Charles d Helfer. Missa: Benedicam Dominum

Size: px

Start display at page:

Download "Charles d Helfer. Missa: Benedicam Dominum"

Carol Lambert
5 years ago
Views:

1 Charles d Helfer (d. after 1664) Missa: Benedicam Domum (SATB) Edited y Paul Gameson association ith

2 Charles d Helfer (d. after 1664) Missa: Benedicam Domum Edited y Paul Gameson Introduction Editorial Procedure ii iii Kyrie eleison 1 Gloria 3 Credo 7 Sanctus 14 Agnus Dei 16 York Early Music Press In association ith Department of Music, niversity of York, Heslgton Foundation and York Early Music Foundation. at Department of Music, niversity of York York YO10 5DD K fo@yorkearlymusicpress.com.yorkearlymusicpress.com Phone: +44 (0) Octoer 2002

3 ii Introduction The composition of mass stgs durg the mid- to late-seventeenth century as almost entirely the preserve of composers ho orked outsi the circle of the Chapelle Royale, here Louis XIV particular preferred Messe Basse, ith the mass recited quily hile he listened to his composers latest grand mot. ean- Baptiste Boëss, ho served Anne of Austria and Marie-Thérèse, regents of Louis XIII and XIV, proaly rote his masses for performance the convents frequented y the queens, 1 hile Charpentier had connections ith the court ut held no position there, and his masses ere tend for his various employers, cludg the esuits, Mlle Guise, and the Sate Chapelle. A fe masses are ritten the grand mot style, ith divisions for grand and pit choeurs (Formé, Bouzignac, and later Campra); otherise it as Lassus, hose sacred music as reprted y Ballard throughout the seventeenth century, ho as the prcipal fluence on mass stgs. Ballard pulished numerous masses y provcial composers, cludg Gantez (Marseilles), ean Bournonville (Amiens, then Sat Chapelle), and Menault (Rouen, then Notre-Dame): such masses are often a simple imitative style, suited for the limited resources of cathedrals outsi the capital, though evince of seventeenth-century velopments are evint occasional moments of harmonic and melodic terest. Charles d Helfer (d. after 1664) spent his hole career outsi Paris ased as maître musique at Soissons Cathedral, his reputation as a mass composer is reflected y the extensive pulication of his orks after his ath, and his Missa pro Defunctis, pulished 1656, contued to e used up to the osequies of Louis XV In 1724 Brossard record that Helfer s Missa Deliciae Regum still lights people ith good taste, 2 and he transcied several masses. Although Helfer prefers a severe syllale-to-a-note style, the vocal les ra an elegant melodic charm. Further terest is mataed y variy of scorg (for stance, pairg the upper and loer voices) and texture (expressive moments the text are matched y passages ith sloer harmonic movement laced ith suspensions). The Missa Benedicam Domum as first pulished 1655 and pulished a ne edition It as transcried y Brossard, ho add a contuo le and a stg of Dome salvum fac regem. The mot mol for the mass is not knon, ut it may have een y Helfer himself (no copies of his Vêpres hymnes l année, avec plusieurs mots (1660) are no extant). Performance There are no dications the source of solo or full dications, ut other composers such as Du Mont and Moulié often clud directions to exploit the scorg contrasts if forces availale permitted (anticipatg the formal structure of grand and pit choeur the Versailles grand mot). Duple mre is prevalent. The duple mres are fed y the predomant unit of melodic movement and rate of harmonic change, possily c.60. Charactersitic of Helfer s ritg is a fluid rhythm, ith the stress of the text often overridg the ar les. In the source ar les are only used spargly here the rhythm falls conveniently duple mre, so care should e taken to follo the flexion of the text. A triple mre is used only once, the Credo at carnatus est : this section leads directly to the duple section, suggestg a relationship een the to, perhaps 2:1 (as implied y the soprano hemiola.61). Several typical ornamental figures are ritten out the music, the most common eg the avant son (anticipation, either a sgle voice or at a harmonic level), port voix (a risg one-note grace note, ith anapaestic unrlay, somimes ith layed resolution), and the accent (a grace-note volvg a change of 1 See ean-baptiste Boëss: Messe du trosième mo transposé; Messe du quatrième mo; Messe du Tiers; and Mots, ed. Paul Gameson (York, York Early Music Press, 2002). 2 Elle fait encor tous les ours les lices tous les gens on goût (Yolan Brossard, La collection Séastien Brossard : Catalogue (Paris, 1994): 88). See Charles d Helfer: Missa Deliciae Regum, ed. Paul Gameson (York, York Early Music Press, forthcomg).

4 iii direction from ma note to neighour). The asence of other notated ornaments or dications for does not preclu their clusion, though this ould e impractical for more than one sger to a part. A tremlement, or trill, can e used on the thirds of chords at cances and should eg on the ma note (upper or loer). The simple melodic les of the solo passages could e emellished ith the ornaments mentioned aove, and more Italian ornaments (mentioned French vocal manuals). The tempo should reflect the fact that notated figures are ornamental not melodic, and e sung as if they ere improvised, lightly and free; for stance, the avant son and port voix could e over-dotted. The usually unritten convention of égale is the most characteristic French rhythmic emellishment; it features the slight alteration to the length of certa note pairs, usually the fastest notes the tempo and movg stepise motion. While the pulication from hich this mass has een transcried clus no contuo part, it ould e acceptale to clu one performance. Seventeenth-century French choirs ere often supported y doulg struments, and several prted sources also acknoledge the practice of usg struments the asence of enough sgers, either ith the upper voice accompanied y the organ, or the missg parts played y the organ. 3 It ould not e rong to sg the masses unaccompanied, though if possile an organ asso seguente, follog the loest soundg vocal part, should e used. Editorial procedure Barrg has een regularized. Origal doule ars have een raed. In the source, typically quavers are eamed togher for melismas and separately for sgle syllales: the score they have een eamed accordg to morn use. Extra accintals the source that are redundant morn musical convention are not acknoledged; accintals aove the note are editorial. Punctuation and spellg has een standardised. The unrlay of the Kyrie eleison follos the consistent practice the prted source. Words omitted the source appear italics. Typical of other vocal and organ masses of the period, the Missa Benedicam Domum ss only Agnus Dei I, and the text to Agnus Dei III has een provid y the editor. Source This edition is ased solely on the source the British Lirary. Charles d Helfer, Missa quatuor vocum, ad imitationem moduli: Benedicam Domum (Paris, 1729) London, British Lirary: shelfmark K (6.). Individual parts are collated to one volume. Chant from Henri Du Mont, Messe du 2e ton (1669) (Tournai, 1919) Critical Commentary Gloria.59: soprano E (no accintal) Credo. 50 (ass),.53-4 (alro, tenor): semireve, fermata. 3 See Prefaces to Charles d Amleville, Harmonia Sacra (Paris, 1636); acques Gouy, Airs quatre parties (Paris, 1650); and ean Baptiste Geoffroy, Musica sacra (Paris, 1661).

6 Missa Benedicam Domum Kyrie Charles d'helfer (d. after 1664) B C. B C. B C. C. Tenor Bassus Soprano Alto Tenor Bass C V C C C. Ky - Ky - Ky - ri - Ky - ri - e e -. ri - e e - e e - le - i - ri - e e - le - i - son, le - i - son, son, Ky - ri - le - i - son,. Ky - ri -. Ky - ri - e e - le - i -. N Ky - ri - 5 V e e - le - e e - lei - i - son, son, Ky - e - le - ri - e e -. i - le - i - son. n son. son, e - e e - lei - lei - son, son, Ky - Ky - ri - e e - ri - e e - lei - lei - son. son. 11 V Chris - te e - Chris - Chris - te e - Chris - te lei - son, te e - lei y York Early Music Press lei - son, e-lei - e-le - i - son, e - lei - Chris - te e - son, Chris - son, Chris - son, lei - son, e - te e - le - te e - le - i - le - - i-son, son, Chris - i - Chris - te e - lei - Chris -

7 2 18 V son, Chris - te e - lei - n te e - lei - son, Chris - son, e - te e - le - i - - le i - son. son. son, Chris - te e - te e - le - i - le - i - son, son, Chris - Chris - te e - te e - le - i -. son. le - Ky i - son n n V Ky. - ri -. Ky - ri -. e e - lei - e e - lei - n son, Ky - ri - e e - son, Ky - ri - e e - le - i - lei - son, Ky - son, ri - e,. Ky - ri - Ky - ri -. e e - lei - son, e - lei - son, Ky - ri - e e - Ky - ri - e e - lei - son, Ky - ri - e e - lei - son, 31 V. Ky - ri - e e, Ky-ri - lei - son, e - le -. e e -. Ky - ri - i - le - i - e e - lei - son, Ky - ri - son, son, Ky - Ky - e e - le -. Ky - ri - e e - ri - e ri - e e - i - son, lei - son, e - lei - son, 37 V e-le - i - e-le-i - le - i - e-le-i - son, Ky - son, son, Ky - son, ri - e ri - e e - e -. Ky - ri - lei - le e e - son, e - e - lei - lei - lei - i - son. n son. son. son. Kyrie - 2

8 3 Gloria V Glo - ri - a ex - cel - sis De - o. C. n C V C.. ter - ra pax ho - ter - ra pax ho - mi - ni - us mi - ni - us o - nae. N o - nae vo - lun - vo - lun - ta - ta - C. ter - ra pax ho - mi - ni - us o - nae vo - lun - ta - ter - ra pax ho - mi - ni - us o - nae vo - lun - ta - 7 V tis. Lau - tis. Lau - tis. Lau - da - mus da - mus da - mus te, e - te, e - te, N. ne - di -. ne - di - ci - e - ne - ci - mus mus di - ci - mus te, a - do - te, a - do - te, a - do - tis. e - ne - di - ci - mus te, a - do - 13 V ra - mus ra - mus te, te, glo - N glo - ri - fi - ri - fi - ca - mus. ca - mus. te. Gra - ti - te. Gra - ti - ra - mus te, glo - ri - fi - ca - mus. te. Gra - ti - ra - mus te, glo - ri - fi - ca - mus te. Gra - ti - Gloria - 1

9 4 19 V as a - as a - gi - gi - mus ti - mus i prop - ter prop - ter n mag - nam mag - nam glo - ri - am glo - ri - am as a - gi - mus ti - i prop - ter mag - nam glo - ri - am as a - gi - mus ti - i prop - ter mag - nam glo - ri - am 24 V n am. am. A Do - mi - Do - mi - ne De - ne De - us, us,. De - us De - us am. Do - mi - ne De - us, Rex coe -. les - tis, am. Do - mi - ne De - us, Rex coe - les - tis, 31. V Pa - ter Pa - om - ter om - ni - po -. ni - po -. tens; tens; De - us Pa - ter om - ni - po -. tens; Do - mi - ne Fi - li u - De - us Pa - ter om - ni - po - tens; Do - mi - ne Fi - li 37. V n - ni - ge - ni - u - ni - e - su e - su n te, e - ge - ni - te, Chris - te, e - su Chris - e - su Chris su Chris e - su Chris te. te, te, te, Do - mi -... Do - mi - Do - mi - Do - mi - Gloria - 2

10 5 43. V ne De - us, Ag - ne De - us, ne De - us, nus De - Ag - nus. Ag - nus. N i, Fi - De - i,. De - i, li - us Pa Fi - li- us Fi - li - us Pa - Pa - tris. tris. tris. ne De - us, Ag - nus De - i, Fi - li - us Pa - tris. 49 V Qui tol - Qui tol -. Qui tol - Qui tol - lis pec - ca - lis pec - ca - n n. lis pec - lis pec - ca - ta mun-di, ta mun - ca - ta mun - ta mun - mi - se - di, mi - se -. di, mi - se -. di, mi - se - re - re no - re - re no - re - re no - re - re no -. is; is; qui qui is; qui is; qui tol tol - lis pec - ca - ta mun -. di, sus - ci - n. pe - pre -. ca - ti - o - nem. nos - V tol - lis pec -. ca - ta mun - di, sus - ci - pe - pre - ca - ti - o -. nem nos - tol - lis pec - ca - ta mun - di,. - pre - ca - ti - o - nem. nos - lis pec - ca - ta mun - di, sus - ci - pe - pre - ca - ti - o - nem nos - 61 V tram; tram; n qui se -. ad x - te -. s ad x - te -.. ram, ad x - te -. ram, ad x - te -. ram Pa - tris, mi - ram Pa - tris, tram; qui se - s ad x - te - ram, ad x - te -. ram Pa - tris, tram; ad x - te - ram Pa - tris, Gloria - 3

11 V - se - re - re. mi - se- re - re no - is. no - is. Quo - ni -. n. Quo - ni - am tu so - lus am tu so - lus n sanc - tus, tu sanc - tus, tu so - lus Do - mi -. so - lus Do - mi -. mi - se - re - re. mi - se- re - re no - is. no - is.. Quo - ni - Quo - ni - am tu so - lus am tu so - lus sanc - tus, tu sanc - tus, tu so - lus Do - mi -. so - lus Do - mi - 72 V nus, tu so - nus, tu so -. lus al - N lus al - tis - tis - si - mus, al -. si - mus, al - tis - si - mus, tis - si - mus, e - e - su Chris - su Chris - te, cum te, cum nus, tu so - lus al - tis - si-mus, al - tis - si - mus, e - su Chris - te, cum nus, tu so - lus al - tis - si - mus, al - tis - si - mus, e - su Chris - te, 78 n n V Sanc-to Spi - ri - N Sanc-to Spi - ri - Sanc-to Spi - ri - tu, glo - ri -. tu, glo - ri - tu,. glo - ri - a De - i n a De -. glo - ri - a a De - i Pa - tris. i Pa - De - i Pa - Gloria - 4 Pa - tris. A tris. A - tris. A A - men. men. men. men.

12 7 Credo V Cre - do u - num De - um. C C V C Pa - Pa - trem om -. trem om - ni - po - ten - ni - po - ten - tem, fac - to - tem, fac - to - rem rem coe - li coe - li ter - rae, ter - rae, C Pa - trem om - ni - po - ten - tem, fac - to - rem coe - li ter - rae, Pa - trem om - ni - po - ten - tem, fac - to - rem coe - li ter - rae, 7 N. V vi - si - i - li -. vi - si - i - li -. vi - si - i - li -. um om - ni - um om - ni - um om - um, um, - ni - um, - vi - si - vi - si - i - - vi - si - i - li - um. li - um. i - li - um. u - u - u - vi - si - i - li - um om - ni - um, - vi - si - i - li - um. u V num Do - mi - num Do - mi - num Do - mi - num Do - mi - num N num e - sum num e - num e - sum e - sum sumchris - Chris Chris - Chris - tum, fi - li -. tum, fi - li -. tum, fi - li -. tum, fi - li - um De - i u - um De - i um De - i u - N um De - i Credo - 1

13 8 19 V ni - ge - ni - u - ni - ge - ni - n tum. tum. ex Pa - tre ex Pa - tre na - tum na - tum. an - te om - ni -. an - te om - ni -. ni - ge - ni - tum. ex Pa - tre na - tum an - te om - ni - u - ni - ge - ni - tum. ex Pa - tre na - tum 25 V a sae - cu - a sae - cu - a sae - cu - la. De - um la. De - um la. De - um De - o, De - o, De - o, lu - men lu - men n lu - men lu - mi - ne, lu - mi - ne, A lu - mi - ne, De - um ve - De - um ve - De - um ve - De - um De - o, lu - men lu - mi - ne, De - um ve - 31 n n V rum De rum De -. o ve - o ve - ro. ro. Ge - ni - tum Ge - ni - non fac - tum non fac - rum De - o ve - ro. rum De - o ve - ro. 36 V tum, con - su - N tum, con-su - stan-ti - a - lem. stan - ti - a - lem Pa - tri: Pa - tri:. per quem om - ni -. per quem om - ni -. a fac - ta a fac - ta sunt. Qui prop -. sunt.. Qui con - su - stan-ti - a - lem Pa - tri: per quem om - ni - a fac - ta sunt. Qui Credo - 2 Qui prop -

14 9 42 V ter nos prop - ter nos. ho - mi - nes, ho - mi - nes, n. prop - ter nos - N prop- ter nos - tram sa - lu - tram sa - lu - tem - tem scen - prop - ter nos ho - mi - nes, prop- ter nos - tram sa - lu - tem - ter nos ho - mi - nes, prop- ter nos - tram sa - lu - tem - scen - 48 V - dit coe - - lis, scen - dit coe coe - lis. lis scen - dit coe - lis, coe - lis. 2 3 dit coe - lis V car - - car - na - tus na - tus est est Spi - ri - tu Spi - ri - tu Sanc - to Sanc - to ex Ma - ex Ma car - na - tus est Spi - ri -. tu Sanc - to ex Ma - - car - na - tus est Spi - ri - tu Sanc - to ex Ma - 61 n n C n V ri - a Vir -. ri - a Vir - gi - gi - ne: ne: ho - mo ho - mo fac - tus fac - tus C C est. est. ri - a Vir - gi - ne: ho - mo fac - tus C est. ri - a Vir - gi - ne: ho - mo fac - tus est. Credo - 3

15 10 67 n V Cru - ci - Cru - ci - fi - xus fi - xus e - ti - am pro. e - ti - am N pro no - is: no - is: su Pon - ti - o su Pon - ti - o Pi - la - to Pi - la - to Cru - ci - Cru - ci - fi - xus fi - xus e - ti - am pro e - ti - am pro no - is: no - is: su Pon - ti - o su Pon - ti - o Pi - la - to Pi - la - to 73 V pas - sus, pas - sus, pas - sus, se - se - se -. pul - tus pul - tus. pul - tus. est. est. est. re - sur - N re - sur - re - sur - re - xit ter - re - xit ter - re - xit ter - pas - sus, se - pul - tus est. re - sur - re - xit ter V - ti - a - ti - a di - di - e, e, se - se - cun - cun - dum Scrip - dum Scrip - ras. ras. - ti - a di - e, se - cun - dum Scrip ras. - ti - a di - e, se - cun - dum Scrip - ras. 85 V as - cen - dit as - cen - dit as - cen - dit coe-lum: coe-lum: coe-lum: se - t se - t se - t. ad x - te - ram Pa - tris, se -. ad x - te -. ad x - te - ram Pa - tris,. ram Pa - tris,. t ad x - te -. ad x - te - se - t ad se - t ad x - te - ram Pa - tris, se - t ad Credo - 4

16 11 91 V ram Pa - ram Pa -. x - te- ram Pa -. tris. tris. n tris.. i - te-rum ven -. i - te-rum ven -. i - te-rum ven -. rus est cum rus est cum rus est cum. glo - ri - a, u - glo - ri - a,. glo - ri - a,. x - te- ram Pa - tris. i - te-rum ven - rus est cum glo - ri - a, 96 V di - ca - re u - di - ca - vi - vos re vi - N mor - vos. mor - os: os: cu - us reg - cu - us reg - u - di - ca - u - di - ca - re vi - re vi - vos mor - vos mor - os: os: cu - cu - us reg - us reg N. V ni N non e - rit ni non e - rit ni non e - rit n fi - nis, non fi - nis, non. fi - nis, non e-rit fi - e-rit fi - e-rit fi - nis. n nis. nis. Spi - ri - tum Sanc - Spi - ri - tum, Spi - ri - tum Sanc - ni non e - rit fi - nis, non e-rit fi - nis. Spi - ri - tum 108. V - tum Do - mi - vi - - tum Do - mi - num, vi - vi - fi - vi - fi - num, vi - can - can - vi - fi - can - tem: qui ex tem: qui ex tem: qui ex Pa-tre Pa - tre. Pa-tre Fi - li- Fi - li-. Sanc - tum Do - mi - num, vi - vi - fi - can - tem: qui ex Pa-tre Fi - li- Credo - 5

17 n V o - que pro -. Fi - li - o - que pro - ce - dit. ce - dit. Qui cum Qui cum Pa - tre Pa - tre Fi - li - o Fi - li - o o - que pro - ce - dit. Qui cum Pa - tre Fi - li - o o - que pro - ce - dit. 118 n V si - mul si - mul a - do - ra - a - do - ra -. tur, tur, con - glo - ri - fi - con - glo - ca - ri - fi - ca - si - mul a - do - ra - tur, con - glo - ri - fi - ca - si - mul a - do - ra - tur, con - glo - ri - fi - ca V tur: tur: u - nam sanc - u - nam sanc - tur: qui lo - cu - tus est per Pro - phe - tas. tur: qui lo - cu - tus est per Pro - phe - tas. 128 V tam ca - tho -. tam ca-tho - li - li - cam, cam,. Con-fi - te - Con-fi - te - or u - or u - num a - a - pos - to - li - pos - to - li - cam Ec - cle - si -. cam Ec - cle - si - am. am. Credo - 6

18 V num ap - tis ap - tis ma re - ma re - mis - si - o-nem. mis - si - o-nem pec -ca - to - pec -ca - to - rum. rum. re - mis - re - mis - si - si - o - nem o - nem pec -ca - to - pec -ca - to - rum. rum V ex - ex - pec - pec - to. to re - sur - re - sur - rec - ti - o - rec - ti - o - nem nem mor - ex - pec - to.. re - sur - rec - ti - o - ex - pec - to re - sur-rec - ti - o - nem 146 V mor o o - rum. rum. ven - nem mor -. o - rum. vi - tam ven - mor - o rum. vi V - vi - ri tam ven - sae - cu - ri sae - li. cu - li. A - - A - n men. men. ri sae - cu - li. A men. tam ven - ri sae - cu - Credo - 7 li. A - men.

19 14 C 7 C V C C V Sanc Sanc Sanc Sanc Sanc tus tus Do - tus Do - tus Do - Sanctus. Sanc Do - mi - mi-nus De - mi-nus De - mi-nus De - tus, Sanc nus De - us us,. De - us us, De - us us, De - us. tus, tus, Sa - a- oth.. Sa - a- oth.. Sa - a- oth. Ple -. Sa - a- oth. 13 V Ple - ni sunt Ple - ni sunt coe - li coe - li ter - ra glo - ter - ra ri - a - - glo - ri - a a. a. ni sunt coe - li ter - ra glo - ri - a a. Ple - ni sunt coe - li ter - ra glo - ri - a a. 19 V O - san - O - san - na ex - na ex - cel - sis, O - cel - sis, san - na ex - cel - ex - cel - sis, O - san - sis, O - san - O - san - na ex - cel - N sis, O - san - na ex - cel - sis, O - san - na ex - cel - sis, O-san - Sanctus - 1

20 15 25 V na na ex - ex - cel - cel - sis. n sis. Be - ne - dic - Be - ne - tus qui ve - dic - tus nit. qui ex - na ex - cel - cel - sis. sis. Be - ne - dic - Be - ne - tus qui dic - tus qui 31 V. no - mi - ve ve - nit ve - nit N ne Do - mi - nit no - mi - ne no - mi - ne, no- mi - no-mi - ne Do Do - mi - ne,. ne Do - mi - ne, ne Do - mi -. no - mi - ne mi -. ne, no - mi -. ne, no - mi -. Do - mi - no V ne ne Do Do - mi -. n mi - ne. ne. O-san - O-san - na ex - na ex - cel - sis, cel - sis, O - ne, Do mi - ne. O-san - na ex - cel - sis, O - mi - ne Do mi - ne. O- 42 V O-san-na san - na ex-cel - ex-cel - sis,. sis, O - O-san - san - na na ex - ex - ex-cel - cel - n sis. sis. san - na san - na ex-cel - ex-cel - sis, O-san - sis, O-san - na na ex - cel cel sis. sis. Sanctus - 2

21 16 Agnus Dei I and III C C V C C. Ag - Ag - nus Ag -. Ag - nus nus De - De - i, nus De - De - i, i, Ag - Agnus Dei Ag - nus De - i, Ag - nus Ag - nus De - i, nus De - De - i, qui i, qui i, qui tol - qui tol -. tol - lis pec - tol - lis pec - lis pec - ca - lis pec - ca - 7 V ca - ta mun - ca - ta mun - - ta mun -. di: mi - do - na se -. di: mi - do - na se - re - no - is re. di: mi - se - do - na re - no - is re no - pa - re - re no - is no - pa - no - pa - n is, cem, qui tol - is, cem, qui is, pec - cem, lis pec - ca - ta. tol - lis pec - ca - ta mun - ca - mun - ta mun - - ta mun - di: qui tol - lis pec - ca - ta mun - 13 V di: di: di: di: mi - do - mi - do - mi - do - mi - do - na se - na se - re - no - se - na re - no - se - na re - no - re is re - no - re is re is no pa re is no pa no - pa - no pa is. cem. n is. cem. is. cem. is. cem. Agnus Dei II V Ag - nus De - i, qui tol - lis pec - ca - ta mun - di: mi - se - re - re no - is. Agnus Dei - 1

22 York Early Music Press Catalogue Editions availale no Editor A Garieli Missa Quando lia sperai (SATTB) Per Seymour from Primus lier missarum (1572) Victoria Four psalms (doule choir + org) Per Seymour Victoria Three psalms (doule choir + org) Per Seymour Victoria Four Marian Antiphons (doule choir + org) Per Seymour Seelck Anthology of (4) mots (SA/TTTB + c) Per Seymour Seelck Anthology of (4) Christmas mots (S/ATTTB + c) Per Seymour Seelck Anthology of (4) Passionti mots (SATTB + c) Per Seymour Laes Psalms to Comon Tunes (STTB-c) Paul Gameson Boëss Mots for high voices, Vol. 1 Paul Gameson Boëss Mots for mixed voices, Vol. 1 Paul Gameson Boëss Mass du troisième mo (SSSA + c) Paul Gameson Boëss Mass du quatrième mo (SSA + c) Paul Gameson Gratiani Magnificat (SATTB + c) Paul Gameson Helfer Missa Benedicam Domum (SATB) Paul Gameson Helfer Missa Laatus sum (SATB) Paul Gameson Editions availale March 2003 Leondaritis 3 masses Miranda Caldi Missa Laatus sum (SATB; SATB) Missa Aller mi faut la verdure (SSATTB) Missa e prens en grez (SS/AATTB) Leondaritis (38) Mots (SATTB) Miranda Caldi Du Mont 3 St Cecilian Mots (SSATBB + c) Paul Gameson Editions planned to e compled later 2003 Boëss Mots Paul Gameson Bouzignac Mots Paul Gameson Charpentier Anthology of Psalms Paul Gameson Purcell Songs & dialogues Per Seymour Blo Songs & dialogues Per Seymour effreys Anthems, mots Per Aston Blo St Cecilia s Day O Per Seymour Purcell, D St Cecilia s Day O Per Seymour Purcell, D Occasional Os Per Seymour Blo Strg trios Per Seymour Matteis, N Strg suites Simon ones

Charles d Helfer. Missa: Laetatus Sum

Charles d Helfer. Missa: Laetatus Sum Charles d Helfer (d. after 1664) Missa: Laetatus Sum (SATB) Edited by Paul Gameson in association ith Charles d Helfer (d. after 1664) Missa: Laetatus Sum Edited by Paul Gameson Introduction Editorial