GET WHAT YOU PAY FOR. Bryson G
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1 GET WHAT YOU PAY FOR By Bryson G Escapist 2015 brysong417@gmail.com
2 FADE IN: INT. HOME - DAY A young man scrolls past various lenses on his computer. Four and five figure prices stare back at him., mid 20 s, shakes his head but searches for other lenses on another site. A busted nifty-fifty to his left lies on the table, K.I.A. He stumbles across one site, an obnoxious male wears sunglasses and a grin, a bulky camera and huge lens held in his mits. Thing looks like a canon. Venice chuckles at the shady site, looks to his mangled fifty millimeter, and searches for his replacement. POV A slick fifty mill, with a beyond affordable price it s almost criminal. He reads aloud the delivery method. He sighs. (O.S.) One of our representatives will meet you in the alley on third. Order now and this item will be in your hands by tommorrah! Tommorrah?! Why not? (O.S.) (CONT D) The pointer on the screen clicks "buy". EXT. ALLEY - DAY THE NEXT DAY The alley snakes its way between homes and trash bins. Venice waits around, checks his watch, when a lone man strolls down the alley, he holds a small box and nibbles on a sandwich., late thirties, the slob holds the huge camera from the website. He has an old neon paper wristband on, stamp on the back of his hand, and big sunglasses on.
3 2. (to himself) What the hell...? Are you the guy? Are you Tommy? Yes sir. Tommy One Shot. You ordered the lens, right? Yeah. Tommy hands over the small box, Venice hands over the money. A beat passes. You got some mustard? Venice gives him a long look. (CONT D) This sammy is missin something! Hate to throw it away, and all it needed was some damn mustard. Shit. Tommy takes a huge bite out of it. O...kay. I m gonna head on back now. Hope you find that mustard. Me too. Hey! Any problems with the lens you let us know. We re twenty four seven baby. All day....alright. Deuces. Tommy turns his back to Venice and walks back from where he came.
4 3. INT. HOME - DAY Venice puts his small box on a dining room table, sits and opens it up. His curious face turns sour at what he sees. He pulls out a purple crown royale bag with something in it. He stares at it, then shakes it. The sound doesn t mimic that of a lens, doesn t mimic the sound of a lens at all. Venice opens the bag up and peers inside. WHAT THE FUCK?! He dumps it out on the table. FILTHY ROCKS tumble from the velvet bag onto he tabletop. Venice stands and stares at the rocks, he throws a haymaker at the air in anger. He digs his phone out of his pocket and makes a call. Tommy One Shot s voice is heard. (V.O.) Sorry I couldn t answer, I m probably too busy counting this lens money, baby bayyyy bay! Ha ha ha ha!!! Tommy One Shot...Tommy One Shot...Tommy One shot!!! Oh yeah! CLICK! CLICK! CLICK! BEEP! Venice looks at his phone, eyebrows clinched, he ends the call. AN HOUR AND SIXTEEN MINUTES LATER Venice calls back. This time, a female REPRESENTATIVE answers. REPRESENTATIVE (V.O.) Hello? Uhh, thank you for calling Tommy One Shot s camera shop. This is...vickie, how can I help you? Where s Tommy? I want to speak to Tommy.
5 4. REPRESENTATIVE What seems to be the problem? He sold me a bag of rocks is the problem. He took my money. I m not JG Wentworth, but I want my money, and I want it...now! REPRESENTATIVE Mmm hmm. Well, we d love to help but how do we know you didn t just swap out the lens with a bag full of rocks yourself, you know? Would I be this damn upset, if I- I m taking this shit to the triple b, FCC-- REPRESENTATIVE Sir--your-reaking up--i--hear you- Sir? Hello? Hello?! Hello, god damnit?!! He looks to his phone, "CALL ENDED". Venice paces not like he s upset, but like a lion prowls inside a cage, as it contemplates it s escape. He sits, elbows on knees, chin in hand. FLASH ON Tommy One Shot s neon wrist band... FLASH ON Tommy One Shot s stamped hand... FLASH ON Venice reviews photos of a night club. FLASH ON Hands putting on the same wrist band on his wrist. HOME Venice raises his head from his palm. His face says it all.
6 5. EXT. CLUB - NIGHT Neon lights frame the doorway to the disco. A half full line of over dressed patrons wait to be let in. Another handful of people stand opposite side of the door, they smoke and chat it up. A well dressed man with a short and cute woman exit the club. His arm slung over her. The well dressed ladies man looks familiar, it s Tommy One Shot. The two walk past the line as they share a laugh, one patron turns around at the couple. Venice slips out the line and follows. EXT. PARKING RAMP - NIGHT Tommy One Shot and his date make it to his clean sedan in the middle of many. He opens the door for her, makes sure she s in, and closes it. He comes around the automobile, as Venice emerges from behind one of the parked cars. He slithers towards him. Tommy One Shot examines his trunk, he finds a small scratch He rubs the blemish. Venice closes in. Tommy One Shot leaves the imperfection when a hand grabs his shoulder and spins him around. The two are face to face. A bag of rocks? A BAG OF ROCKS?! Do I know you? Yeah! I m the guy you sold a sack of stones to instead of a lens. Call customer support, they ll help you. Tommy One Shot turns and heads for the door.
7 6. You re not going to give me back my money? Tommy One Shot stops....nope. Venice shakes his head. He notices a watch. That s a nice watch. Tommy One Shot turns to Venice. The female passenger opens the door slightly, and pokes her head out. FEMALE What s going on? Nothing, Darby. I ll be in a jiff. Uhh...okay. She looks at Venice through unimpressed eyes and shuts the door. Venice squints and tilts his head. Are we done here? Venice rubs his chin as he looks to the car, when it hits him... She s the one who answered the phone! Tommy One Shot smiles and shrugs. He turns to head to his car, when he s turnd around...again. As soon as he s facing Venice, Venice delivers an uppercut from hell to heaven. CRACK! Tommy One Shot s body lifts from the cement and damn near lands on his neck.
8 7. Tommy One Shot can t answer right now, he s in the middle of counting sheep. Darby hops out unaffected, she has a big and obnoxious purse slung around her forearm, and goes straight to Venice. She looks to Tommy One Shot and rolls her eyes. Look, how much did he get you for? Two. Darby digs out a check book and a pen. She signs and tears. That should cover it. I just wanted to take pictures. Not all this. No, it s fine. Maybe it ll teach his silly ass a lesson. If I ruined your night, I m sor- It s fine. Venice takes a last look at Tommy One Shot, and leaves. Tommy One Shot sleeps it off. INT. HOME - NIGHT TWO DAYS LATER Venice goes back to the expensive website and browses through the list of fancy glass. He picks one, he buys one. No hesitation. END
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