Design for All in Arts, Culture and Nature

Transcription

1 Design for All in Arts, Culture and Nature

2 DESIGN FOR ALL

3 WHY DESIGN FOR ALL? In a mainly visual world, threre are so many other sensory keys to trigger to bring accessibility to all. Design for all is about finding a new paradigm, a new way of building bridges between the public and the art, history and culture that surrounds us. It assumes it is possible to create solutions that everyone can use, primarily people with sight loss. It breaks down isolation. It is good for everyone because it is effective, positive and inclusive.

4 A NEW EXPERIENCE FOR ALL Addresses the diversity of audiences and needs More sharing More learning More memorisation Allows an intuitive appropriation DESIGN FOR ALL Provides with a wide variety of modalities YOU YOUR VISITORS Relies on multi-sensory content interpretation New audiences More inclusivity More satisfaction

5 WHAT DO WE DO? - Tactile and sensory - scent and audio - stations - Tactile and interactive solutions to find your bearings - Hands-on models - Interactive devices - Relief depiction of images, architecture and objects - interpreted for sensory learning - Tactile books - Tactile museum labels

6 REFERENCES Musée du Louvre Abu Dhabi - Musée de Louvre Paris - Musée du Louvre Lens - Petite Galerie du Louvre - Musée Quai Branly Musée d Art Moderne de la Ville de Paris - Pantheon - MuCEM/Museum of European and Mediterranean Civilisations in Marseille - Museum of the City of Poitiers - Château de Versailles - Musée International de la Parfumerie Grasse - National Opera Bordeaux - Musée de l Homme - Louis Vuitton Foundation - Château Azay-le-Rideau - Eiffeltower - Royal Fortress of Chinon - Château Champs sur Marne Chateau de Suze la Rousse -Musée Confluences hors les murs - Musée Cognacq Jay - Musée Bourdelle - Historical Museum von Marseille Victoria & Albert Museum Musée de Saint Omer - Archeological Museum of Jublains - Musée d Orsay - Amphitheater of Nîmes - Museum of the History of the City of Marseille - British Museum - Musée Fabre - Familistere de Guise - City of Paris - Musée de Sauveterre - Cité de la Mer - Temple of Mercury/Conseil régional du Puy de Dôme - SNCF / Department for Accessibility - Museon Arlaten - Etablissement de La Villette - Museum of Liverpool - Staaliches Museum für - SAC puerta di Italia, Italy - Deutsches Museum Munich - Staaliches Museum für Archäologie Chemnitz - Bundeskunsthalle, Bonn - Berlinische Galerie - Haus der Kulturen der Welt, Berlin - LWL Museum für Kunst und Kultur, Münster - Deutsches Technikmuseum, Berlin - Historisches Museum Frankfurt - Anne-Frank Zentrum, Berlin - Stadtmuseum Stuttgart Freilichtmuseum Kommern - Belvedere, Vienna «The Work of Tactile Studio represents the embodiment of the Design for All» Florent Orsoni, École de Design Nantes Atlantique, Sustainable cities design lab director

7 CO-CREATE UNIVERSALITY An innovative project on tactile books with the NGO Anderes Sehen e.v., Berlin, Inclusion and accessibility in museums are at the heart of our work, as well as curiosity, openness and co-creation nourish our know-how. We provide museum-makers guidance and advice on how to conceive an inclusive exhibition thanks to workshops and participative actions that frequently embark our ever growing network of partners.

8 ENGAGE EVERYONE Chateau Champs-sur-Marne, Relief depiction of Tapestries All of our objects and interactives are ergonomically shaped and scientifically tested to be accessible to all visitors. We are keen on running frequent tests with our users, thanks to long-lasting collaborations with local and national charities.

9 BENEFIT FROM THE LATEST INNOVATIONS Musée de l Homme, Paris, Olfactive Station Tactile Studio is a combination of expertises : ergonomics, pedagogy, content design, braille transcription, illustration, 3D design, technology and «crafts of the beau». Increasingly, thanks to new affordable devices, we embed technological innovative solutions that expand your accessibility program to new heights.

10 MAGNIFY THE SETTING Louvre, Islamic Art, Tactile Interpretation of a bowl We want our designs to blend in with your settings, mood, and architecture. We use materials adapted to, not just the application, but the location. We have built up our experience across many projects with numerous types of materials: natural and artificial, from wood to metal, Corian, Plexiglas, synthetic resins, etc.

11 PROCESS

12 OUR PROCESS HOLISTIC APPROACH DESIGN PHASE PRODUCTION TRAINING Stage project development with all stakeholders Interpretation : content design, sketchs and 3D test with BPSP UV / 3D printing + hand finishing Teams outreach and practical training

13 PROJECTS

14 SOLUTIONS FOR ORIENTATION

15 RELIEF DEPICTIONS OF PAINTINGS, ARCHITECTURE AND OBJECTS

16 HANDS-ON MODELS OUR TEAM

17 SPECIAL MENTIONS

18 Entreprise du Patrimoine Vivant (EPV): Sign Design Society Award: French Department for Culture: #1 Best Practice 2017: The EPV label is a high standard mark of recognition of the French State, put in place to reward French firms for the excellence of their traditional and industrial know-how. The Sign Design Society is the union of signage professionals in the United Kingdom. This award was presented for the multisensory orientation table designed by Tactile Studio and its partner Eo Guidage. The collection «Culture and Disabilities» handbook for accessibility best practices released by the French Ministry of Culture and Communication promotes Tactile Studio s work. It shows more than ten sensory accessibility practices from our expertise across of all-size projects over France s Culture and Heritage sites. The InterReg Central Europe Consortium has written a report that presents the state of the art of accessibility in Europe. Tactile Studio with the Louvre Pavillon de l Horloge project is presented as the first reference of best practice for accessibility in museums.

19 Thank you!