Communicating the museum Los Angeles Building Bridges Miguel Fernández Félix
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1 Communicating the museum Los Angeles 2017 Building Bridges Miguel Fernández Félix
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4 Prehispanic Collecting XV XVI th Century s s Amoxcalli and Moctezuma s Botanical Gardens
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6 Mexico City XVIth Century map by Nuremberg.
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8 The Totolcalli (house of animals) was Moctezuma s personal zoo garden.
9 Colonial Period XV XVI th Century s s Amoxcalli and Moctezuma s Botanical Gardens Natural History Cabinet
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11 Carlos de Sigüenza y Góngora ( ). His collection of indigenous paintings, codex and texts was recovered by the Italian historian Lorenzo Boturini.
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13 Lorenzo Boturini s collection of documents on prehispanic and colonial Mexico would become an important part of the Indian Historical Museum (Spain).
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15 The Natural History Cabinet became the first museistic place in Mexico
16 August 1790
17 December 1790
18 XIX th Century: Dreaming about a nation XV XVI th Century s s Amoxcalli and Moctezuma s Botanical Gardens Natural History Cabinet Mexican National Museum
19
20 Guadalupe Victoria, first president of Mexico, creates the first mexican museum: the Mexican National Museum.
21 XX th Century: Memory and Post-revolutionary Identity XV XVI th Century s s Amoxcalli and Moctezuma s Botanical Gardens Natural History Cabinet Mexican National Museum Teotihuacan
22
23 Teotihuacan First archeological museum
24 XX th Century: Memory and Post-revolutionary Identity XV XVI th Century s s Amoxcalli and Moctezuma s Botanical Gardens Natural History Cabinet Mexican National Museum Teotihuacan Muralism
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26 In the 1920s art became mostly an identitary and pedagogical strategy.
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28 Epic of American Civilization José Clemente Orozco Dartmouth College
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30 Detroit Industry Murals Diego Rivera Detroit Industry of Arts
31 XX th Century: Memory and Post-revolutionary Identity XV XVI th Century s s Amoxcalli and Moctezuma s Botanical Gardens Natural History Cabinet Mexican National Museum Teotihuacan Muralism National Institute of Anthropology and History
32 National Institute of Anthropology and History
33 National Institute of Anthropology and History 1939
34 National Institute of Anthropology and History 1939
35 XX th Century: Memory and Post-revolutionary Identity XV XVI th Century s s Amoxcalli and Moctezuma s Botanical Gardens Natural History Cabinet Mexican National Museum Teotihuacan Muralism National Institute of Anthropology and History Fine Arts National Institute
36 National Institute of Fine Arts
37 National Institute of Fine Arts 1947
38 National Institute of Fine Arts 1947
39 XX th Century: Memory and Post-revolutionary Identity XV XVI th Century s s Amoxcalli and Moctezuma s Botanical Gardens Natural History Cabinet Mexican National Museum Teotihuacan Muralism National Institute of Anthropology and History Fine Arts National Institute Museum Proliferation
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41 1960 Relocation of the Anthropology National Museum
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43 Modern Art Museum
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45 1964 National Museum of Viceroyalty
46 XXI st Century: Memory and Post-revolutionary Identity XV XVI th Century s s Amoxcalli and Moctezuma s Botanical Gardens Natural History Cabinet Mexican National Museum Teotihuacan Muralism National Institute of Anthropology and History Fine Arts National Institute Museum Proliferation New Visions New Museums
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48 1981 Tamayo Museum CDMX Teodoro González de León and A. Zabludovsky
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50 1991 MARCO Contemporary Art Museum Monterrey Ricardo Legorreta
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52 2008 MUAC Contemporary Art University Museum CDMX T. González de León
53 2008 MUAC Contemporary Art University Museum Designed by the mexican architect Teodoro González de León
54 2008 MUAC Contemporary Art University Museum Designed by the mexican architect Teodoro González de León 2010 Amparo Museum Puebla Architectural upgrade by Enrique Norten
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56 2011 Soumaya Museum CDMX Fernando Romero
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58 2013 Museo Jumex CDMX David Chipperfield
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60 2016 International Museum of the Baroque Puebla Toyo Ito
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62 Museums in Mexico Spread around the country (2017) INAH INBA University Museums Private Museums State Museums Community Museums Others Total Anthropology and History Archaeology Fine Arts Applied Arts Popular Arts Natural History Science and Tech Industry Others Total
63 Anthropology and History National Institute 122 INAH INBA University Museums Private Museums State Museums Community Museums Others Total Anthropology and History Archaeology Fine Arts Applied Arts Popular Arts Natural History Science and Tech Industry Others Total
64 Fine Arts National Institute 20 INAH INBA University Museums Private Museums State Museums Community Museums Others Total Anthropology and History Archaeology Fine Arts Applied Arts Popular Arts Natural History Science and Tech Industry Others Total
65 Most important museums networks are: 23 Million visitors 2 Million visitors
66 University Museums 85 INAH INBA University Museums Private Museums State Museums Community Museums Others Total Anthropology and History Archaeology Fine Arts Applied Arts Popular Arts Natural History Science and Tech Industry Others Total
67 Private Museums 177 INAH INBA University Museums Private Museums State Museums Community Museums Others Total Anthropology and History Archaeology Fine Arts Applied Arts Popular Arts Natural History Science and Tech Industry Others Total
68 State Museums 162 INAH INBA University Museums Private Museums State Museums Community Museums Others Total Anthropology and History Archaeology Fine Arts Applied Arts Popular Arts Natural History Science and Tech Industry Others Total
69 Community Museums 230 INAH INBA University Museums Private Museums State Museums Community Museums Others Total Anthropology and History Archaeology Fine Arts Applied Arts Popular Arts Natural History Science and Tech Industry Others Total
70 Others 471 INAH INBA University Museums Private Museums State Museums Community Museums Others Total Anthropology and History Archaeology Fine Arts Applied Arts Popular Arts Natural History Science and Tech Industry Others Total
71 TOTAL 1262 INAH INBA University Museums Private Museums State Museums Community Museums Others Total Anthropology and History Archaeology Fine Arts Applied Arts Popular Arts Natural History Science and Tech Industry Others Total
72 Visitors MILLION ANNUAL VISITORS
73 CHALLENGES OF MEXICAN MUSEUMS ASPIRATIONS
74 CHALLENGES OF MEXICAN MUSEUMS ASPIRATIONS 1. AUTONOMY Independence
75 CHALLENGES OF MEXICAN MUSEUMS ASPIRATIONS 2. RESPONSABILITY 1. AUTONOMY Political / Administrative / Financial Independence
76 CHALLENGES OF MEXICAN MUSEUMS 3. DECENTRALIZATION Less bureaucracy ASPIRATIONS 2. RESPONSABILITY 1. AUTONOMY Political / Administrative / Financial Independence
77 CHALLENGES OF MEXICAN MUSEUMS 3. DECENTRALIZATION 4. COMMUNICATION Less bureaucracy Transparency ASPIRATIONS 2. RESPONSABILITY 1. AUTONOMY Political / Administrative / Financial Independence
78
79
80 Museo del Palacio de Bellas Artes A brief history Building the Palacio de Bellas Artes
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82 Museo del Palacio de Bellas Artes A brief history Building the Palacio de Bellas Artes The first museum of art in Mexico
83
84 Museo del Palacio de Bellas Artes A brief history Building the Palacio de Bellas Artes The first museum of art in Mexico Museo Nacional de Artes Plásticas
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86 Museo del Palacio de Bellas Artes A brief history Building the Palacio de Bellas Artes The first museum of art in Mexico Museo Nacional de Artes Plásticas Museo Nacional de Arte Moderno
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88 Museo del Palacio de Bellas Artes A brief history Building the Palacio de Bellas Artes The first museum of art in Mexico Museo Nacional de Artes Plásticas Museo Nacional de Arte Moderno Museo del Palacio de Bellas Artes
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90
91 The Museum and its heritage 17 murals 7 artists
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93 Diego Rivera Man Controller of the Universe 1934
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95 José Clemente Orozco Katharsis 1934
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97 David Alfaro Siqueiros The New Democracy 1944
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99 Information and Evaluation System Managing plurality within the museum and society: IES: Information and Evaluation System
100 Information and Evaluation System Managing plurality within the museum and society: IES: Information and Evaluation System CHALLENGES OF MEXICAN MUSEUMS
101 Information and Evaluation System Managing plurality within the museum and society: IES: Information and Evaluation System CHALLENGES OF MEXICAN MUSEUMS IES
102 Information and Evaluation System Managing plurality within the museum and society: IES: Information and Evaluation System 3. DECENTRALIZATION 4. COMMUNICATION ASPIRATIONS IES 2. RESPONSABILITY 1. AUTONOMY
103 Information and Evaluation System Managing plurality within the museum and society: IES: Information and Evaluation System 3. DECENTRALIZATION 4. COMMUNICATION 3. DECENTRALIZATION 4. COMMUNICATION ASPIRATIONS IES 2. RESPONSABILITY 1. AUTONOMY 2. RESPONSABILITY 1. AUTONOMY
104 Information and Evaluation System Managing plurality within the museum and society: IES: Information and Evaluation System Less Bureaucracy Transparency 3. DECENTRALIZATION 4. COMMUNICATION 3. DECENTRALIZATION 4. COMMUNICATION ASPIRATIONS INSPIRATION IES 2. RESPONSABILITY 1. AUTONOMY 2. RESPONSABILITY 1. AUTONOMY Political / Administrative / Financial Independence
105 Information and Evaluation System Managing plurality within the museum and society: IES: Information and Evaluation System Less bureaucracy Transparency 3. DECENTRALIZATION 4. COMMUNICATION INSPIRATION IES 2. RESPONSABILITY 1. AUTONOMY Political / Administrative / Financial Independence
106 Information and Evaluation System Managing plurality within the museum and society: IES: Information and Evaluation System Less bureaucracy Transparency 3. DECENTRALIZATION 4. COMMUNICATION INSPIRATION IES 2. RESPONSABILITY 1. AUTONOMY Political / Administrative / Financial Independence Department performance becomes more efficient
107 Information and Evaluation System Managing plurality within the museum and society: IES: Information and Evaluation System Less bureaucracy Transparency 3. DECENTRALIZATION 4. COMMUNICATION INSPIRATION IES 2. RESPONSABILITY 1. AUTONOMY Departments are accountable Political / Administrative / Financial Independence Department performance becomes more efficient
108 Information and Evaluation System Managing plurality within the museum and society: IES: Information and Evaluation System Horizontal responsibilities within departments Less bureaucracy Transparency 3. DECENTRALIZATION 4. COMMUNICATION INSPIRATION IES 2. RESPONSABILITY 1. AUTONOMY Departments are accountable Political / Administrative / Financial Independence Department performance becomes more efficient
109 Information and Evaluation System Managing plurality within the museum and society: IES: Information and Evaluation System Horizontal responsibilities within departments Less bureaucracy Transparency Departments are connected at all times 3. DECENTRALIZATION 4. COMMUNICATION INSPIRATION IES 2. RESPONSABILITY 1. AUTONOMY Departments are accountable Political / Administrative / Financial Independence Department performance becomes more efficient
110
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