ANCIENT GROOVE MUSIC ( ) Motets for Holy Week. Edited by BEN BYRAM WIGFIELD

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1 ANIENT GRE MSI ANTNI LTTI ( ) Motets for Holy Week Edited by BEN BYRAM WIGFIELD 1. Arbor dignisma 2. nes No nes No Sepulto Dino 5. ere languores nostros.anientgroove.o.uk

2 NTENTS 1. Arbor dignissma 1 2. nes No nes No Sepulto Dino 8 5. ere languores nostros 9 EDITRIAL NTES As ell as riting large-sale, ostentatious, onertato orks in a ontemporary style, he also rote a large body of more funtional orks for voies, ith optional organ apaniment. These orks are ritten in the stile misto : hile seemingly onforming to potional traditions dating bak to Palrina, they also inlude muh more modern praties, suh as modulations and hratiism. The text of Arbor dignisma is different fr that usually found in the Ran liturgy, and so it may ell have been ritten for use in San Maro, hih had its on liturgial tradition. The autograph manusript of nes No. 1 and Sepulto Dino desribes the orks as per il Giovedi S. a S. Sepolhro. This as a onvent a little further don the Riva degli Shiavoni fr La Pietà, and as demolished under Napoleon s suppreson of monasteries and onvents. ere languores nostros is one of Lotti s most frequently opied orks, found in se 40 manusript soures. It may have be ritten for the hurh of S. Zulian, for hih Lotti is knon to have ritten a body of threepart men s voies settings. Ben Byram-Wigfield London, 2017

3 ANIENT GRE MSI Arbor dignisma Edited by Ben Byram-Wigfield ANTNI LTTI ( ) Soure: Bibliotea onservatorio G. erdi, Milan (I-M), Ris M 49. Note values have been halved. Alto Tenor # N Tenor Ar - bor di - gnis - - ma in qua sa - lu - tis au Ar - bor di - gnis - -ma in qua sa - lu - tis au Bass 6 Ar #. - bor di - gnis - - ma in qua sa - lu - tis au tor, in qua sa - lu - tis au tor, in qua sa # a - lu - tis au -. tor, in qua sa Ar - bor di - gnis - -ma in qua sa - lu - tis au # - lu - tis au -

4 2 Arbor dignisma 11. tor pro. tor pro. tor pro. tor pro - pri -a mor - te mor -tem - ni - um su - pe - ra pri -a mor - te mor - tem - ni -um su - pe - ra vit, su - pe - - pri -a mor - te mor -tem - ni - um su - pe - ra pri -a mor - te mor -tem - ni - um su - pe - ra - vit, su - #. # # # vit, 16 # # vit. rux mi - ran - da, ae - gris sa - lus - gnum [h. = h] ra. su pe-ra - vit. vit. rux mi rux mi - ran - da, ae - gris sa - lus - gnum - ran - da, ae - gris sa - lus - gnum pe - ra - vit. rux mi - ran - da, ae - gris sa - lus - gnum 23 vi vi vi vi - tae, dul - e pon - dus su - sti - nens. To - lens mor -tem vi-tam do tae, dul - e pon - dus su - sti - nens. - tae, dul - e pon - dus su - sti - nens tae, dul - e pon - dus su - sti - nens..... [h = h.].. To - lens mor -tem vi-tam do -. To - lens mor -tem vi-tam do -. # To - lens mor -tem vi - tam do -.

5 Arbor dignisma nas, # on-tra de -mo-nes vi-to -ri-am, vi -to -ri -am, tri - um - nas, on-tra de -mo-nes vi -to -ri -am, vi -to -ri-am, vi -to -ri-am, tri - um - pha -. nas,. nas, on-tra de -mo-nes vi-to -ri-am, vi -to -ri-am, tri-um - pha # on-tra de -mo-nes vi-to -ri-am, vi -to -ri-am, tri -um - pha # # a trix, # # # 34 # pha # # trix, re - por - ta sti. Do - mi - #.. tri - um - pha - trix, re por - ta sti. Do - mi - # # trix re - por - ta sti. Do - mi trix re - por - ta sti. Do - mi ne, ne, ne, # ne,. tu-am ru - em ad - o - ra - - mus per or-bem to - tum mi-an -ti. tu-am ru - em ad - o - ra - - mus per or-bem to - tum mi-an -ti. tu-am ru - em ad - o - ra - - mus per or-bem to - tum mi-an -ti.. tu-am ru - em ad - o - ra - - mus per or-bem to - tum mi-an -ti

6 4 Arbor dignisma 44. su - mi-ne ful - gen su - mi-ne ful - gen tem. Fa nos di - gnos te lau -. su - mi-ne ful - gen tem. Fa nos di -. #. tem. [h. = h] su - mi-ne ful - gen tem. Fa nos di - gnos # gnos 50. gra - tiam tu - am in - vo - an # # # # # da te te re, gra - tiam tu - am in - vo - an - lau lau. - da - re, gra - tiam tu - am in - vo - an da - re, gra - tiam tu - am in - vo - an - # tes,. ae - li re - giam pe - ne - tra # #. # re. tes, ae - li re - giam pe - ne - tra tes, ae - li re - giam pe - ne - tra tes, ae - li re - giam pe - ne - tra re. # re. re.

7 ANIENT GRE MSI nes 5 Edited by Ben Byram-Wigfield ANTNI LTTI ( ) Soprano Alto Tenor Bass b b b b Adagio assai, e devoto.... # n - nes, o - nes qui trans - i - tis per - nes, o - nes qui trans - i - - tis per vi - - nes, o - nes tis per vi - qui trans i n n. - nes, o - nes qui trans - i - tis per 7 b b b b vi - am, at - ten - di - te et vi - de - # - - am at - ten - di -te et vi - de - te do am at - ten - di -te et vi - de - te do - vi... #. - am at - ten - di - te et vi - de - #. te te n lor lor 13 b b b b do do - lor - ut do -lor me - us, - ut do - lor me ut do - lor me us, - ut do - lor me ut do - lor me - us, - ut do lor me #. #.. - lor - ut do -lor me - us, - ut do - lor me n n # #. N n n n # # Soure: Stokholm, The Nydahl olletion, MMS 865: an autograph set of parts. Note values have been preserved, though the last bar is originally a breve. The mu of the tenor and alto parts ould sugg that the key gnature has been ignored, as B flats are expliitly stated ith aidentals, and B naturals seem to be implied here no aidental is given. Bar 12, S: last note is G in soure, hanged to F to imitate points in 10,

8 6 ANIENT GRE MSI nes (No. 2) Edited by Ben Byram-Wigfield ANTNI LTTI ( ) Soure: Milan, onservatorio G. erdi, Ris.M49. Note values have been halved. Soprano. - nes, -nes qui trans -i - tis per vi - Alto. Tenor. - nes, -nes qui trans -i - tis per vi - Bass. - nes, -nes qui trans -i - tis per vi - - nes, -nes qui trans -i - tis per vi - 6 am, at am, at - ten - di - te, at - ten - di - te, et vi - de - am, at - ten - di - te, at - ten - di - te, et vi -. - ten - di - te, at - ten - di - te et vi am, at - ten - di - te, at - ten - di - te et vi -

9 nes (No. 2) 7 10 de. - te do - lor - mi - lis, # te do - lor - mi - lis, de te - do - lor, do - lor - mi -lis - # n.. de - te do - lor - mi - lis 14 # # # - ut do - lor me - us, do - - ut do - lor me ut do - lor me # - ut do - lor me - us, us, do - lor us, do - 18 n. # lor - mi - lis, - ut do - lor me do - lor - mi - lis - ut do - lor me # mi - lis, - ut do - lor me # lor - mi - lis - ut do - lor me # #

10 8 ANIENT GRE MSI Sepulto Dino Edited by Ben Byram-Wigfield ANTNI LTTI ( ) Soure: Stokholm, The Nydahl olletion, MMS 865: an autograph set of parts. The ork ould ealy be performed by men's voies as ATTB. Soprano Alto Tenor b b b Adagio assai e devoto Se - pul - to, se - pul - to Do - mi - no - gna - tum Se - pul - to, se - pul - to Do - mi - no - gna - tum Larg e e on pausa... Languido # # Bass b Se pul to, - - se - pul - to Do - mi - no - gna - tum. Se - pul - to, se - pul - to Do - mi - no - gna - tum 6 b b b b mo mo-nu-men tum vol -ven-tes la - pi-dem ad os - ti -um mo-nu - # # - - nu - men - tum vol-ven-tes la - pi-dem ad os - ti - um mo - mo-nu-men - tum vol -ven-tes la - pi-dem ad os - ti - um #. mo-nu-men - tum vol-ven-tes la - pi-dem ad os - ti - um mo-nu - b. b.. b.... b b n 13 b b b b - nu-men - ti, po-nen - tes mi - li - tes, qui us-to - di - rent il b men n mo-nu-men - po-nen-tes mi - li - tes, qui us-to -di - rem il men ti, po-nen - tes mi - li - tes, qui us-to - di - rent il n ti, b b ti, po-nen - tes mi - li - tes, qui us-to - di - rem il lum. lum. lum. lum.

11 ANIENT GRE MSI ere languores nostros 9 Surely he has borne our griefs and arried our transgresons. Isaiah 53:4 Edited by Ben Byram-Wigfield ANTNI LTTI ( ) Soure: enie, Arhivio di San Maro, B1187/1-17. The organ part is an editorial sore redution and is optional. The voal soring in the soure is TTB. This has been hanged to ATB to be more useful to standard men's voie groupings. Alto Grave.. Tenor e - re lan-guor - es no stros, ve - re lan -guor-es no -. # n e - re lan -guor-es no - stros, ve - re lan-guor - es no - Bass e #. #. n - re lan -guor-es no - stros, ve - re lan -guor-es no stros ip - se, ip -se tu - lit, lan - guor-es, lan - guor-es no - stros ip - se tu - lit, lan- - stros ip - se, ip -se tu - lit, lan - guor -es, lan - guor-es no - stros ip - se tu - lit, lan- n n - stros, ip - se, ip -se tu - lit, lan -guor -es, lan -guor -es no - stros ip - se tu - lit, lan- n n n

12 10 ere languores nostros 15 guo-res no - stros ip - se tu lit, et do - lo - res no - stros, do - lo -.. res n.. guo-res no - stros ip - se tu lit, et do - lo - res no - stros, do - lo - res b # guo-res no - stros ip - se tu lit, do -lo-res no - stros do -lo-res 22. no - stros, ip - se por - ta - vit, ip - se por - ta - vit, et do - lo - res no n n. no - stros, ip - se por - ta - vit, ip - se por - ta - vit, et do - lo - res no #. n no - stros ip - se por - ta - vit, ip - se por - ta - vit, et do - lo - res no stros ip - se por - ta vit, ip -se por - ta - vit. # # n - stros, ip - se por - ta vit, ip -se por - ta vit. # n # N - stros, ip - se por - ta vit, ip -se por - ta - vit.

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