin - se -. trin - se - us la - us la - tet, la - tet. tet.. trin - se-us, in - trin - se - us la - tet. e - ni spon - 69 ve - ni, ve - ni de Li - a - no,. a, ve - ni o-ro - na - e - ris e - ni spon - e - ni spon - e - ni spon - e - ni spon - e - ni spon - a, ve - ni, a, ve - a, a, ve - a,.. ve - ni de Li - ni de Li -. ni de Li -.. eni sponsa mea - 5 a - no, a - no, ve - a - no, ve - ve - ve - ni o-ro - ni o-ro - ni, ve - ni o - ve - ni o-ro - ni o - ro -
30 na - e - na - e -. - ro - na - e -. na - e -. na - e -. ris. A - ris. A - ris. A - ris. A - ris. A - ni - ma me - ni - ma me - ni - ma me -. ni - ma me - ni - ma me - a li - que - fa -. a li - que - fa - a li - que - fa - a li - que - fa - a li - que - fa - ta est, li - ta est, ta est, li - ta est, ta est, que - fa - ta. li - que - fa - ta. est, li - que - est, li - que - fa - ta fa - ta est, est, - que - fa - ta est, li - que - fa - ta. est, li - que - fa - ta est, ut di - le - tus, di - li - que - fa - ta est, ut di - 91 ut di - le - tus lo -. u - tus est, ut ut di - le -. di - le - tus, tus lo - di - le - tus lo - u -. le - tus lo- u - tus le - tus lo -.. est, lo-u u - tus est,.. tus lo - u - tus. est, ut di - est,. le -. eni sponsa mea - 6
31 u - tus est, lo - - tus est,. lo - u - tus u - tus, lo - u - tus lo - u - tus est, lo - u - tus. est. Ful-i -. est. Ful - est. Ful - te me flo - ri -. i - te me flo - ri -. i - te me flo - ri - us,. us, sti - pa - te me. us, sti - pa - sti - tus lo -. lo - u -. u - tus, lo - u - tus tus, lo - u - tus est. est. sti - pa - te me sti - pa - te me 101 ma - lis, pa - te me ma -. ma - lis, me ma ma - lis,.. me ma - lis, me ma - me ma - qui - a a -. lis, qui - lis, lis, lis,. mo - re, a -. a a-mo - re qui - a a - mo lan - gue - o, a - mo -. mo - re lan - gue re lan re, a - o, qui - a a - mo - re mo - re gue - o, a -. lan- gue - o, a -. lan - gue-o, qui - qui - a a -. N mo - re. N mo qui - a a -. a. a - mo - re mo - re. eni sponsa mea - 7. lan - gue -. re lan - gue -. mo - re lan - gue -. lan - gue -. lan - gue -. o. o. o. o. o. u
32 25 6. identes hriste Seeing you, O hrist, ounded on the giet of the ross,e all to you, full of tears: O hrist, hear us. Soprano i - den - tes hris - B B Alto Tenor i - den - tes hris - Bass i - den - tes hris - i - den - tes hris - 5 in pa - ti - in pa - ti - u - lo u - lo ru - ru - is vul - is vul - ne - ra - ne - ra - in pa - ti - u - lo ru - is vul - ne - ra - in pa - ti - u - lo ru - is vul - ne - ra - 11 tum, tum, ux - ux - ta ta ru - ru - em, ux - em, ta ru - ux - ta ru - tum, ux - ta ru - em, ux - ta ru - tum, ux - ta ru - em, ux - ta ru - identes hriste - 1
33 26 16 N em la - hri - man - tes la - ma - mus. O hris - au - em la - hri - man - tes la - ma - mus. O hris - au - em la - hri - man - tes la - ma - mus. O hris - em la - hri - man - tes la - ma - mus. O hris di nos, O hris - au - di nos di. nos, O hris -. au - di. nos. au - di. nos, O hris - au - di. nos. au - di nos, O hris - au - di nos. identes hriste - 2
34 York Early Musi Press atalogue Editions availale no Editor A Garieli Missa Quando lieta sperai (SATTB) Peter Seymour from Primus lier missarum (1572) itoria Four psalms (doule hoir + org) Peter Seymour itoria Three psalms (doule hoir + org) Peter Seymour itoria Four Marian Antiphons (doule hoir + org) Peter Seymour Seelink Anthology of (4) motets (SA/TTTB + ) Peter Seymour Seelink Anthology of (4) hristmas motets (S/ATTTB + ) Peter Seymour Seelink Anthology of (4) Passiontide motets (SATTB + ) Peter Seymour Laes Psalms to omon Tunes (STTB-) Paul Gameson Boësset Motets for high voies, ol. 1 Paul Gameson Boësset Motets for mixed voies, ol. 1 Paul Gameson Boësset Mass du troisième mode (SSSA + ) Paul Gameson Boësset Mass du quatrième mode (SSA + ) Paul Gameson Gratiani Magnifiat (SATTB + ) Paul Gameson Helfer Missa Benediam Dominum (SATB) Paul Gameson Helfer Missa Laetatus sum (SATB) Paul Gameson Editions availale Marh 2003 Leondaritis 3 masses Miranda aldi Missa Laetatus sum (SATB; SATB) Missa Aller mi faut la verdure (SSATTB) Missa e prens en grez (SS/AATTB) Leondaritis (38) Motets (SATTB) Miranda aldi Du Mont 3 St eilian Motets (SSATBB + ) Paul Gameson Editions planned to e ompleted later 2003 Boësset Motets Paul Gameson Bouzigna Motets Paul Gameson harpentier Anthology of Psalms Paul Gameson Purell Songs dialogues Peter Seymour Blo Songs dialogues Peter Seymour effreys Anthems, motets Peter Aston Blo St eilia s Day Ode Peter Seymour Purell, D St eilia s Day Ode Peter Seymour Purell, D Oasional Odes Peter Seymour Blo String trios Peter Seymour Matteis, N String suites Simon ones
Jean-Baptiste Boësset. Motets for high voices Volume 1
ean-baptiste Boëss (1614 85) Mots for high voies Volume 1 Edited y Paul Gameson in assoiation ith ean-baptiste Boëss (1614 85) Mots for mixed voies, Volume 1 Edited y Paul Gameson Introdution Performane
More informationANCIENT GROOVE MUSIC ( ) Motets for Holy Week. Edited by BEN BYRAM WIGFIELD
ANIENT GRE MSI ANTNI LTTI (1667-1740) Motets for Holy Week Edited by BEN BYRAM WIGFIELD 1. Arbor dignisma 2. nes No. 1 3. nes No. 2 4. Sepulto Dino 5. ere languores nostros.anientgroove.o.uk NTENTS 1.
More informationCharles d Helfer. Missa: Laetatus Sum
Charles d Helfer (d. after 1664) Missa: Laetatus Sum (SATB) Edited by Paul Gameson in association ith Charles d Helfer (d. after 1664) Missa: Laetatus Sum Edited by Paul Gameson Introduction Editorial
More informationSummi triumphum. & bc. w w w Ó w w & b 2. Qui. w w w Ó. w w. w w. Ó œ. Let us recount with praise the triumph of the highest King, 1.
Sequence hymn for Ascension ( y Nottker Balulus) Graduale Patavienese 1511 1. Sum Summi triumphum Let us recount ith praise the triumph of the highest King, Henricus Isaac Choralis Constantinus 1555 3
More informationThomas Tallis Mass for 4 voices
homas allis Mass for voices G-Lbl dd. M 1780-5 Edited for choir by effrey Quick homas allis: Mass in voices Edition by effrey Quick his is a practical edition meant to make this mass possible for mixed
More informationSaule, Saule, quid me persequeris?
Ludovico Bali (c.1545-1604) le, le, quid me persequeris à7 Transcried and edited y Leis Jones Source: Schadeus, and Vincenti, (eds.) (161) Promptuarii musici pars tertia, Strassurg. Kieffer and Ledertz.
More informationClaudio Merulo ( ) Ave gratia plena. Transcribed and edited by Lewis Jones
Claudio Merulo (1533-1604) Ave gratia plena à8 Transcried and edited y Leis Jones Source: Sacrorum Concentuum (1594) Venice: Gardano. No. 1 The title-page of each partook reads: [PART NAME IN LATIN]/SACRORVM/CONCENTVVM/Octonis,Den:
More informationAlma Nemes. Transcribed from several period publications. - ma Ne - mes. w œ w. Ne - mes. w w w w. - mes, quae di - ce - re Cy - pris
SOPRANO ALTO TENOR BASS 4 2 4 2 4 2 4 2 - - ma Ne - s - ma Ne - s so - la ma Nes Transcribed from sever period publications # - - ma Ne - - s # Orlando di Lasso (c. 1532-1594) # - ma Ne - s so - la œ #
More informationCharles d Helfer. Missa: Benedicam Dominum
Charles d Helfer (d. after 1664) Missa: Benedicam Domum (SATB) Edited y Paul Gameson association ith Charles d Helfer (d. after 1664) Missa: Benedicam Domum Edited y Paul Gameson Introduction Editorial
More informationAlma redemptoris mater
Jean L Héritier Alma redemptoris mater (Marian antiphon) S.S.A.T.B. ed. S. Biazeck Sources: Cappella Sistina, MS 26, ff. 143v-147r, 1515 1521. EDITORIAL NOTES Secundus lier cum quinque vocius. Antonio
More informationCommissioned by Paul and Joyce Riedesel in honor of their 45th wedding anniversary. Lux. œ œ œ - œ - œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ.
LK0-0 Lux/ a caella $2.00 Commissioned by aul and Joyce Riedesel in honor of their 5th edding anniversary. Offertorium and Communio from the Requiem Mass f declamatory - solo - - - - U Ex - au - di o -
More informationDEUS CARITAS EST SATB Choir, Soloist, Organ. œ œ. œœœœœ. œ œœœ œ œ œ
INTRODUCTION 4? 4? 4 4? q = c 72? 7? SAMPLE From the repertoire of the International Federation of Little Sgers (Foederatio Internationalis Pueri Cantores, FIPC) Bibliorum Sacrorum nova vulga editio Eng
More informationGiovanni Gabrieli (c ) Ego dixi, Domine. à 7. Transcribed and edited by Lewis Jones
Giovanni Gabrieli (c. 1555-1612) go dixi, Domine à 7 Transcribed and edited by Leis Jones Source: certi, 159 The source comprises telve partbooks, the title pages of hich re: [PART NAM IN ITALIAN]/CONCRTI/DI
More informationOrazio Vecchi ( ) Vulnerasti cor meum. à 6. Transcribed and edited by Lewis Jones
Orazio Vecchi (1550-1605) nerasti cor um à 6 Transcried and edited y Leis Jones Source: [PART NAME IN LATIN]/SACRARUM CANTIONUM/HORATII VECCHII/In Cathedrali Ecclesia Mutinae Musicae Magistri./Quinque,
More informationA TI,DIOS (You Are God) INTRO South American Dance (q = ca. 80) Dm. œ œ. œ # œ œ œ œ. œ. œ. œ œ. j J œ. œ œ œ œ œ œ œ. ba - mos; you; All
TI,DIOS ( re God) INTRO South erican Dance (q = ca 80) # %? Bilingual Spanish nglish? RFRIN: 1st time: ; reafter: Soprano/Melody F lto Tenor m claim ce - claim you; mos; you; Dios, Dios, God, J J Text:
More informationA TI,DIOS (You Are God) œ œ. œ œ œ œ. œ. œ. œ. Dios, Dios, God, we ac -
Keyboard ITRO South erican Dance (q = ca. 80) TI,DIOS ( re God)....... the Se - the.. m Bilingual Spanish nglish.. % % Text: Spanish: Rosa María Icaza, VI, 1999, Mexican erican ultural enter. rights reserved.
More informationC O R M E U M E S T T E M P L U M S A C R U M P A T R I C I A V A N N E S S
C O R M E U M E S T T E M P L U M S A C R U M (MY HEART IS A HOLY PLACE) text and music by P A T R I C I A V A N N E S S text transated into Latin by E D W A R D J. V O D O K L Y S, S. J. Cor meum est
More informationVerbum caro factum est
Edited by ason Smart erbum caro factum est ohn Sheppard (d.1558) 3 rulers of the choir er - bum Treble Mean Countertenor 1 er - Countertenor 2 Tenor [Missing] er - bum ca - ass ca - ro. er - bum ca - ro
More informationEcce dies venit desideratus
Bartolomeo Spontone (1530 - c. 1592) Ecce dies venit desideratus à 7 Transcribed and edited by Leis Jones Source: The source comprises telve partbooks, the title pages of hich read: [PART NAME IN LATIN]/RELIQUIAE/SACRORUM/CONCENTUUM/GIOVAN
More informationVidi civitatem sanctam
Ozio Vehi (1550-1605) di ivitatem santam à6 Tnsribed and edited by Leis Jones Soure: [PART NAME IN LATIN]/MOTECTA HORATII/VECHII MUTINENSIS/CANONICVS CORIGIENSIS/ Quaternis, Quinis, Senis, /Otonis Voibus./Nun
More informationSalve victima salutaris
Girolamo Giacoi (1567-1629) Salve victima salutaris à7 Transcried and edited y Leis Jones Source: Schadeus, and Vincenti, (eds.), (1612) Promptuarii musici, pars altera, Strassurg: Kieffer and Ledertz.
More informationAngele Dei. Music by Christopher J. Hoh. Traditional text attributed to Reginald of Canterbury. ~ prayer to the guardian angel
Angele Dei ~ prayer to the guardian angel for SSATBB choir a cappella ~ Music by Christopher Hoh Traditional text attributed to Reginald of Canterbury HMM M00A HohMade Music 19 Seventh Street South Arlington
More informationAlma Redemptoris Mater
~ Marian motet for SATB choir a cappella ~ Music y Giovanni ierluigi da alestrina, c. 1525-159 Text from 11th century German hymn attr. Hermann of Reichenau, 1013-105 HMM Editions 619 Seventh Street South
More informationE X C E L L E N C E I N S A C R E D C H O R A L M U S I C. Puer Natus in Bethlehem. A Child Is Born in Bethlehem. Arranged by Robert G.
30140893 Arr Robert G arrell 30140894 (PD) SATB Choir and Organ E X C E L L E N C E I N S A C R E D C H O R A L M S I C A Child Is Born in Bethlehem Arranged by Robert G arrell ROM THE COLLECTION God Be
More informationSumus Domus Domini. commissioned by the Archdiocese of Los Angeles in thanksgiving for the new Cathedral of our Lady of the Angels. Gm F/A Dm.
2 Spah Traslatio Rocío Ríos ad Kathlee Orozco Sumus omus omii commsioed y rchdiocese o Los geles i thaksgivig or e adral o our Lady o gels hrpher Walker Keyoard % % % Soprao l Teor Bass (rall.) INTRO (q
More informationDomenico Brunetti (c ) Ave verum corpus. Transcribed and edited by Lewis Jones
Domenico Bretti (c.1580-1646) Ave verum corpus à7 Transcribed and edited by Leis Jon The source: The title page to each "vocal" partbook of the source reads: [PART NAME]/Promptuarii musici,/sacras HAR-/MNIAS
More informationHalina, Hesus. (Advent) œ N œ œ œ. œ œ œ œ œ. œ. œ œ œ œ. œ œ. C F G7sus4. œ. # œ œ J œ œ œ J. œ œ. J œ. # œ. # œ œ œ
2 Rene B avellana, S Keyboard INTRO/INAL (e = 144 152) Œ % RERAIN Slower (e = ca 92) Soprano % Alto Tenor Bass Ha - /E Slower (e = ca 92) li - na, He-sus, Ha - (Advent) 7 7sus4 # E/ # # # 7 7 Eduardo P
More informationœ j J œ. j œ œ œ j œ œ œ œ œ œ œ j œ œ œ œ œ œ> j œ œ œ œ œ
Words and musi by Tim Y. ones additional musi by.s. Slagoski and Bryant W. Smith opyright () 00 moosebutter Captain Organi egetable deender o all things louridated as reorded by moosebutter see dee, 02
More informationSAMPLE. The Risen Christ Sarah Hart, Meredith Andrews, and Jacob Sooter Acc. by David Brinker Choral arr. by Rick Modlin. œ œ. œ œ œ œ œ.
Sarah Hart, Meredith Andrews, and Jaco Sooter Acc y David Brinker horal arr y Rick Modlin B 4 4 INTRO/INTERLUDE Poco ruato (q = ca 86) B % VERSES Soprano/Alto % 1 Oh, Oh, Oh, Tor/Bass spl mys won dor ter
More informationa suite of three songs about childhood, for SATB chorus and piano
Niño (Boy) a suite of three songs aout childhood, for SATB chorus and iano 1 Agua, Dónde Vas (Water, Where Are You Going) 1:35 2 Canción Tonta (Silly Song) 1:05 3 De Casa En Casa (rom House to House) 2:15
More informationThis work was created for a charity, and you may freely make printed copies from this PDF data for your performance until Dec 31, 2022.
This ork as created or a charity, and you may reely make rinted coies rom this D data or your erormance until Dec 31, 2022 lease inorm isemanroectcom or erormances and recordins This ork as created or
More information- 3. Nihil Sum - b b. œ œ œ œ. œ œ. œ œ œ. œ œœ. œ œ. œ p œ. Œ œ. P œ n. œ œ œ œ œ. P œ œœ. Cantata Amoris. Sop. Alt. Ten. Bas.
o lt en as Cantata moris eriously 8 15 i i i i ca ri lo - quar et an - ge - lo - - - lo - quar et an - ge - lo - - - lo - quar et an - ge - lo quar et an - ge lo - - - lo rum rum ca - ri - ta - tem - tem
More informationv is like Castilian b, a bilabial fricative. r is a lingual trill, h strongly aspirated.
dulces exuuiae dum fata deusque sinebat seet castoff garments, hile fate and god alloed, accipite hanc animam meque his ex soluite take this spirit and me from these cares curis. Relieve. Uixi et quem
More informationMagnificat for a Prosperous World
David Slater Magnificat for a Proserous World SSATB a caella 2 Magnificat Magnificat anima mea Dominum, et exsultavit siritus meus in Deo salvatore meo, quia resexit humilitatem ancillae suae. Ecce enim
More informationland cycle for SATB choir & piano accompaniment ED SCOLDING
land cycle or SATB choir iano accomaniment ED SCOLDING 2 land cycle arrangement or SATB choir iano by ED SCOLDING total duration arox ' each o the three movements may be erormed on its on, or ith other
More informationHymn of the Week. March 6 Ash Wednesday. Sunday s Palms Are Wednesday s Ashes
Hymn ek March 6 Text s from tradition mark each person s forehead ith ashes from urnt Palm crosses; Book Common Prayer, pp 264 269 Sce I first discovered this tradition, I ve een trigued ith ho liturgical
More informationArranged by Russell Mauldin SATB
rranged y Russell Mauldin STB NOTS reated y Russell Mauldin and Sue Smith rranged y Russell Mauldin Narration y Sue Smith VILBL PROUTS: PHYSIL 6-45757-3734-74 horal Book 6-45757-3734-12 Previe Pak 6-45757-3734-29
More informationFLAT PANEL INFUSION DEMONSTRATION
FLAT PANEL INFUSION DEMONSTRATION DESCRIPTION This flat panel in fu sion dem on stra tion il lus trates the use of two dif fer ent flow me dia s, of which there are sev eral. Ad di tion ally, there are
More informationSo Beauty on the Waters Stood
Beauty on Waters Sod TTBB a aella ords by Ben onson musi by Sheena hillis based on song o same name by Alonso erraboso (. 1580 1628) This iee is based on and ulminates in erraboso s beautiul song Beauty
More informationO Maria super foeminas
O Maria super femas à 5 In mni tempre ad Mariam Virg. Transcribed and edited by Leis Jnes Orazi Vecchi Cantus Altus Qutus Tenr b C B b b C be - ne - Bb C Bb C Bassus b b b C 5 di su - per fe - mi-nas be
More informationJesu, Joy of Our Desiring
Jesu, Joy Our Desir $1.00 PDF New Classics eries Jesu, Joy Our Desir or verses piano Johann chop, arr. J.. ach Ed. Chrispher spaas www.aspenhillmic.com 2 Jesu, Joy Our Desir from W 147, Herz und Mund und
More informationStricturæ Viola di Gambicæ
David Funck (1648 1699?) Stricturæ Viola di Gambicæ Quatuor Violis da Gamba concinendis Leipzig 1677 Original Clefs (Mensurstrich) David Funck (1648 1699?) Stricturæ Viola di Gambicæ Original Clefs (Mensurstrich)
More informationQui vult venire post me
Cstnz Prt (c.1528-1601) Qui vult venire pst me à7 Trnscried nd edited y Leis Jnes Surce: Scheeus, nd Vincenti, (eds.) (1613) Prmpturii musici, prs terti. Strssurg: Kieffer nd Ledertz. N. 8 Criticl cmmentry:
More informationMesse Solennelle De Sainte-Cécile (Sanctus): Full Score [A4250] By Charles Gounod READ ONLINE
Messe Solennelle De Sainte-Cécile (Sanctus): Full Score [A4250] By Charles Gounod READ ONLINE Charles Gounod - Wikipedia, the free encyclopedia - He expressed a desire to compose his Messe la m moire de
More informationFor Michael Joncas CALLED TO THE SUPPER OF THE LAMB. Communion Rite for the Paschal Triduum. SATB Choir, Cantor, Assembly, Guitar, Keyboard.
Ref and vss: Alan Hommerding Spanish tr by Peter M Kolar RATION RITE ently e = c 156 & bb 8 5 lute 4 8 5 antor 4 p or Michael oncas ALLE TO THE SUPPER O THE LAMB ommunion Rite for Paschal Triduum SATB
More informationDigital Resources for Aegean languages
Digital Resources for Aegean languages Objectives: Make digital texts available to: researchers non-specialists broader audience Keep editions updated Analysis tools: deciphering, linguistic analysis:
More informationPlease note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers.
Please note that not all ages are included. his is urosely done in order to rotect our roerty and the work o our esteemed comosers. I you would like to see this work in its entirety, lease order online
More informationStricturæ Viola di Gambicæ
David Funck (1648 1699?) Stricturæ Viola di Gambicæ Quatuor Violis da Gamba concinendis Leipzig 1677 Original Clefs (Mensurstrich) David Funck (1648 1699?) Stricturæ Viola di Gambicæ Original Clefs (Mensurstrich)
More informationYes, Frederic, from today you rank as a full-blown member of our pirate band.
RTH REDERIC: REDERIC: REDERIC: REDERIC: RTH: Yes, rederic, from today you rak as a full-low memer of our irate ad. Hurrah! y frieds, I thak you all, from my heart, for your kidly wishes. fortuately, I
More informationb 7 7 b & b e w œ w w b w & b e w w bw w w w w w w ? b M iserere Cantus. Altus. Tenor- Primus. Tenor- Secundus. Bassus.
Editorial Notes: This edition aims to reproduce the falsoordone setting as it as during Allegri's lifetime (efore later editions ith copyist errors and inclusion of traditional ornaments - aellimenti,
More informationTranslation and Pronunciation Guide. Preview Only
2 Translation and Pronunciation Guide Vedi! le osche notturne spoglie (Look! see how the darkness o night is liting) [ve-di lε o-skε not-tur-nε spɔ-ʎε] de cieli sveste l immensa vôlta: (and revealing the
More informationIl est né le divin Enfant
divi Eat a caella by aul Carey erormace Note he oeig alto ad sorao hrases are actually i dieret, shitig meters tha what is see i the score. or esemb uroses the coductor will beat i 3/4 (usig a "big oe",
More informationCITY OF WEST BEND NOTICE OF PUBLIC HEARING 2020 COMPREHENSIVE PLAN AMENDMENT
CITY OF WE BEND NOTICE OF PUBLIC EARING 2020 COMPRNSIVE PLAN AMENDMENT NOTICE IS EBY GIVEN that a Public earing will be held in the City Council Chambers, 1115 S. Main Street, West Bend, Wisconsin, on
More informationAlleluia. (After the Epistle) Brief Versions. Second Mode adpated from Athanasios Karamanis (1911- )
lleluia (fter the Epistle) Brief Versions Second Mode adpated from thanasios Karamanis (1911- ) 108 l - le - lu - ƒ- ƒi - ƒƒa. ƒl - ƒle - ƒƒlu - - - - ƒi - - - ƒa. ƒl - - le - - lu - - ƒƒi - ƒa. Ì lleluia
More informationNorthern Branch Corridor DEIS December Appendix B: Site Plans of Project Elements
orthern Branch Corridor DEIS December 211 Appendix B: Site Plans of Project Elements EMERSO L 8' x 1' CAR SHOP SUB PROP TRACK LOCATIO (TYP) CAR WASH 25' x 3' CAR SHOP POSSIBLE DETETIO LOCATIO 43RD ST 5TH
More informationTO LET offices. 20,735 to 64,639 sq ft. available now WATERFRONT HOUSE, TECHNOLOGY DRIVE, BEESTON BUSINESS PARK, NG9 1LA.
TO LET offices WATERFNT HOUSE, TECHNOLOGY RIVE, BEESTON BUSINESS PARK, NG9 1LA available now 20,735 to 64,639 sq ft High Quality Refurbished Grade A offices Secure site with manned gatehouse Up to 323
More informationBernard Dewagtere Arranger, Composer, Director, Teacher
erard Deagtere rrager Comoser Director Teacher race Erchi(59) ot the artist More ad more eole ask me to make idividal arragemets or them I'm hay to do it ecase I really like to hel yo e kid - or ay alicatio
More informationMichael Jackson Tribute. Preview Only. Featuring Bad, Human Nature, Billie Jean, The Girl is Mine and Beat It. Arranged by VICTOR LÓPEZ
ONERT BAND Grade ½ Michael ackson Triute eaturing Bad, Human Nature, Billie ean, The Girl is Mine and Beat It onductor st lute nd lute Ooe Bassoon st B larinet nd B larinet rd B larinet B Bass larinet
More informationHOLA SAFETY RING PLAN
FRENCH VERSION ON PAGE 3 HOLA SAFETY RING PLAN PRICE: $50.00 per person EFFECTIVE FEBRUARY 01, 2019 The Hola Safety Ring Plan allows you to cancel your trip with a refund up to 3 days before departure
More informationS0161 Stabat mater dolorosa Josquin Desprez (c ) $3.50 SAATB, a cappella. Sacred Series. PDR Editions, Seattle, WA USA
0161 tabat mater dolorosa Josquin Desprez (c.1450-1521) $.50 AA, a cappella acred eries PDR Editions, eattle, WA UA tabat mater dolorosa from Chigi Codex c. 1498-150 tabat mater dolorosa Juxta crucem lacrymosa,
More informationTO LET TITHEBARNPROJECT.COM
TITHEBARPROJECT.COM UIQUE OPPORTUITY FOR A COFFEE + BAR OPERATOR I LIVERPOOL CITY CRE, GROUD FLOOR + BASEM SPACE FROM 1,754 TO 4,200 SQ FT TO L We want someone with vision to create a buzzing bar for the
More informationLord, Have Mercy ~ Señor, Ten Piedad
Misa L una Have Mercy ~ Señor, T Piedad & b 4 4 & b Priest/Sacerdote/ Se - have ñor, Priest/Sacerdote/ Christ, have Cris - to, mer - cy. t pie - dad. mer - cy. t pie - dad. All/Todos Se - All/Todos Christ,
More information" Voting Place " " Prince William County, Virginia Gainesville Election District Voting Precincts and Voting Places EVERGREEN BATTLEFIELD ALVEY
GROVETON PAGELAN LN MOUNTAIN Prince William County, Virginia Gainesville Election istrict Voting Precincts and Voting Places EVERGREEN LOGMILL JAMES MAISON HY 15 Voting Place 401 Evergreen Precinct Evergreen
More informationBBL07/WBBL03 HOBART HURRICANES CORPORATE HOSPITALITY
BBL07/WBBL03 HOBART HURRICANES CORPORATE HOSPITALITY HOTTEST NIGHT OUT THIS SUMMER Make the most of this summer and enjoy Big Bash entertainment from start to finish, with massive hits, classic catches,
More informationPanis Angelicus. INTRO Peacefully (q = ca. 72) B b œ. j œ F/A. œ œ. œ œ œ. œ œ œ
2 ommissioned for the installation of His Excellency the Most Reverend Michael Burbidge ourth Bisho of Arlington by the Director of Music Ministries of St Thomas More athedral Dr Richard Gibala anis Angelicus
More information❷ s é ②s é í t é Pr ③ t tr t á t r ít. á s á rá. Pr ③ t t í t. t í r r t á r t á s ý. r t r é s②sté ②
❷ s é ②s é í t é Pr ③ t tr t á t r ít á s á rá Pr ③ t t í t t í rá r í ➎ár t í r r t á r t á s ý r t r é s②sté ② t P á í á ② r í ➎ár ③ í é á s é rá í s é r t é r ② s ý ③ t í é ② rá t ③ t tét rá ③ é r
More informationLe Tour Du Monde En 80 Jours (French Edition) By Jules Verne
Le Tour Du Monde En 80 Jours (French Edition) By Jules Verne Le Tour du monde en 80 jours. Couverture En vérité, ne ferait-on pas, pour moins que cela, le tour du monde? Le texte amazon.fr Voir la by VERNE
More informationSIN GLE BOND HOSE CLAMPS
Sec. 24 YOKE ENDS & HOSE CLAMPS Zinc Fin ished Drop Forged Yoke Ends Ad just able Auveco T Dimensions In Inches Unit Part No. Tap Size A B C D E F G H K Pkg. 10737 1/4-28 2 7/16 7/16 1-1/4 9/32 5/8 1/4
More informationHiking Hillw alking 2009
Hiking Hillw alking 2009 Over seas Visit o r s w h o w en t h ikin g/ an d o r h illw alkin g w h ile in Ir elan d sp en t an est im at ed 494 m illio n in 2009. Holidaym aker s Overseas Part icipant s
More informationPROPERTY DETAILS SACRAMENTO INTERNATIONAL LOGISTICS CENTER LOCATED WITHIN METRO AIR PARK PLANNED BUILDINGS BUILDING SF: 519,680, 617,000 & 1,004,160
PLANNED BUILDINGS INERNAIONAL LOGISICS CENER LOCAED WIHIN MERO AIR PARK PROPERY DEAILS BUILDING SF: 519,6, 617,000 & 1,004,160 AVAILABLE SF: 519,6, 617,000 & 1,004,160 GRADE DOORS: 12 X 14 DOCK DOORS:
More information1133 W. MORSE BLVD, WINTER PARK, FL OFFICE / MEDICAL SPACE FOR LEASE
1133 W. MORSE BLVD, WINTER PARK, FL 32789 OFFICE / MEDICAL SPACE FOR LEASE PROPERTY OVERVIEW OFFICE / MEDICAL BUILDING IN GREAT WINTER PARK LOCATION UP TO 11,361± SF (ENTIRE BUILDING) AVAILABLE FIRST &
More informationARMATA To prevent punching failure of concrete slabs. Version: AE, SA 08/2017. Technical Manual
ARMATA To prevent punhing failure of onrete slabs Version: AE, SA 08/2017 Tehnial Manual ARMATA To prevent punhing failure of onrete slabs Allows for a slim fl oor Eliminates olumn apitals and drop panels
More informationA Decade of Consolidation in Retrospect
A Decade of Consolidation in Retrospect MARCH 7, 2017 CONSOLIDATION TIMELINE Airlines Announced Closed SOC US Airways- America West Delta- Northwest Frontier- Midwest United- Continental Southwest- AirTran
More information3PK. April 5-6, Beans and Rice. We can give to others. 2 Cor. 8:1-9:15; Acts 11:30; I Cor. 16:1-4
3PK April 5-6, 2014 Beans and Rice 2 Cor. 8:1-9:15; Acts 11:30; I Cor. 16:1-4 We can give to others. First 10 minutes of the service hour: Engage kids in cooperative play activities to help them connect
More informationLion of Knidos. Preview Only VICTOR LÓPEZ (ASCAP) INSTRUMENTATION
YOUNG BAND Grade Lion o Knidos Conductor 8 lute Ooe Bassoon st B Clarinet nd B Clarinet B Bass Clarinet 5 E Alto Saxophone B Tenor Saxophone E Baritone Saxophone st B Trumpet nd B Trumpet Horn VICTOR LEZ
More informationSpringtime Is Blossoming. for the Children s Choir of St. Mary s Chinese School, San Francisco, California Ricky Manalo, CSP. œ œ œ œ. œ œ œ. j œ.
Sprg Is Blossomg for Children s Choir St Mary s Cse School, San rancco, California Ricky Manalo, CSP Keyoard INTRO With a fresh thful spirit (q = ca 110) % RERAIN Voice 1/Melody % 4 4 Come to feast! Voice
More informationIOWA ALL-STATE MUSIC FESTIVAL November 15, 16, 17, 2012 IOWA STATE CENTER - AMES, IOWA
IOWA ALL-STATE MUSI FESTIAL November 15, 16, 17, 2012 IOWA STATE ENTER - AMES, IOWA Festival Director Alan S. Greiner Ioa High School Music Assoc. Boone, IA 50036 (515) 432-2013 alan@ihsma.org All-Sta
More informationFirst Class Rank. Workbook. Scout s Name:
Workbook This Workbook an help you organize your thoughts as you prepare to meet with your Sout Leader. You still must satisfy your Sout Leader that you an demonstrate eah skill and have learned the information.
More informationWANISKA. Brian Tate. Pavane Publishing. Traditional Cree. For SATB Voices A Cappella. Arranged by P1592 SATB
P1592 SATB WANISKA For SATB Voices A Caella Traditional Cree Arranged by Brian Tate Pavane Publishing www.pavanepublishing.com Exclusively Distributed by Hal Leonard 2 iska S.A.T.B., a caella WEYA way-yah
More informationPresenter and/or Accompanist,
Presenter /or ompanist, ollowing is the Musi Sore designed to familiarize the aompanist with the amount of musi in the sore the musi s tempo level of diffiulty The Tour tor/iretors will provide the Performane
More informationReport sales to a QEZE of nonresidential gas (including propane in containers of 100 pounds or more), electric, refrigeration, and steam services.
New Yk State Department of Taxation and Finance Consumer s Utility and Fuel Taxes f Nonresidential Gas, Electric, Refrigeration, and Steam Services Sold to a Qualified Empire Zone Enterprise (QEZE) File
More informationCONTENTS. O VIVES project Location Architecture Business Commerce Living... 16
CONTENTS O VIVES project... 4 Location... 6 Architecture... 7 Business... 8 Commerce... 10 Living... 16 O VIVES PROJECT The O VIVES project stems from a vision to create a practical, friendly living space
More informationColette Mourey Arranger, Composer, Interpreter, Teacher
Colette Mourey Arranger, Cooser, Interpreter, Teacher France, Les Auxons About the artist Born in 195, ater being a guitar conservatory teacher, and a guitar and keyboard interpret, now teacher at Université
More informationTOURS. Day Tours from York Whitby. North York Moors. The Yorkshire Dales.
TOURS 2018-2019 Day Tours from York Whitby North York Moors The Yorkshire Dales Castle Howard The Lake District 01904 405341 www.mountain-goat.com1 Welcome to Yorkshire 1972 Established in 1972 Small group
More informationGuide Touristique Berlin
Guide Touristique Berlin The history of Berlin began with its foundation in the 12th century, and later became the capital of the small country of Prussia. Prussia grew rapidly in the 18th Des informations
More informationME M O R I ES A R E WA I T I NG TO BE MA DE E XP LO R E W HAT S I N STORE
ME M O R I ES A R E WA I T I NG TO BE MA DE E XP LO R E W HAT S I N STORE D ISCOVE R A PL ACE LI KE N O OT H E R, W H ER E L I FE LO N G MEM ORI E S A RE MA D E, T IM E T OG ET HER C OUNT S, AND G IRLHOOD
More informationNotre-Dame De Paris 1482 By Marius-Francois (editor), Hugo, Victor; Guyard
Notre-Dame De Paris 1482 By Marius-Francois (editor), Hugo, Victor; Guyard Readers' questions about Notre-Dame de Paris - 1482. 2 questions answered. Notre-Dame de Paris 1482. Paris, Flammarion, 1926.
More informationNEW PROPOSED WESTPORT DEVELOPMENT
NEW PROPOSED WESTPORT DEVELOPMENT Build-To-Suit 2,400 Sq Ft Building plus Patio & Deck 4114 Broadway Boulevard, Kansas City, Missouri Premier restaurant location Estimated Population 273,992 Average Household
More informationRIDGELAND URBAN AREA
RI UR R UORT and JPR OUTY PRPR Y TH OUTH ROI PRTT O TRPORTTIO I OOPRTIO ITH TH U.. PRTT O TRPORTTIO R HIHY IITRTIO R 0 or ordering information, please contact: outh arolina epartment of Transportation
More informationœ œ œ œ œ œ œ œ œ œ œ œ œ j œ œ
1 Relectively q = ca 66 p rologue 1 Come to the Cross ad Rememer Uiso ith opt Cogregatio Narrator: (egi at m 3) Today e gather at the cross to rig symols o esus passio ad suerig As e rig the palm raches
More informationFARM Home WATER SUPPLY SYSTEMS I INEKPENSIVE KITCHEN IISTALLATIONS Every farm home needs some sort of a ater supply system and for the home ithout a s
' march, 1928 Agronomy Information Circular No 150 man Ho WATER SUPPLY SYSTEMS 1 INEXPENSIVE KITCHEN INSTALLATIONS By D S Weaver, associate Professor " of Agricultural Engineering North Carolina State
More informationForeword. Contents. Jason W. Krug. Boar s Head Carol...3. Greensleeves...8. Sussex Carol The First Noel Good King Wenceslas...
2 oreord Christmas has alays een my favorite holiday, and over the years, I ve enoyed explorin the vast orld of Christmas Carols Our most eloved carols come to us from all over the orld, ith our Advent
More informationCruises around Brittany
copenhagen hamburg cork london SAI NT- MALO B R E ST LOR I E N T P O R T S I N F O R M A T I O N S vigo amsterdam hamburg Cruises around Brittany dover PA R I S - Brest - Saint-Malo - Lorient bilbao Contacts
More informationGuide Du Routard France: Guide Du Routard Provence (French Edition)
Guide Du Routard France: Guide Du Routard Provence (French Edition) If looking for the book Guide Du Routard France: Guide Du Routard Provence (French Edition) in pdf form, in that case you come on to
More informationAbout Greece. There are lots of fun and interesting things to know about Greece.
About Greece There are lots of fun and interesting things to know about Greece. Did you know that in ancient Greece children slept in wicker baskets until they were 7 years olds? Dinnertime was a casual
More informationDOWNLOAD OR READ : WHAT WONDROUS LOVE AN ORGAN AND PIANO COLLECTION FOR LENT AND EASTER PDF EBOOK EPUB MOBI
DOWNLOAD OR READ : WHAT WONDROUS LOVE AN ORGAN AND PIANO COLLECTION FOR LENT AND EASTER PDF EBOOK EPUB MOBI Page 1 Page 2 what wondrous love an organ and piano collection for lent and easter what wondrous
More informationRUSSIA OR CA WA AK NV CANADA ID UT AZ MT WY CO NM MEXICO HI ND SD NE KS TX MN OK CANADA IA WI LA IL MI IN OH WV VA FL ME VT NH MA NY CT NJ PA MO KY NC TN SC AR AL GA MS MD BAHAMAS CUBA RI DE 3 RUSSIA 1
More informationarrange ment Regarding Bovine Mea t INTERNATIONAL MEAT COUNCIL REPLY TO QUESTIONNAIRE NEW ZEALAND (Updated to Third Quarter 1986)
GENERAL AGREEMENT ON TARFFS AND TRADE ACCORD GENERAL SUR LES TARFS DOUANERS ET LE COMMERCE ^ " T:< " T3X ACUERDO GENERAL SOBRE ARANCELES ADUANEROS Y COMERCO ifslililr'^s 15 '*" 1 ' 1 arrange ment Regarding
More informationA More Perfect Union
FULL SCORE Concert Band Grade 3.5 CARL FISCHER SERIES A More Perect Union Mike Fores Illegal to rint or coy or onscreen use only CPS133 INSTRUMENTATION Full Score........................... 1 Piccolo...............................
More informationImpressionism On The Seine By Dominique Lobstein READ ONLINE
Impressionism On The Seine By Dominique Lobstein READ ONLINE If you are looking for the book Impressionism on the Seine by Dominique Lobstein in pdf format, in that case you come on to the loyal website.
More information